Kirk B

Film Director

Atlanta, GA Member since March 2018

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ATLANTA FILM COMPANY

STATE OF THE ART VIDEO & AUDIO RECORDING STUDIOS FOR MIXING, EDITING AND MASTERING.

Company Owner and Creative Director, Kirk Briscoe is an inspiring digital film and media artist with a focus on storytelling & design. Whether it's film, motion graphics, visual effects or graphic design, he always surpass expectations with captivating work. His skills and passion for the arts reveals a special talent with a mind that always transform ideas into wonderful creative content.

Atlanta Film Company are a team of Digital Media Creators and Strategists who specializes in Multi Media production for Cinema, TV, Web and Mobile platforms. From a simple video introduction that welcomes visitors to your site, to seamlessly integrated full-video campaigns for your company, Atlanta Film Company can create for you authentic contents and inspirational entertainment programming in the corporate media, action sports and lifestyle genres.

Our Audio Department is capable of completing any project in need of sound including: music/audio recording, editing, mixing and mastering, voiceover, ADR (dialog replacement), sound design, foley, re-recording audio mix for film and video.

Vocal Booth

Audio production at AFC starts in our custom vocal booth. It is recorded by our Avid C|24 Digital Control Surface or fully analog Trident Audio Console, through UAD Apollo interfaces into Pro Tools 11 which is complimented by 100’s of pro-level plug-ins like Waves Audio and Universal Audio.

Our Video Department at AFC, offer a variety of visual media services that can bring your project from conception to completion. With a range of experience in producing promos, commercials, EPKs, reality TV shoots, corporate videos, documentaries, artist profiles, live video streams, on-location shooting and more, we are prepared to take on any project.

On the Web

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Hoya 52mm Circular Polarizing Pro 1 Digital Filter

Filter Factor Between 2.3 and 2.8 (approx. +1.3 stops) Multi-Coated Digital Multi-Coated Rotating Yes Effect Removes reflections and increases color saturation without affecting the overall color balance Application Nature, travel, outdoor photography Construction Glass Front Filter Thread Size 52mm Front Lens Cap Size 52mm The Hoya Pro 1 Digital Circular Polarizer takes advantage of Hoya's patented optical glass technology to create a hardened glass that is thinner than the normal optical glass. This allows the overall thickness of the filter to be reduced to avoid vignetting when used with ultra-wide angle lenses. Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun.

Kirk B

No Reviews

20+ ITEMS

$10

per day

$10

per day

Singh-Ray 77mm Vari-ND & 52mm Adapter

Controls Up to 8 Stops of Light Good for Blurring Motion Holds Optical Quality at All Settings Fast and Easy to Use More Flexible than Using Many ND Filters Excellent for Selective Focus Excellent for Macro The Singh-Ray 77mm (Thin Mount) Vari-ND Variable Neutral Density Filter - This neutral density filter gives you the capability to use fast film in bright sunlight. ND filters have several uses and offer the possibility to achieve otherwise unachievable results. They enable the shooter to adjust exposure without affecting color balance. ND filters reduce the amount of light reaching the film. When used with a digital camera, you can effectively see how this filter works. After the initial exposure, you can check your LCD image and then make whatever change in exposure you feel you need to enhance your image. By rotating the ring, you can either increase or decrease the ND effect. This will be especially useful when trying to achieve "blurred" or "panned" shots. The filter contains "index" points to help you mark your spot. They do not represent actual ND settings , i.e. non-calibrated - but are there to help you re-set your filter when you wish to recreate the effect. Front ring can accept a Mor-Slo 5-stop Solid ND Filter or a Cokin holder for ND Grad Filters 1 Front Min/Max density ring lets you adjust density from 2-2/3 to 8 f/stops Neutral Density Filters Have Four Main Uses To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situation To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure Neutral Density Factors ND.3 (exposure adjustment = 1 stop) ND.6 (exposure adjustment = 2 stops) ND.9 (exposure adjustment = 3 stops)

Kirk B

No Reviews

20+ ITEMS

$40

per day

$40

per day

Sigma 50mm f/1.4 DG HSM & M3/4 Mount Adapter

The Sigma 50mm f/1.4 EX DG HSM Lens is a large aperture prime lens with a standard focal length of 50mm. This lens has superior peripheral brightness even at the maximum aperture and corrects a possible sagittal coma flare. This lens is perfectly suited for a wide range of subjects enabling outstanding, sharply defined images against a nicely blurred background. The fast, F1.4 aperture makes this lens desirable for use with Digital SLR cameras. This lens effectively becomes an 80mm medium telephoto lens on digital cameras with APS-C size image sensors. The optimum optical design and molded glass aspherical lens element provide excellent correction for all types of aberrations. The super multi-layer lens coating reduces fare and ghosting. Superior optical performance is also ensured throughout the focusing range. This lens has a minimum focusing distance of 45cm (17.7") and has maximum magnification of 1:7.4. It creates a very attractive blur, even when a small aperture is used. This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed AF as well as full-time manual focus override. The Sigma 50mm f/1.4 is commonly used for General purpose, Landscape/scenery, Low light, Night photography, Portraits, Sports/action, Weddings and more.The Sigma 50mm f/1.4 is most used by customers who consider themselves to be a Photo enthusiast, Semi-pro photographer among others.The Sigma 50mm f/1.4 is popular because customers like the following qualities of the Sigma 50mm f/1.4: Consistent output, Durable, Easily interchangeable, Fast / accurate auto-focus, Nice bokeh, Rugged and Strong construction Sigma 50mm f/1.4 EX DG HSM Features Large Aperature, standard prime lens, has superior peripheral brightness and corrects the sagittal coma fare Standard lens with large maximum aperture of F1.4. Creates sharp images with high contrast and ensures superior peripheral brightness Incorporates molded glass aspherical lens, perfectly correcting coma aberration and creating superior image quality. Super multi-layer lens coating reduces fare and ghosting. Hyper Sonic Motor (HSM) ensuring silent, high-speed AF.

Kirk B

No Reviews

20+ ITEMS

$30

per day

$30

per day

SLR Magic 10mm T2.1 Hyperprime Cine Lens (MFT Mount)

Low Edge and Corner Distortion Aperture Range: T2.1 to T16 Geared Focus and Iris Control Rings Clickless Iris Ring Supports 77mm Front Filter SLR Magic 10mm T2.1 Hyperprime Cine Lens. Designed specifically for use with MFT mount cameras with Four Thirds sized sensors the lens strikes a useful balance between size, form, and function. The 10mm lens features sharp images exhibiting little corner and edge distortion, even when the iris is at its maximum opening of T2.1. The lens' Cine designation refers to the geared focus and iris rings, which feature 0.8 pitch teeth for compatibility with film style follow focus units. The clickless iris ring allows you to adjust the aperture during the shot for smooth iris pulls. The front of the lens does not rotate as you change focus, and is threaded to accept threaded 77mm filters or filter rings. Coverage The lens has a 35mm equivalent focal length of 20mm on a standard Four Thirds camera. The front element does not rotate as you change focus of the lens, it also does not protrude beyond the front lens threading, allowing you to attach filters to the fornt of your lens. The clickless iris allows you to smoothly adjust your exposure during the shot. Built-in iris and focus gears follow industry standards, allowing you to work with optional follow focus units and lens gear motors.

Kirk B

No Reviews

20+ ITEMS

$50

per day

$50

per day

Sennheiser ew 100 ENG G3 Wireless Kit

EK 100 G3 Bodypack Receiver SK 100 G3 Bodypack Transmitter ME 2 Clip-On Lavalier Mic SKP 100 G3 Plug-On Transmitter Auto Frequency Scan Finds Open Bands 3-Level Squelch To Block Interference 20 Banks With 12 Channel Presets Each Compander for Clearer Sound The Sennheiser ew 100 ENG G3 Wireless Microphone Combo System is the latest addition to Sennheiser's Evolution family of wireless microphones. The UHF wireless microphone system features 1,680 tunable frequencies, 21 frequency banks and 12 frequency presets per bank. This package conveniently includes the EK 100 G3 camera mount receiver, SK 100 G3 bodypack transmitter with ME 2 lavalier and SKP 100 G3 plug-on transmitter in one package. The EK 100 G3 receiver is made of a durable metal enclosure and features a full functional LED display. The receiver features a 1/8" unbalanced TRS mini output for quick connection to camcorders. The receiver features 4 preset memory locations that can be reassigned to any of the 1,680 available frequencies, within the 42 MHz tuning range. The SK 100 G3 bodypack transmitter features an identically designed enclosure as the receiver. It also features an LCD display and 12 preset memory locations that can be reassigned to any of the available 1,680 frequencies. The transmitter features an 1/8" locking-mini input for compatible lavalier microphones. The ME 2 omnidirectional lavalier microphone features a sensitivity and frequency response suitable for capturing in the most demanding environments. The SKP 100 G3 plug-on transmitter allows any standard dynamic microphone with a 3-pin XLR connection, to be used wirelessly. The transmitter utilizes the same frequency band as the body-pack and is powered by 2x AA batteries or optional Sennheiser BA2015 accupack. Combo Package This package conveniently includes the EK 100 G3 Receiver, SKP 100 G3 Plug-On Transmitter, SK 100 G3 Bodypack Transmitter and ME 2 lavalier microphone. UHF Transmission The Sennheiser Evolution series operates on UHF frequencies allowing longer range and few drop-outs and interference. Flexible Frequency Options The system is pre-configured with 21 banks and 12 preset channels each, however the channels can be reconfigured with any of the available 1,680 frequencies within the 42 MHz range. Comprehensive Display A comprehensive LED display provides channels and frequency information as well as battery life, usage time, signal status and more. Rugged Metal Design Both transmitter and receiver feature a rugged, metal enclosure designed to withstand the rigors of road use and the elements.