Du-All Camera has recently moved to Westfield, New Jersey.
We have been in business for over 40 years. We rent, sell and repair motion picture equipment.
Includes: 1x Atlas ORION SERIES 32 MM ANAMORPHIC T2 2X, 1x Atlas ORION SERIES 50 MM ANAMORPHIC T2 2X, 1x Atlas ORION SERIES 80 MM ANAMORPHIC T2 2X
INCLUDES
OWNER NOTES
ORION SERIES 32 MM ANAMORPHIC 2X
ORION SERIES 50 MM ANAMORPHIC 2X
ORION SERIES 80 MM ANAMORPHIC 2X
CASE ORION PRIMES 32&50&80
Includes: 1x Atlas ORION SERIES 40 MM ANAMORPHIC T2 2X, 1x Atlas ORION SERIES 65 MM ANAMORPHIC T2 2X, 1x Atlas ORION SERIES 100 MM ANAMORPHIC T2 2X
INCLUDES
OWNER NOTES
ORION SERIES 40 MM ANAMORPHIC 2X T2
ORION SERIES 65 MM ANAMORPHIC 2X T2
ORION SERIES 100 MM ANAMORPHIC 2X T2
CASE ORION PRIMES 40&65&100
Includes: DZO Vespid 25mm T2.1 PL FF Prime Lens, DZO Vespid 35mm T2.1 PL FF Prime Lens, DZO Vespid 50mm T2.1 PL FF Prime Lens
INCLUDES
OWNER NOTES
Relatively small and lightweight, the DZOFilm VESPID 25mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.
The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 64° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems. The lens has a magnetically attached rear filter for ND filters.
This 25mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.
The lenses provide an organic look that is a cross between the modern-day cold and technically precise aesthetic and vintage cinema lenses.
The coated optics help provide natural-looking contrast while helping to control veiling glare and specular highlights, preventing flares from washing out your image.
The 16-blade iris makes for a natural-looking bokeh and creates smooth rounded out-of-focus highlights.
The modern mechanical design allows each lens to have a small size and light weight yet share the same 80mm front diameter and common gear positions for fast lens changes.
The rear of the lens has a magnetically attached rear filter that accepts optional ND filters that help you control exposure without affecting the iris setting or changing your depth of field.
The front of the lens has a 77mm filter thread, allowing you to use optional filters directly on the lens, which is useful when you need filtration when shooting without a matte box.
A minimum focusing distance of 12" allows you to get up close to your subject.
Includes: 5x 95mm Front Cap, 5x PL Mount Rear Cap, Pelican Case Model 1550 with Custom Foam
INCLUDES
OWNER NOTES
Included are:
Leica 19mm T2.9, Leica 28mm T2.9, Leica 35mm T1.5, 50mm T1.5, 80mm T1.5
IMPORTANT: these are GL Optics LATEST 4th GENERATION housings, which are superior to their old housings in every way. They are lighter, have smoother mechanics, and are more reliable than their predecessors. The lenses have 330 degree focus throw, 95mm fronts, PL mounts, and matching gear positions. GL improved close focus on almost every focal length, so nearly every lens focuses unbelievably close. These are professional cinema lenses ready for demanding productions.
Also, only the GL Optics MK-IV housings cover Full Frame without vignetting on all focal lengths. These lenses cover Full Frame Sensors like ARRI Alexa LF, Alexa Mini LF, Sony Venice, RED Monstro, Canon C500MKII, and Sony FX-9. Be mindful of older GL housings, many of which vignette or porthole on the 19mm, 24mm, and 28mm. Those were designed years ago for Super 35 coverage. These do not.
Du-All is a wonderful resource for filmmakers and have wonderful technicians to service your existing gear :)
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