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EPIC ushers in the next generation of digital cinema, featuring a 5K Mysterium sensor capable of capturing 1 to 120 frames per second at full resolution. From fashion spreads to 3D IMAX features, EPIC has crossbred elite photography with unrivaled cinema capability—all in a camera the size of a DSLR. In challenging lighting conditions, EPIC makes it easy to adapt with its ability to reach up to 18 stops of dynamic range with HDRx. Remarkable technology packed into a 5lb body - with EPIC, less is more.
Whether you’re shooting a spread for Esquire or an IMAX-ready blockbuster, EPIC’s stunning 5K images fit every facet of distribution. Precisely engineered to exceed even the highest standards, EPIC fea
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WEEK/WKND RATESEquipment Replacement Value: $25,000
Whether you’re shooting a spread for Esquire or an IMAX-ready blockbuster, EPIC’s stunning 5K images fit every facet of distribution. Precisely engineered to exceed even the highest standards, EPIC features advanced technology that sets the precedent for cinema and photographic excellence. With DSMC functionality, you’ll be able to capture a breadth of video and stills all at once. Any lens. Every job. One EPIC.
SENSOR 14 Megapixel MYSTERIUM-X®
PIXEL ARRAY 5120 (h) x 2700 (v)
MAX IMAGE AREA 5120 (h) x 2700 (v)
DYNAMIC RANGE 13.5+ stops, up to 18 stops with HDRx®
S/N RATIO 66 dB
LENS COVERAGE 27.7 mm (h) x 14.6 mm (v) = 31.4 mm (d)
MAX DEPTH OF FIELD Equivalent to S35mm (Motion)/APS-H (Still) lenses
PROJECT TIMEBASE 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps, all resolutions
REDCORDING FRAME RATES 1 1–120 fps @ 5K
1–150 fps @ 4K
1–200 fps @ 3K
1–300 fps @ 2K
REDCODE® COMPRESSION 1 Compression choices of 18:1 to 3:1
REDCODE RAW
ACQUISITION FORMATS 2 5K (Full Format, 2:1, 2.4:1, 16:9, 1.22:1 and Anamorphic 2x 1.22:1)
4K (Full Format, 2.4:1, 16:9 "UHD")
3K (Full Format, 2.4:1, 16:9)
2K (Full Format, 2.4:1, 16:9 "HD")
1K (2.4:1, 720p "HD")
DELIVERY FORMATS 3 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
PROGRAM OUTPUT 3G-SDI (HD-SDI) Clean Feed
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OUTPUT 3G-SDI (HD-SDI) and HDMI with Frame Guides and Look Around or Clean Feed
1080p 4:2:2, 720p 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITORING OPTIONS RED Touch 5.0" LCD
RED PRO 7" LCD
RED Touch 7.0" LCD
RED Touch 9.0" LCD
BOMB EVF (LCOS) High Definition Viewfinder
BOMB EVF (OLED) High Definition Viewfinder
DIGITAL MEDIA (SSD) REDMAG® 1.8", RED MINI-MAG®
AUDIO 2 channel, uncompressed, 24-bit 48 kHz
Optional 4 channel, and AES/EBU digital audio
REMOTE CONTROL RED COMMAND PROTOCOL (R.C.P.) Wireless, Ethernet, RS232, GPI Trigger
CONSTRUCTION Aluminum Alloy
WEIGHT 5 lbs (BRAIN only)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)