|
|
|
|
Douglas C Avatar

Douglas C

Film Director

Los Angeles, CA Member since November 2020

Verified

Verified Information

Government ID
Email Address
Name
Address

College Emmy-nominated AFI Directing Grad

On the Web

Kolari Vision 720nm Infrared Filter 4×5″

From Kolari Vision: The Standard IR Filter (720nm) This is the tried and true classic infrared conversion. It allows for good color for false color, and good contrast for black and white. This is equivalent to the Hoya R72 and Wratten 89b. When to get this infrared conversion: This IR conversion is good if you are interested in shooting some mild color and black and white. This filter produces the traditional dark blue skies and can also be processed for color. Note: The exact size of this filter is 4×5,″ NOT the standard "4×5.65″ matte box size. However, it will fit perfectly fine into a "4×5.65″ matte box and should cover even the widest diameter lenses

More

OWNER NOTES

From Kolari Vision:
The Standard IR Filter (720nm) This is the tried and true classic infrared conversion. It allows for good color for false color, and good contrast for black and white. This is equivalent to the Hoya R72 and Wratten 89b.
When to get this infrared conversion: This IR conversion is good if you are interested in shooting some mild color and black and white. This filter produces the traditional dark blue skies and can also be processed for color.

Note: The exact size of this filter is 4×5,″ NOT the standard "4×5.65″ matte box size. However, it will fit perfectly fine into a "4×5.65″ matte box and should cover even the widest diameter lenses
$20
per day
$20
per day
Kolari Vision IR Chrome 4×5.65″ Infrared Filter

This filter recreates the look of Kodak Aerochrome infrared film when shot on a full spectrum-converted camera, or a full spectrum-capable camera like the Panasonic EVA-1 From Kolari Vision: This Infrared+Visible lens filter is designed to make your full-spectrum digital camera achieve the look of Kodak Aerochrome IR film, straight out of camera, no editing required. Made from a fused glass composite, this filter passes the perfect combination of light to recreate the classic, beloved look of Aerochrome with a full-spectrum camera. This means you can have the Aerochrome look with no editing and no quality loss. In development for over a year, this filter is now ready to enter the forefront of digital IR photography.

More

OWNER NOTES

This filter recreates the look of Kodak Aerochrome infrared film when shot on a full spectrum-converted camera, or a full spectrum-capable camera like the Panasonic EVA-1

From Kolari Vision:
This Infrared+Visible lens filter is designed to make your full-spectrum digital camera achieve the look of Kodak Aerochrome IR film, straight out of camera, no editing required. Made from a fused glass composite, this filter passes the perfect combination of light to recreate the classic, beloved look of Aerochrome with a full-spectrum camera. This means you can have the Aerochrome look with no editing and no quality loss. In development for over a year, this filter is now ready to enter the forefront of digital IR photography.

$40
per day
$40
per day
Canon 50mm f/0.95 "Dream Lens" w/ Sony E adapter

Includes: Sony E-Mount Adapter

More

INCLUDES
  • Sony E-Mount Adapter

OWNER NOTES

They call it dreamy for a reason.

Made in the 1960's-- over 50 years old now. Jam-packed with buttery bokeh, magical rainbow flares, and plenty of vintage "character," as the kids say. It performs pretty well stopped down too, if you're into that sort of thing...

Comes with a Sony E mount adapter (and there are other adapters available online for putting it on Canon RF mount or Nikon Z)
$150
per day
$150
per day
Celere T1.5 Full Frame/S35 PL Lens Set (w/ extra PL-E adapter)

Includes: PL Mount to Sony E-Mount Adapter

More

INCLUDES
  • PL Mount to Sony E-Mount Adapter

OWNER NOTES

Overall, this is an amazing set of lenses. The tack-sharp focus combined with soft falloff at T1.5 is something you need to see to believe; comparable to Zeiss Super Speeds or any other fast S35 primes, let alone Full Frame-capable and affordable lenses like these. From the ability to get sharp focus 9 inches away from your subject at T1.5 on the 18.5mm, to their small size/weight and AC/steadi-friendly features, they cover a broad range of applications for whatever your production throws at you.

Included:
- Five PL Lenses (18.5mm, 25mm, 36mm, 50mm, 85mm)
- Pelican Case
- PL to Sony E adapter (by Wooden Camera)

Features:
- 44.2mm image circle, which covers Full Frame and possibly even up to Vista Vision format. Have successfully used them on the Alexa Mini (open gate), Sony FX9, Sony A7Riii, Red Helium, and of course Super35 cameras like the Sony FS7/Panasonic EVA1, and they look great all around. Theoretically, it should cover the Alexa LF sensor in 16:9 and 2:39:1 modes.
- T1.5 throughout range
- Same size/weight and 85mm front diameter* (super easy swapping and no need to rebalance on steadicam/gimbal)
- *the slightly larger 18.5mm has a 95mm front and weighs 200 grams more
$300
per day
$300
per day

Reviews (1)

Average 5.0 Stars
Stephen G

Would highly recommend Doug.

Renter

August 2021

References