Drew M

Videographer / Video Producer

New York City, NY Member since March 2018

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Born and raised in Nashville and currently based in NYC, I wear multiple hats of actor, filmmaker, and videographer. I have years of experience as a producer/videographer/editor, primarily in the fashion world. I created the TV series "Inside Fashion Week" for the international TV network Fashion One, for whom I've also shot and edited hundreds of New York Fashion Week runway/backstage videos, designer profiles, and red carpets.

Primarily I'm an actor. Recent acting work includes Netflix's GRISELDA, Apple TV+s LADY IN THE LAKE, NBC's LAW & ORDER: ORGANIZED CRIME, HBO's THE WHITE HOUSE PLUMBERS, STARZ' POWER BOOK III: RAISING KANAN, and the feature films SIGNS OF LOVE (Rosanna Arquette, Dylan Penn) and THE SHED.

I’m a theater graduate of Northwestern University and have also lived in Chicago, LA, London and Crete.

I was one of the early proponents and users of Airbnb, and I'm excited to get on board Kitsplit, a similar concept in the film/video production world. What a great place to meet like-minded people, have access to more gear, and make a little extra money.

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Barely-Used Glidetrack Hybrid Slider 30.5", Model #HHD-075 (9 lbs.)

Key Features Heavy Duty Mini Dolly / Slider Uses Sliding AND Roller Bearings Ideal for DSLR Video Open Architecture Design Self-lubricating Easy Disassembly & Cleaning Hard Anodized Aluminum Adjustable End Feet Supports Mid- to Large-Size Cameras Supports Rail Systems & Accessories As with all Glidetrack camera sliders, the Hybrid offers a sturdy and affordable alternative to more cumbersome dolly tracks, giving you the power to create smooth, Hollywood-style tracking shots. But this slider brings improved levels of smoothness to your camera movements by combining both traditional Drylin self-lubricating bearings with individual roller bearings. Unlike typical roller-bearing systems--which use dirt-attracting grease and noisy metal bearings--the Hybrid's specially designed rollers utilize an open architecture that's self-lubricating, dry-running, and can be easily swapped out or disassembled for cleaning. Cleaning is also easy: simply hold the parts under tap water or a quick blast of air--no tools required. The unit's newly designed rubber feet are not only adjustable, but allow for shooting on inclines, uneven ground, and even upside down. Whether attached to a tripod (via the 1/4" or 3/8" mounting threads) or resting on a tabletop, the Hybrid makes the most of its simple, industrial-grade design to deliver smooth-as-glass motion. Its wide rails and heavy-grade construction make it ideal for medium-to-large DSLR/camcorder rigs using rod support systems, bringing a high-end look to productions large and small.