Hi, I´ m a commercial director and sometimes I use my gear for projects that needs mobility and still great quality. And it works perfect! Please contact me for any questions
The AX1 Pixel Tube (8-pack) from Astera helps you acheive a complete lighting solution for in the studio or on location work. Each AX1 Pixel Tube measures 40.7" and comes with a stand, holders, spigots, and eye bolts for hanging, positioning, and using them wherever needed. The included rigid charging case recharges, transports, and stores up to eight tubes. Wireless Modules 865 to 870 MHz 902 to 928 MHz 2.4 GHz TruColor Calibration 100% color consistency through any batch. It can hit exact color temperatures and reproduce standard filter gels Seamless Runtime Set the length of your event and be sure that your lights won't run out while still getting the maximum brightness Talkback + Detect all available lights, set them up, check their status, and configure DMX addresses and DMX profiles Flicker Free Filming Scrambled PWM (Pulse Width Modulation) technology is used to prevent flickering when filming the lights Scheduled Standby Mode You can switch the Astera AX1 into standby mode to save power, and schedule them to wake up when the event starts DJ Application Auto BPM analyzes the beat and matches programs to it, flash buttons can trigger special effects Dynamic Power Boost The dynamic power-boost feature enables the light to display the maximum brightness at all times and intensify non-white colors Dimmer Curve You can set the fixture's dimming response depending on the application you are using the light for: FAST: For pixel mapping and similar applications, provides a totally unfiltered response STANDARD: Good compromise between response and smoothness for most applications HALOGEN: When slow and smooth dimming is required, emulates the characteristics of a halogen light THEATER: For theater use, provides very smooth response and increased dynamics although some colors are darker in this mode TV: For filming on Broadcast and other shows. The dimming response is faster but still smooth dimming. Although this mode produces less blue light due to its fixed white point of 6500K, it also provides increased dynamics with some colors being darker
OWNER NOTES
The AX1 Pixel Tube (8-pack) from Astera helps you acheive a complete lighting solution for in the studio or on location work. Each AX1 Pixel Tube measures 40.7" and comes with a stand, holders, spigots, and eye bolts for hanging, positioning, and using them wherever needed. The included rigid charging case recharges, transports, and stores up to eight tubes.
Wireless Modules
865 to 870 MHz
902 to 928 MHz
2.4 GHz
TruColor Calibration
100% color consistency through any batch. It can hit exact color temperatures and reproduce standard filter gels
Seamless Runtime
Set the length of your event and be sure that your lights won't run out while still getting the maximum brightness
Talkback +
Detect all available lights, set them up, check their status, and configure DMX addresses and DMX profiles
Flicker Free Filming
Scrambled PWM (Pulse Width Modulation) technology is used to prevent flickering when filming the lights
Scheduled Standby Mode
You can switch the Astera AX1 into standby mode to save power, and schedule them to wake up when the event starts
DJ Application
Auto BPM analyzes the beat and matches programs to it, flash buttons can trigger special effects
Dynamic Power Boost
The dynamic power-boost feature enables the light to display the maximum brightness at all times and intensify non-white colors
Dimmer Curve
You can set the fixture's dimming response depending on the application you are using the light for:
FAST: For pixel mapping and similar applications, provides a totally unfiltered response
STANDARD: Good compromise between response and smoothness for most applications
HALOGEN: When slow and smooth dimming is required, emulates the characteristics of a halogen light
THEATER: For theater use, provides very smooth response and increased dynamics although some colors are darker in this mode
TV: For filming on Broadcast and other shows. The dimming response is faster but still smooth dimming. Although this mode produces less blue light due to its fixed white point of 6500K, it also provides increased dynamics with some colors being darker
Includes: 2 x Lightdomes, 1 x Lantern, 2 x stands
INCLUDES
OWNER NOTES
The LS 300x is the newest flagship product in Aputure’s popular Light Storm series, and is one of the brightest bi-color chip-on-board LED lights on the market. It’s also the first bi-color Bowens mount light fixture that is compatible with optical lens modifiers. The 300x goes beyond traditional bi-color ranges, utilizing an expanded vari-white CCT range of 2700K to 6500K, allowing you to achieve accurate color reproduction with CRI and TLCI scores of over 96.
Includes: Battery grip, 9 batteries total, charger
INCLUDES
OWNER NOTES
The Blackmagic Pocket Cinema Camera 6K Pro includes additional pro features such as built in 2, 4 and 6 stop ND filters, adjustable tilt HDR LCD with a bright 1500 nits that’s ideal for use in bright sunlight. It also includes two mini XLR audio inputs and a larger NP-F570 style battery.
5" tilting HDR capacitive touchscreen LCD with 1500 cd/m² brightness
Built-in clear/2/4/6-stop IR ND filters
Dual mini-XLR inputs
Electronic lens communication with iris, autofocus, and zoom control available with compatible lenses
Super-accurate timecode clock
NP-F570 L-series battery slot
Updated Gen 5 color science
Optional Pro EVF and battery grip
Canon EF 70-200mm f/2.8L is III USM Lens. EF-Mount Lens/Full-Frame Format - Aperture Range: f/2.8 to f/32 One Fluorite Element & Five UD Elements - Air Sphere Coating Ring-Type Ultrasonic Motor AF System - Optical Image Stabilizer Internal Focus, Focus Range Limiter - Weather-Sealed Design, Fluorine Coating Detachable, Rotatable Tripod Collar - Rounded 8-Blade Diaphragm
OWNER NOTES
Canon EF 70-200mm f/2.8L is III USM Lens.
EF-Mount Lens/Full-Frame Format - Aperture Range: f/2.8 to f/32
One Fluorite Element & Five UD Elements - Air Sphere Coating
Ring-Type Ultrasonic Motor AF System - Optical Image Stabilizer
Internal Focus, Focus Range Limiter - Weather-Sealed Design, Fluorine Coating
Detachable, Rotatable Tripod Collar - Rounded 8-Blade Diaphragm
Sigma 18-35mm f/1.8 DC HSM Art Lens for Canon EF. Distinguished by a uniquely fast and versatile design, the Canon EF-mount Sigma 18-35mm f/1.8 DC HSM is an Art-series zoom, covering wide-angle to normal focal lengths. Separating itself from the pack, this zoom features an exceedingly bright f/1.8 constant maximum aperture, which suits its use in difficult lighting conditions and offers impressive depth of field control throughout the zoom range. The optical design incorporates a series of SLD and aspherical elements, which help to achieve high clarity and sharpness by suppressing various aberrations, color fringing, and distortion. A Super Multi-Layer Coating has also been applied, too, which controls lens flare and ghosting for improved contrast and color accuracy. Balancing the optical merits, this 18-35mm also sports an advanced Hyper Sonic Motor, along with an internal focusing design, to promote fast, quiet, and precise autofocus performance.
OWNER NOTES
Sigma 18-35mm f/1.8 DC HSM Art Lens for Canon EF.
Distinguished by a uniquely fast and versatile design, the Canon EF-mount Sigma 18-35mm f/1.8 DC HSM is an Art-series zoom, covering wide-angle to normal focal lengths. Separating itself from the pack, this zoom features an exceedingly bright f/1.8 constant maximum aperture, which suits its use in difficult lighting conditions and offers impressive depth of field control throughout the zoom range. The optical design incorporates a series of SLD and aspherical elements, which help to achieve high clarity and sharpness by suppressing various aberrations, color fringing, and distortion. A Super Multi-Layer Coating has also been applied, too, which controls lens flare and ghosting for improved contrast and color accuracy. Balancing the optical merits, this 18-35mm also sports an advanced Hyper Sonic Motor, along with an internal focusing design, to promote fast, quiet, and precise autofocus performance.
I'm a DGA Director working on films and commercials (www.thisisdiego.net) and I've had the pleasure of meeting and working with Alfonso. I fully recommend Alfonso as someone that is fully trustworthy and responsible as both an owner and renter of gear at KitSplit. Definitely check out his gear and feel assured that you'll be in the right hands.
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