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The Ronin-S is DJI's first handheld gimbal for DSLR cameras. With a max operating speed of 75 kph, tested payload capacity of 3.6 kg, automated smart features, and support for a wide range of cameras and lenses, the Ronin-S gives all filmmakers the freedom to film on the move.
About the Ronin S:
The DJI Ronin-S is more than just a miniaturized version of the larger Ronin gimbal stabilizers; it represents a scalable ecosystem for integrating DSLR and mirrorless cameras into
per day
WEEK/WKND RATESEquipment Replacement Value: $7,000
About the Ronin S:
The DJI Ronin-S is more than just a miniaturized version of the larger Ronin gimbal stabilizers; it represents a scalable ecosystem for integrating DSLR and mirrorless cameras into professional-grade workflows. The single-handed form factor of the Ronin-S lends itself to lighter camera payloads, up to eight pounds. But don't let its size fool you; the Ronin-S has a lot going on under the hood. Separate modules are available for the handle and accessory docks, allowing you to customize the gimbal based on how you wish to operate it. While using the conventional battery grip, the Ronin-S will last up to 12 hours on a single charge.
About the Sony a7s ii:
Making strides in the video arena, the a7S II Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with the sensor to enable expanded sensitivity to ISO 409600, continuous shooting to 5 fps, and fast intelligent autofocus with low-light sensitivity to -4 EV. Further enabling working in difficult lighting conditions, 5-axis SteadyShot INSIDE image stabilization compensates for vertical, horizontal, pitch, yaw, and roll camera movements for sharper, smoother handheld recording.
About the Canon EF 24-70mm f/2.8L II USM:
Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.