Red Dragon Intermediate Package

CAMERA Red Dragon 6k Body Red Titanium PL Mount Wooden Camera EF Mount Skin Tone, Standard, Low Light OLPF 5.0 LCD Screen w/6", 12" & 32" Lemo AC Power Adapter 5x 64GB 1.8 Redmag 2x 128GB 1.8 SSD 1.8 Red Station w/USB3.0 4x 93wh High Voltage Batteries Quad Charger Wooden Camera Quick Back V2 AB Jetpack w/ P-Tap, USB and 5/12V Lemo Tactical Top Plate, Baseplate, Dovetail 6x 12" Rods Wooden Camera A-Box - 2 XLR Input MATTEBOX & FILTERS BrightTangerine MIsfit 4x5.65 3-Trays 15mm-19mm Rod Adapter 143mm Black Hole Donut 143mm-80mm Clamp On Ring ND .3 ND .9 ND 1.5 85B 85.3 MONITORING SmallHD 702 Lite Monitor SmallHD 702 Bright Monitor w/ Director Cage Vaxis 1:2 Wireless System LENS CONTROL DJI Focus

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OWNER NOTES

CAMERA
Red Dragon 6k Body
Red Titanium PL Mount
Wooden Camera EF Mount
Skin Tone, Standard, Low Light OLPF
5.0 LCD Screen w/6", 12" & 32" Lemo
AC Power Adapter
5x 64GB 1.8 Redmag
2x 128GB 1.8 SSD
1.8 Red Station w/USB3.0
4x 93wh High Voltage Batteries
Quad Charger
Wooden Camera Quick Back V2
AB Jetpack w/ P-Tap, USB and 5/12V Lemo
Tactical Top Plate, Baseplate, Dovetail
6x 12" Rods
Wooden Camera A-Box - 2 XLR Input

MATTEBOX & FILTERS
BrightTangerine MIsfit 4x5.65 3-Trays
15mm-19mm Rod Adapter
143mm Black Hole Donut
143mm-80mm Clamp On Ring
ND .3
ND .9
ND 1.5
85B
85.3

MONITORING
SmallHD 702 Lite Monitor
SmallHD 702 Bright Monitor w/ Director Cage
Vaxis 1:2 Wireless System

LENS CONTROL
DJI Focus

$750
per day
$750
per day
Canon 5D Mark II

Canon 5D MkII with Magic Lantern and Technicolor Cinestyle installed. Package comes with 16gb CF card FW800 CF card reader w/cable 3 batteries Pearstone dual battery charger USB + HDMI cable optional (no additional cost): dual battery grip

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OWNER NOTES

Canon 5D MkII with Magic Lantern and Technicolor Cinestyle installed.

Package comes with

16gb CF card

FW800 CF card reader w/cable

3 batteries

Pearstone dual battery charger

USB + HDMI cable

optional (no additional cost): dual battery grip

$20
per day
$20
per day
Leica Summicron-C T2.0 Lens Set

18mm T2.0 25mm T2.0 35mm T2.0 50mm T2.0 75mm T2.0 100mm T2.0

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OWNER NOTES

18mm T2.0
25mm T2.0
35mm T2.0
50mm T2.0
75mm T2.0
100mm T2.0

$780
per day
$780
per day
Leica Summicron-C T2.0 Lens Set

18mm T2.0 25mm T2.0 35mm T2.0 50mm T2.0 75mm T2.0 100mm T2.0 135mm T2.0

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OWNER NOTES

18mm T2.0
25mm T2.0
35mm T2.0
50mm T2.0
75mm T2.0
100mm T2.0
135mm T2.0

$980
per day
$980
per day
Arri Alexa Classic EV

At the pinnacle of the range is the ALEXA Studio, featuring a quiet, adjustable mirror shutter and an optical viewfinder that provides a real-time, high contrast image with true colors. The Studio is a direct response to cinematographers’ requests for a camera that perfectly combines cutting edge digital image-making with traditional elements of the film cameras they have known and trusted for generations. Another key feature of the ALEXA Studio is its 4:3 sensor, which makes it the only digital camera (aside from the ARRIFLEX D-21) to boast true anamorphic capability. Anamorphic lenses create a unique, cinematic look that has been appreciated by directors and cinematographers for over half a century, and cannot be created in post.

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OWNER NOTES

At the pinnacle of the range is the ALEXA Studio, featuring a quiet, adjustable mirror shutter and an optical viewfinder that provides a real-time, high contrast image with true colors. The Studio is a direct response to cinematographers’ requests for a camera that perfectly combines cutting edge digital image-making with traditional elements of the film cameras they have known and trusted for generations.

Another key feature of the ALEXA Studio is its 4:3 sensor, which makes it the only digital camera (aside from the ARRIFLEX D-21) to boast true anamorphic capability. Anamorphic lenses create a unique, cinematic look that has been appreciated by directors and cinematographers for over half a century, and cannot be created in post.

$1,000
per day
$1,000
per day
Cooke Mini S-4 Full Set of 9

The miniS4/i Cine Lens Set from Cooke comes with an illustrious heritage: most Hollywood films made in the first half of the 20th century were shot with Cooke lenses. Now, Cooke has revived the brand with a new set of lenses that further extend the company's reputation for quality into the digital era. Comprising 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm lenses, this set of lightweight, cost-effective primes are companions to Cooke's already established S4/i lenses. They carry over the most desirable features of their more expensive brethren, sacrificing only a single T-stop in the process. And yet with their aperture range of T2.8 to T22, the miniS4/i remain extremely flexible and make up for light sensitivity with reduced size, weight, and cost. Their PL mounts make the lenses compatible with the most commonly used professional digital cinema cameras, including the RED ONE, Sony F35 and F3, Canon C300 PL, and Arri D21. Color-matched and interchangeable with all Cooke lenses, this set combines classic, hand-fitted construction with a linear iris, cam-style focus, and /i Technology – which provides EXIF-like data to camera operators, cinematographers, and post-production technicians requiring precise measurements of lens and camera settings. Cooke miniS4/i optics, meanwhile, are beyond superb, controlling flare, distortion, veiling glare, and spherical aberrations with the aperture wide open. This combination of unmatched image quality, state-of-the-art technology, and cost-effective durability makes this lens set the perfect tool for multi-camera shoots, second-unit photography, stunt work, or filmmaking on a budget.

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OWNER NOTES

The miniS4/i Cine Lens Set from Cooke comes with an illustrious heritage: most Hollywood films made in the first half of the 20th century were shot with Cooke lenses. Now, Cooke has revived the brand with a new set of lenses that further extend the company's reputation for quality into the digital era. Comprising 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm lenses, this set of lightweight, cost-effective primes are companions to Cooke's already established S4/i lenses. They carry over the most desirable features of their more expensive brethren, sacrificing only a single T-stop in the process. And yet with their aperture range of T2.8 to T22, the miniS4/i remain extremely flexible and make up for light sensitivity with reduced size, weight, and cost.

Their PL mounts make the lenses compatible with the most commonly used professional digital cinema cameras, including the RED ONE, Sony F35 and F3, Canon C300 PL, and Arri D21. Color-matched and interchangeable with all Cooke lenses, this set combines classic, hand-fitted construction with a linear iris, cam-style focus, and /i Technology – which provides EXIF-like data to camera operators, cinematographers, and post-production technicians requiring precise measurements of lens and camera settings.

Cooke miniS4/i optics, meanwhile, are beyond superb, controlling flare, distortion, veiling glare, and spherical aberrations with the aperture wide open. This combination of unmatched image quality, state-of-the-art technology, and cost-effective durability makes this lens set the perfect tool for multi-camera shoots, second-unit photography, stunt work, or filmmaking on a budget.

$650
per day
$650
per day