I am a cinematographer in the Tampa Bay/Sarasota area with a wide range of production equipment available, including the high speed Phantom 4K Flex system.
Great studio or on set monitor. True 4K input via HDMI or SDI. Atomos recorder allows for capture and playback. The NEON series is compatible with a variety of HDMI or SDI cameras and other SDI sources. It supports HD (1080) up to 120 fps via HDMI and DCI 4K up to 60 fps, and it features 12G or Dual 6G or lower resolutions and frame rates via 1.5/3G SDI up to 2K60 with up to 12 channels of embedded audio. SDI 3G and 12G input and output make it easy to loop signals through a NEON to other devices on set or in the edit suite. HDMI sources without HDCP are supported at 4K up to 60 fps or HD up to 120 fps with up to eight channels of audio and detection of HDR info frame to automatically match the input signal type. Recording Each recording can be reviewed instantly on the NEON without the need to offload media. Files are captured as 10-bit 422 to industry-standard Apple ProRes or Avid DNxHR/HD. AtomRemote offers options to configure scene/shot/take file naming, including rich metadata that can be used by editing software or asset management solution for orchestration.
OWNER NOTES
Great studio or on set monitor. True 4K input via HDMI or SDI. Atomos recorder allows for capture and playback.
The NEON series is compatible with a variety of HDMI or SDI cameras and other SDI sources. It supports HD (1080) up to 120 fps via HDMI and DCI 4K up to 60 fps, and it features 12G or Dual 6G or lower resolutions and frame rates via 1.5/3G SDI up to 2K60 with up to 12 channels of embedded audio. SDI 3G and 12G input and output make it easy to loop signals through a NEON to other devices on set or in the edit suite. HDMI sources without HDCP are supported at 4K up to 60 fps or HD up to 120 fps with up to eight channels of audio and detection of HDR info frame to automatically match the input signal type.
Recording
Each recording can be reviewed instantly on the NEON without the need to offload media. Files are captured as 10-bit 422 to industry-standard Apple ProRes or Avid DNxHR/HD. AtomRemote offers options to configure scene/shot/take file naming, including rich metadata that can be used by editing software or asset management solution for orchestration.
Great commercial or documentary style lens for Super 35 and 4K coverage. Lightweight 4.3 lbs with either PL or EF mount
OWNER NOTES
Great commercial or documentary style lens for Super 35 and 4K coverage. Lightweight 4.3 lbs with either PL or EF mount
Sachter 20S fluid head with quick set, double riser and mid level spreader tripod legs. Includes pro jr to Mitchell 100mm ball adapter for dolly use, two handles and soft case.
OWNER NOTES
Sachter 20S fluid head with quick set, double riser and mid level spreader tripod legs. Includes pro jr to Mitchell 100mm ball adapter for dolly use, two handles and soft case.
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