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Adrian L

Brooklyn, NY Member since October 2014

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Located in Greenpoint, Brooklyn Pilotlight offers a 250 sq ft. photo space suited for smaller size productions in editorial, portraiture, beauty, fashion, and still-life. The studio is perfectly sized for motion graphic effect shoots and light green screen work as well. 

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Blackmagic Design Production Camera 4K

Package Includes: 1x BMCC 4K Production Camera 2 x 1 TB SSD 1 x Shape Camera Cage 1x Shape Shoulder Mount 1x Shape Rail system 1x Shape Friction Follow Focus 1x 4x4 Mattebox 1x Manfrotto Fluid Head 1x Manfrotto Tripod 1x Cheesplate 1x Switchtronix Battery (approx 6 hours recording time)

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Package Includes:
1x BMCC 4K Production Camera
2 x 1 TB SSD
1 x Shape Camera Cage
1x Shape Shoulder Mount
1x Shape Rail system
1x Shape Friction Follow Focus
1x 4x4 Mattebox
1x Manfrotto Fluid Head
1x Manfrotto Tripod
1x Cheesplate
1x Switchtronix Battery (approx 6 hours recording time)

$450
per day
$450
per day
Blackmagic Design Production Camera 4K

The Blackmagic Design Production Camera 4K features a Super 35mm sized image sensor with a global shutter and a Canon EF lens mount. The camera is capable of recording Ultra HD 4K (3840x2160) and 1080p video using the 10-bit Apple ProRes 422 family of codecs, as well as the visually lossless, compressed 12-bit CinemaDNG RAW at 4000x2160 resolution. The built-in recorder utilizes removable 2.5" SSDs, which enable the high data rates required by RAW and 880Mbps ProRes HQ. The camera's ability to expose for 12 stops of dynamic range lends the image a truly film-like look, and the Super 35mm (21.12 x 11.88mm) sized sensor approximates the standard of traditional film. Package Includes: 1x BMCC 4K Sensor Camera Body 4x 1TB Samsung 840 Evo 2.5" SSD for 4K RAW and ProRes Capture 1x Switronix Powerbase 70 Battery 1x SHAPE Offset Shoulder Rig 1x Friction/Gear Follow Focus 1x Multi-Purpose Mounting Cheeseplate 1x 4x4 Mattebox 1x Telescopic Support Arm Rod Bloc 1x SHAPE Belt 1x Pelican Case for transport

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OWNER NOTES

The Blackmagic Design Production Camera 4K features a Super 35mm sized image sensor with a global shutter and a Canon EF lens mount. The camera is capable of recording Ultra HD 4K (3840x2160) and 1080p video using the 10-bit Apple ProRes 422 family of codecs, as well as the visually lossless, compressed 12-bit CinemaDNG RAW at 4000x2160 resolution. The built-in recorder utilizes removable 2.5" SSDs, which enable the high data rates required by RAW and 880Mbps ProRes HQ. The camera's ability to expose for 12 stops of dynamic range lends the image a truly film-like look, and the Super 35mm (21.12 x 11.88mm) sized sensor approximates the standard of traditional film.

Package Includes:
1x BMCC 4K Sensor Camera Body
4x 1TB Samsung 840 Evo 2.5" SSD for 4K RAW and ProRes Capture
1x Switronix Powerbase 70 Battery
1x SHAPE Offset Shoulder Rig
1x Friction/Gear Follow Focus
1x Multi-Purpose Mounting Cheeseplate
1x 4x4 Mattebox
1x Telescopic Support Arm Rod Bloc
1x SHAPE Belt
1x Pelican Case for transport

$395
per day
$395
per day
Flolight 3 Fluorescent Light Kit

The 1- FL-110AWD / 2- FL-220AWD 3 Fluorescent Light Kit (5,400K) by Flolight is a great way for single shooters or small production companies to take studio quality lighting on the road. The FL-110AWD fixture outputs the hot light equivalent of 500W while drawing very little power. The 2 included FL-220AWDs also operate on very little power but output double the amount of light as the FL-110AWD or the hot light equivalent of 1,000W. A padded carrying case and an 8.0' light stand is included for each light, as is a light stand bag for the three stands. Kit weight is approximately 69 lb (31.3 kg) The Flolight FL-110AWD Fluorescent Video Light with Wireless Dimming (5,400K Daylight) is a great choice for a studio fixture when high output, low running cost and soft light are priorities. The FL-110AWD uses two 55W fluorescent lamps to give you an impressive 500W hot light equivalent. That's impressive enough, but it does it with minimal heat and a low power draw of only 106.2W. That means that you won't toast the talent while saving money both on kilowatt usage of the fixture and on AC costs that would have been needed when the hot lights you used turned your studio into a sauna. And with a lamp life of about 8,000 hours the FL-110AWD is practically maintenance free. The Flolight FL-220AWD Fluorescent Video Light with Wireless Dimming (5,400K) is a great choice for a studio fixture when high output, low running cost and soft light are priorities. The FL-220AWD uses four 55W fluorescent lamps to give you an impressive 1,000W hot light equivalent. That's impressive enough, but it does it with minimal heat and a low power draw of only 193.5W. That means that you'll save money both on kilowatt usage of the fixture and on AC costs that would have been needed when the hot lights you used turned your studio into a sauna. You can also work closer to the talent without discomfort or fear of injury. And with a lamp life of about 10,000 hours the FL-220AWD is practically maintenance free. In situations where low light is required the built in 30 - 100% dimmer on both the FL-110AWB and the FL-220AWB allows you to reduce power either on the unit's side panel or with the included wireless remote control. Beam control is provided by the built-in 4-way barndoors and the included diffusion cloth. The fixtures come with lamps and 2 yokes to offer you a choice of vertical or horizontal mounting.

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OWNER NOTES

The 1- FL-110AWD / 2- FL-220AWD 3 Fluorescent Light Kit (5,400K) by Flolight is a great way for single shooters or small production companies to take studio quality lighting on the road. The FL-110AWD fixture outputs the hot light equivalent of 500W while drawing very little power. The 2 included FL-220AWDs also operate on very little power but output double the amount of light as the FL-110AWD or the hot light equivalent of 1,000W. A padded carrying case and an 8.0' light stand is included for each light, as is a light stand bag for the three stands. Kit weight is approximately 69 lb (31.3 kg)

The Flolight FL-110AWD Fluorescent Video Light with Wireless Dimming (5,400K Daylight) is a great choice for a studio fixture when high output, low running cost and soft light are priorities. The FL-110AWD uses two 55W fluorescent lamps to give you an impressive 500W hot light equivalent. That's impressive enough, but it does it with minimal heat and a low power draw of only 106.2W. That means that you won't toast the talent while saving money both on kilowatt usage of the fixture and on AC costs that would have been needed when the hot lights you used turned your studio into a sauna. And with a lamp life of about 8,000 hours the FL-110AWD is practically maintenance free.

The Flolight FL-220AWD Fluorescent Video Light with Wireless Dimming (5,400K) is a great choice for a studio fixture when high output, low running cost and soft light are priorities. The FL-220AWD uses four 55W fluorescent lamps to give you an impressive 1,000W hot light equivalent. That's impressive enough, but it does it with minimal heat and a low power draw of only 193.5W. That means that you'll save money both on kilowatt usage of the fixture and on AC costs that would have been needed when the hot lights you used turned your studio into a sauna. You can also work closer to the talent without discomfort or fear of injury. And with a lamp life of about 10,000 hours the FL-220AWD is practically maintenance free.

In situations where low light is required the built in 30 - 100% dimmer on both the FL-110AWB and the FL-220AWB allows you to reduce power either on the unit's side panel or with the included wireless remote control. Beam control is provided by the built-in 4-way barndoors and the included diffusion cloth. The fixtures come with lamps and 2 yokes to offer you a choice of vertical or horizontal mounting.

$175
per day
$175
per day
Rokinon Cine DS Prime Lens Set for Canon EF

3 lens kit - 14, 24, 85mm prime lenses The Canon EF mount Rokinon 14mm T3.1 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 14mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them. This lens is compatible with full-frame sensors and can also be used on APS-C-sized sensors, where the 35mm-equivalent focal length will be 22.4mm. The optical construction incorporates three high refractive index elements, two extra-low dispersion elements, one hybrid aspherical elements, and one aspherical element to reduce chromatic aberration and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images. The Canon EF mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them. This lens is compatible with full-frame sensors and can also be used on APS-C-sized sensors, where the 35mm-equivalent focal length will be 38.4mm. The optical construction incorporates four extra-low dispersion elements, as well as two aspherical elements, to reduce chromatic aberration and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images. The Rokinon 85mm T1.5 Cine Lens for Canon EF produces a slightly telephoto angle-of-view on full-frame sensors. It features a very fast maximum aperture of T1.5 and an 8 blade iris, for shallow depth of field with attractive bokeh. The focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been "declicked", which facilitates smooth iris pulls. The 85mm has a minimum focus distance of 3.6'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 7 groups, including one aspherical element to reduce spherical aberrations. In addition, a multi-coated elements help improve light transmission.

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OWNER NOTES

3 lens kit - 14, 24, 85mm prime lenses

The Canon EF mount Rokinon 14mm T3.1 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 14mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

This lens is compatible with full-frame sensors and can also be used on APS-C-sized sensors, where the 35mm-equivalent focal length will be 22.4mm. The optical construction incorporates three high refractive index elements, two extra-low dispersion elements, one hybrid aspherical elements, and one aspherical element to reduce chromatic aberration and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images.

The Canon EF mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

This lens is compatible with full-frame sensors and can also be used on APS-C-sized sensors, where the 35mm-equivalent focal length will be 38.4mm. The optical construction incorporates four extra-low dispersion elements, as well as two aspherical elements, to reduce chromatic aberration and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images.

The Rokinon 85mm T1.5 Cine Lens for Canon EF produces a slightly telephoto angle-of-view on full-frame sensors. It features a very fast maximum aperture of T1.5 and an 8 blade iris, for shallow depth of field with attractive bokeh. The focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been "declicked", which facilitates smooth iris pulls.

The 85mm has a minimum focus distance of 3.6'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 7 groups, including one aspherical element to reduce spherical aberrations. In addition, a multi-coated elements help improve light transmission.

$125
per day
$125
per day
BMD 4K Smartview Field/Grading Monitor

Includes: 1x PortaBrace Travel Case 1x C-Stand mount compatible VESA arm 1x 50 ft SDI Cable 1x 6ft power cable The Blackmagic Design SmartView 4K is a professional 15.6" TFT LCD monitor with a native resolution of 3840x2160 and two multi-rate 12G-SDI inputs. The inputs automatically switch between SD, HD, and 4K formats, including Ultra HD (3840x2160) at 60 fps and DCI 4K (4096x2160) at 24 fps. The machined metal frame provides built-in control buttons for access to advanced broadcast features, including 3D LUTs, H/V delay, blue channel only, and customizable frame markers. The chassis is rack-mountable (6 RU) and also has VESA mounting holes for installation on articulating arms. When monitoring SD, 720p, or 1080p SDI sources, the built-in Teranex processor uses Blackmagic's patented and proprietary PixelMotion algorithms to automatically de-interlace and scale video to the native Ultra HD resolution of the LCD. This gives users optimum image quality, even when working with lower resolution images. In addition to the front panel buttons, the monitor can be controlled remotely via the rear Ethernet connection with loop output using the included software for Mac and Windows. With both AC power as well as 12V DC power inputs, the SmartView 4K is well suited for use in the studio or on set.

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OWNER NOTES

Includes:
1x PortaBrace Travel Case
1x C-Stand mount compatible VESA arm
1x 50 ft SDI Cable
1x 6ft power cable

The Blackmagic Design SmartView 4K is a professional 15.6" TFT LCD monitor with a native resolution of 3840x2160 and two multi-rate 12G-SDI inputs. The inputs automatically switch between SD, HD, and 4K formats, including Ultra HD (3840x2160) at 60 fps and DCI 4K (4096x2160) at 24 fps. The machined metal frame provides built-in control buttons for access to advanced broadcast features, including 3D LUTs, H/V delay, blue channel only, and customizable frame markers. The chassis is rack-mountable (6 RU) and also has VESA mounting holes for installation on articulating arms.

When monitoring SD, 720p, or 1080p SDI sources, the built-in Teranex processor uses Blackmagic's patented and proprietary PixelMotion algorithms to automatically de-interlace and scale video to the native Ultra HD resolution of the LCD. This gives users optimum image quality, even when working with lower resolution images. In addition to the front panel buttons, the monitor can be controlled remotely via the rear Ethernet connection with loop output using the included software for Mac and Windows. With both AC power as well as 12V DC power inputs, the SmartView 4K is well suited for use in the studio or on set.

$175
per day
$175
per day

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