What's up y'all!
My name is Gabe Cuillier and I own Mxxdprints Studios, LLC. Just recently moved to Chicago where I plan to work on some commercial projects as well as narrative film joints.
Thanks for visiting the page and hopefully we can provide you with what you need!
Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III raises the bar for what a full-frame mirrorless camera is capable of. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.
OWNER NOTES
Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III raises the bar for what a full-frame mirrorless camera is capable of. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.
Record Log in 4K or HD ProRes/DNxHR from video or raw cameras with the Ninja Flame's HDMI input and thanks to the AtomHDR engine's combination of 10+ stops dynamic range, 1500nit brightness and 10-bit colour processing you can monitor the HDR Log with vivid, natural colours. AtomHDR delivers 10 stops of dynamic range (brightness range) to match 10-bit camera LOG footage, revealing detail in highlights & shadows usually clipped on traditional (REC709) monitors. Supported LOG cameras include: Sony, Canon, Panasonic, ARRI, RED & JVC. The world’s most advanced 7” field monitor, with 1500nits brightness for outdoor shooting, native Full HD resolution & calibration to ensure natural LCD colour drift can be corrected over time - shoot what you see guaranteed. Upgraded 10–bit processing to resolve 1.07 billion colours compared to the 16.7 million colours of traditional 8–bit panels to all but eliminate colour banding. Monitor post production content in 10-bit HDR for any NLE or colour correction suite. Full size HDMI in and out for connection to DSLR and Mirrorless cameras and output to larger HDMI screens. Record direct from the sensor in high resolution 4K UHD (up to 30p) or high frame rate HD (50/60/120p) at higher resolution 10-bit colour with precise yet efficient 4:2:2 colour encoding. 10-bit colour resolution, 4:2:2 colour accuracy and visually lossless ProRes/DNxHR compression. Atomos’ patent pending hot swappable dual battery system for continuous power is backed up with the included power accessories including 2 x 4-cell batteries, D-Tap to DC cable and a blazingly fast battery charger. Atomos include free firmware upgrades for the life of the product.
OWNER NOTES
Record Log in 4K or HD ProRes/DNxHR from video or raw cameras with the Ninja Flame's HDMI input and thanks to the AtomHDR engine's combination of 10+ stops dynamic range, 1500nit brightness and 10-bit colour processing you can monitor the HDR Log with vivid, natural colours. AtomHDR delivers 10 stops of dynamic range (brightness range) to match 10-bit camera LOG footage, revealing detail in highlights & shadows usually clipped on traditional (REC709) monitors. Supported LOG cameras include: Sony, Canon, Panasonic, ARRI, RED & JVC. The world’s most advanced 7” field monitor, with 1500nits brightness for outdoor shooting, native Full HD resolution & calibration to ensure natural LCD colour drift can be corrected over time - shoot what you see guaranteed. Upgraded 10–bit processing to resolve 1.07 billion colours compared to the 16.7 million colours of traditional 8–bit panels to all but eliminate colour banding. Monitor post production content in 10-bit HDR for any NLE or colour correction suite. Full size HDMI in and out for connection to DSLR and Mirrorless cameras and output to larger HDMI screens. Record direct from the sensor in high resolution 4K UHD (up to 30p) or high frame rate HD (50/60/120p) at higher resolution 10-bit colour with precise yet efficient 4:2:2 colour encoding. 10-bit colour resolution, 4:2:2 colour accuracy and visually lossless ProRes/DNxHR compression. Atomos’ patent pending hot swappable dual battery system for continuous power is backed up with the included power accessories including 2 x 4-cell batteries, D-Tap to DC cable and a blazingly fast battery charger. Atomos include free firmware upgrades for the life of the product.
The Ronin-M 3-Axis Handheld Gimbal Stabilizer from DJI is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake. Suitable for most camera types and configurations up to 8 pounds, the Ronin-M uses brushless motors that work on three axes: one for side-to-side "roll" (keeping the horizon level), one for tilt, and one for pan. The system is computer-controlled and features a tilt range of 105° up / 165° down plus a roll range of ±110°. Furthermore, the system boasts a precision of control of ±0.02°, enabling precise camera moves and stability correction against even very fine movements. In addition to handheld shooting, the gimbal can be used in vehicle mounting scenarios and other contexts where vibrations or other abrupt movements would make tripods and rigid camera support systems unsuitable.
OWNER NOTES
The Ronin-M 3-Axis Handheld Gimbal Stabilizer from DJI is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake. Suitable for most camera types and configurations up to 8 pounds, the Ronin-M uses brushless motors that work on three axes: one for side-to-side "roll" (keeping the horizon level), one for tilt, and one for pan. The system is computer-controlled and features a tilt range of 105° up / 165° down plus a roll range of ±110°. Furthermore, the system boasts a precision of control of ±0.02°, enabling precise camera moves and stability correction against even very fine movements. In addition to handheld shooting, the gimbal can be used in vehicle mounting scenarios and other contexts where vibrations or other abrupt movements would make tripods and rigid camera support systems unsuitable.
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