Arri Amira

393 listing

Description

The film and tv industry has embraced this incredible camera from Arri, and you should too. With 14 stops of dynamic range and a base sensitivity of 800 iso, this camera functions especially well in low light situations via its Super 35 sensor. This shoulder balanced camera makes shooting handheld a cinch and works perfectly for documentaries or reality series.

Owner's Notes

body, designed to let you pick it up and start shooting. Since the AMIRA’s sensor is the same as that of the ALEXA, you’ll get 14 stops of dynamic range, fantastic skin-tone rendition, a native ISO of

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Brand
Arri
Model
Amira

Reviews (68)

Average 3.8 Stars

Perfect transaction!

Arri M18 HMI with ballast

September 2016

Worked excellent and rental went smoothly!

Easy to rent from - great gear.

Luke's equipment is well maintained and he's a pleasure to rent from, will do so again in the future

Arri Alexa Package

September 2017

Great and very sweet!

Luke was very helpful and friendly. Renting from him for my first short was painless. I look forward to renting more from him. Thanks!

Arri Alexa Package

November 2017

Luke took excellent care of our gear. Despite the large amount of pieces involved everything came back extremely organized and in great condition. Friendly, punctual, and accommodating. Would be happy to rent to again!

Luke was very helpful and flexible with arranging pickup and dropoff

Luke was a true professional! Gear worked perfect and pickup and drop-off were a breeze. Great resource for any of your production needs in Gowanus. Thanks again!

Worked great. Renting from Luke was a pleasant experience.

great product and owner!

Packed with great tips and insights. Luke was so gracious to share all his hard earned knowledge.

February 2019

Great class! Would have preferred more actual lighting demonstrations, but Luke is a blast to learn from.

February 2019

Great presentation!

February 2019

Amazing workshop and learned so much about lighting from Luke! This is so worth it and thanks to Luke and Kitsplit!

February 2019

Amazing workshop, great to get some hands-on time instructed by an industry professional.

February 2019

Very knowledgable and entertaining DP - a great start to the Kitsplit workshop series. I was expecting the class to be more hands on and was surprised that 80 or so people were there. Smaller classes that cover multiple lighting setups (that are shorter, more affordable) would be great!

February 2019

Very informative!

February 2019

A very thorough course on lighting for anyone with various levels of experience.

February 2019

This class was fun and informative. Luke had a direct, plainspoken way of sharing insights that had an overall effect of demystifying his lighting wizardry. I also took away some practical tips that I imagine I will keep forever. The mixer portion was a bit crowded, so I didn't stay long there. But overall, time and money well spent.

February 2019

Went with a friend and ran into some old contacts. Was an interesting mixer, Luke was charming and knowledgeable for sure. Felt like an appropriate price for a chill hangout with other BK filmmakers. Would love to catch another one, but I also think I have an idea for how these could be a bit more interactive without being intrusive..plz follow up. Thanks for a great time!

February 2019

Luke was great, a total help.

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

A bit pricey but a fun mixer

February 2019

This was more of a talk than a course, but it was interesting nonetheless.

February 2019

Good overview. Might like more tips and demos but understood it's hard to fit into a 2hr class.

March 2019

Great class! Good info! Luke has some great experience and shares his insight. Good Demos and hands-on work. Might be nice to blast through a couple more set-ups.

March 2019

Thanks!

March 2019

Luke is the best! From the moment I picked up the Arri M18, he took time to help explain how to use it and was very thorough. He was also prompt on communication and very accommodating on the lighting rental.

Equipment was in great condition, and super flexible! Not a lot of places you can return at on 8pm on a Sunday, so thank you, Luke for that.

super informative workshop that challenged me to think about lighting differently!

March 2019

Great!

March 2019

Great event.

April 2019

I didnt make it

April 2019

I didnt make it

April 2019

I didnt make it

April 2019

I didnt make it

April 2019

I didnt make it

April 2019

I didnt make it

April 2019

I didnt make it

April 2019

Great session. Thanks!

April 2019

Was super basic and not really informative at all

April 2019

Was super basic and not really informative at all

April 2019

Was a fun event, met some new people and learned a few tricks!

May 2019

Great crash course into lighting theory.

May 2019

$950

per day

WEEK/WKND RATES

Equipment Replacement Value: $39,000


body, designed to let you pick it up and start shooting. Since the AMIRA’s sensor is the same as that of the ALEXA, you’ll get 14 stops of dynamic range, fantastic skin-tone rendition, a native ISO of 800, and EI range from 160 to 3200.

Recording in ProRes formats up to 4:4:4 in HD and 2K modes with frame rates up to 200fps, the AMIRA also includes all the standard frame rates of the ALEXA, in addition to some interlaced frame rates (59.94i and 50i), which are necessary for some broadcast applications. All recording is done to CFast 2.0 cards, which are fast and affordable. The camera features an internal motorized ND filter wheel with 0.6, 1.2, and 2.1 ND filters.

The AMIRA Premium is the highest-end of the AMIRA varieties, with the ability to shoot 2K 4444 ProRes, up to 200 fps, and in Log C installed in-camera.

Features:

Same sensor and image quality as the ARRI ALEXA
Records HD 1080 or 2K
Dynamic range of more than 14 stops, low noise, beautiful skintone and natural color rendering
Records Rec 709 or Log C images using ProRes LT, 422, 422HQ or 444 codecs
Speeds of up to 200 fps
Single-user ergonomics - perfect shoulder balance
Build-in ND filters
High-res OLED eyepiece and fold-away LCD monitor
Comes with a number of preloaded 3D Lut-based looks
Rugged and reliable build

Brand
Arri
Model
Amira

Owner

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