Arri ALEXA SXT EV

While keeping the sensor and user interface of the original ALEXA design, the capabilities of ALEXA SXT cameras have been greatly extended. Equipped with the powerful electronics and sophisticated image processing of the ALEXA 65, SXT cameras can manage more recording formats and handle more processor-intensive tasks such as calculating looks with 3D LUTs or color space conversions to Rec 2020, all in real time. Building on work done originally for the ALEXA Mini and AMIRA, the new ARRI look management and optional noise reduction help creative filmmakers get their ideas across. And last but not least, the new media bay can accept a wide range of media, as well as the new, high-performance SXR Capture Drives.

Film-like, organic look
High Dynamic Range
14+ stops dynamic range over the entire EI range as measured with the ARRI Dynamic Range Test Chart
future proof for High Dynamic Range (HDR) displays
16 bit in-camera processing
gentle highlight roll-off
low noise floor
holds up extremely well when over or underexposed
Sharp, natural images for HD, 2K, 4K UHD and 4K Cine deliverables
Unique tall sensor is ideal for anamorphic shooting
High Frame Rate (HFR)
up to 120 fps in full image quality
High sensitivity
true base sensitivity of EI 800
adjustable from EI 160 to EI 3200


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While keeping the sensor and user interface of the original ALEXA design, the capabilities of ALEXA SXT cameras have been greatly extended. Equipped with the powerful electronics and sophisticated image processing of the ALEXA 65, SXT cameras can manage more recording formats and handle more processor-intensive tasks such as calculating looks with 3D LUTs or color space conversions to Rec 2020, all in real time. Building on work done originally for the ALEXA Mini and AMIRA, the new ARRI look management and optional noise reduction help creative filmmakers get their ideas across. And last but not least, the new media bay can accept a wide range of media, as well as the new, high-performance SXR Capture Drives.

Film-like, organic look
High Dynamic Range
14+ stops dynamic range over the entire EI range as measured with the ARRI Dynamic Range Test Chart
future proof for High Dynamic Range (HDR) displays
16 bit in-camera processing
gentle highlight roll-off
low noise floor
holds up extremely well when over or underexposed
Sharp, natural images for HD, 2K, 4K UHD and 4K Cine deliverables
Unique tall sensor is ideal for anamorphic shooting
High Frame Rate (HFR)
up to 120 fps in full image quality
High sensitivity
true base sensitivity of EI 800
adjustable from EI 160 to EI 3200