Thomas S

Montréal, QC-QUEBEC Member since January 2017

Ce jeune homme plein d’énergie et d’entregent a sous sa ceinture des études cinématographiques à l’Université Concordia. Il est possible de voir son travail dans plusieurs oeuvres que cela soit dans des documentaires, des courts métrages, ou des vidéos corporatives et évènementielles. Reconnu pour son imagination sans fin, il participe et gagne la première place dans l’épreuve vidéo aux Jeux de la Communication Franco-Canadien en 2013 et en 2015, et a été chef de la délégation de Concordia en 2014. C'est grâce à ses connaissances du 7e art et sa créativité que le jeune vidéaste réussira à combler vos besoins en vidéo. Bref, c’est à travers la création de sa compagnie M4K qu’il compte combler vos besoins et ce avec un seul but: celui de dépasser vos attentes.

Full of energy and with an impressive set of people skills, this young man is completing a Bachelors in Film Studies at Concordia University. He has worked on many documentaries, short films and event and corporate videos. Known for his vivid imagination, he participated and won the first place in video production at the French Canadian Communication Games in 2013 and 2015 and managed the delegation in 2014. It is his knowledge of video production and his creativity that have allowed him to start M4K productions, and it is through this company that he will fulfill your needs with one goal in mind: to exceed all expectations.

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Rokinon 85mm T1.5 Cine Lens

Format 35mm full-frame Mount Type Canon EF Focal Length 85mm Aperture Max: T1.5 Min: f/22 Iris Blades 8 Minimum Focus Distance 3.6' (1 m) Focus Type manual focus only Angle of View Full-frame: 28.3° APS-C/DX: 19.1° APS-C/Canon: 17.7° Lens Construction 9 elements in 7 groups (with 1 aspherical lens) Filter Size 72 mm Gear Pitch 0.8 Dimensions 3.07 x 2.84" (7.8 x 7.22 cm) Weight 20.46 oz (580 g) with cap and hood Packaging Info Package Weight 1.95 lb Box Dimensions (LxWxH) 9.8 x 5.6 x 4.5"

Thomas S

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$20

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$20

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Shape Follow Focus

Attaches to Standard 15mm Rods via Clamp Focus-Adjusting Rubber Friction Wheel Focus-Adjusting .8 Pitch Gear Wheel Can Be Used on Either Side of a Lens Adjustable Focus Disk for Various Lenses Interchangeable Thermoplastic Mark Disk Slide-Adjustable Mark Disk Marker CNC Machined/Anodized Aluminum

Thomas S

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$20

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$20

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Rokinon 35mm T1.5 Cine Lens

Thomas S

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$20

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Sound Devices 633

Connectors 3 x XLR 3-pin Female Inputs 3 x TA3 (mini-XLR) inputs 2 x XLR 3-pin male outputs (left and right) 1 x 1/4" headphone jack 2 x TA3 outputs (Aux 1 and Aux 2) 1 x 1/8" stereo output (Aux 3 and Aux 4) 1 x RTN output 1 x Timecode output 1 x 4-pin Hirose power connector Inputs Frequency Response 10 to 40,000 Hz ±0.5 dB -3 dB at 65,000 Hz (192,000 Hz sampling rate reference at 1,000 Hz) THD + Noise 0.09% max (1,000 Hz, 22 to 22,000 Hz BW, fader at 0, 0 dBu output) Equivalent Input Noise -126 dBu (-128 dBV) maximum (22 to 22,000 Hz bandwidth, flat filter, trim control fully up) Input Type XLR Mic: active balanced for use with ≤600 Ω microphones, 4,000 Ω actual, 12 V or 48 V phantom power, 10 mA max XLR AES: AES3 or AES42 (10 V power), SRC XLR Line: active-balanced for use with ≤2,000 Ω outputs, 10,000 Ω TA3 Line: active-balanced for use with ≤ 2,000 Ω outputs, 10,000 Ω actual RTN (3.5 mm): unbalanced stereo for use with ≤ 2,000 Ω outputs, 30,000 Ω actual Maximum Input Level XLR Mic: 0 dBu (0.78 Vrms) XLR Line: +40 dBu (80 Vrms) RTN (3.5 mm): +24 dBu (12.4 Vrms) Maximum Gain Mic-In-to-Line-Out: 91 dB Mic-In-to-Aux-Out, -10 Out: 77 dB Line-In-to-Line-Out: 39 dB High-Pass Filter Sweepable 80 to 240 Hz 12 dB/octave at 80 Hz 6 dB/octave at 240 Hz Microphone Power Each analog input is selectable 12 V phantom through 680 Ω resistors, 10 mA per mic available 48 V phantom through 6,800 Ω, 10 mA per mic available Limiting Analog input limiters (inputs 1 through 3) Affects microphone preamp output only (Trim stage): +16 dBu Ratio: 20:1 Attack time: 1 ms Release time: 500 ms Digital input limiters (inputs 1 through 6) Post-fader +6 dBu to +18 dBu threshold (adjustable Ratio: 20:1 Attack time: 1 ms Release time: 500 ms AES AES42 Mode 1: provides +10 V digital phantom power Outputs Output Type XLR Line: active balanced for use with ≥ 600 Ω inputs XLR -10: active balanced for use with ≥ 10,000 Ω inputs XLR Mic: active balanced for use with ≥ 600 Ω inputs TA3 Active balanced Mic/Line: pin-2 and 3 driven, for use with ≥ 3,000 Ω inputs Aux X3 and X4 (3.5 mm): unbalanced, stereo, for use with ≥ 6,000 Ω inputs Headphones (1/4"): unbalanced, stereo, for use with 8 to 2,000 Ω headphones Output Impedance XLR and TA3 balanced outputs: 100 Ω at line setting 3,200 Ω at -10 setting 150 Ω at mic setting TA3 balanced outs: 1,000 Ω at Mic and line settings Aux X3, X4 (3.5 mm): 100 Ω Headphones (1/4"): 100 Ω Line Output Level Clipping: 20 dBu minimum with 10,000 Ω load Maximum Output Level Line: +20 dBu (7.8 Vrms) -10: +6 dBu (1.5 Vrms) Mic: -20 dBu (0.078 Vrms) Aux 3/4: +6 dBu (1.5 Vrms) Limiting Affects the outputs of the mixer Threshold selectable from +4 dBu to +18 dBu, 1 dB steps Ratio: 20:1 Attack time: 1 ms Release time: 500 ms Maximum Gain Typical: Trim, Fader, Master, Phones, RTN fully up Mic-level input Master outs (XLR) at line: 91 dB Master outs (XLR) at -10: 77 dB Master outs (XLR) at mic: 51 dB X3, X4 Outs (3.5 mm): 77 dB Headphones (1/4"): 107 dB Line-level input Master outs (XLR) at line: 51 dB Master outs (XLR) at -10: 37 dB Master outs (XLR) at mic: 11 dB X3, X4 Outs (3.5 mm): 37 dB Headphones (1/4"): 67 dB RTN Headphones (1/4"): 5 dB AES3 Output Transformer-balanced AES Out A, B, on XLR 110 Ω, 2 V p-p AES and S/PDIF compatible with RCA adaptor Sampling Frequency 44,100 Hz 47,952 Hz 48,000 Hz 48,048 Hz 88,200 Hz 96,000 Hz 192,000 Hz Bit Depth 24-bit Dynamic Range 114 dB, A-weighted, typical Recording storage SD, SDXC, SDHC card Please see manufacturer's site for a list of approved cards FAT32 or exFAT formatted, will format media on-board CompactFlash (CF) FAT32 formatted for CF and SD < 32 GB exFat for SD cards > 32 GB Formats cards in-unit File Type Record: WAV (Broadcast Wave File format), polyphonic or MP3 Playback: WAV (Broadcast Wave File format), polyphonic or MP3 Timecode Modes supported: Off, Rec Run, Free Run, 24h Run, External Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND Accuracy: Ambient generator, 0.2 ppm (0.5 frame in 24 hr) Timecode input: 20,000 Ω impedance, 0.3 V to 3.0 V p-p (-17 dBu to +3 dBu) Timecode output: 1,000 Ω impedance, 3.0 V p-p (+12 dBu) Accuracy Sample/Timecode: ± 0.2 ppm (0.5 frames per 24 hours) Power External: 10 to 18 V on locking 4-pin Hirose connector, pin 4 = +, pin 1 = - 2 x Removable 7.2 V (nominal) Sony L-type Li-ion, operational from 6.5 to 8.5 V Internal 6 x AA (LR6) batteries, 1.2 to 1.6 V nominal (NiMH rechargeable compatible) Temperature Operating: -4 to 140° F (-20 to 60° C) Storage: -40 to 185° F (-40 to 85°C) Humidity (Non-condensing) 0 to 90% relative humidity Dimensions (H x W x D) 2.2 x 9.4 x 5.6" (6.0 x 24 x 14 cm) Weight 2.56 lb (1.10 kg)

Thomas S

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$100

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$100

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Shape Shoulder Rig DSLR Stabilizer

PRODUCT HIGHLIGHTS Hand-held Professional Camera Support Secures Accessories Firmly to Camera Back Pad / Composite Shoulder Pad Augmented Support / Stability / Comfort Two 15mm Male-female Rods / Rod Block Attaches a Component to 15mm rods Off-set Rail Block/15mm Rod Riser System Attach Paparazzi Riser (Left / Right) Quick Handle / Telescopic Support Arm Arm - 14-20" Extension/360° Rotation