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Kirk B

Film Director

Atlanta, GA Member since March 2018

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ATLANTA FILM COMPANY STATE OF THE ART VIDEO & AUDIO RECORDING STUDIOS FOR MIXING, EDITING AND MASTERING. Company Owner and Creative Director, Kirk Briscoe is an inspiring digital film and media artist with a focus on storytelling & design. Whether it's film, motion graphics, visual effects or graphic design, he always surpass expectations with captivating work. His skills and passion for the arts reveals a special talent with a mind that always transform ideas into wonderful creative content. Atlanta Film Company are a team of Digital Media Creators and Strategists who specializes in Multi Media production for Cinema, TV, Web and Mobile platforms. From a simple video introduction that welcomes visitors to your site, to seamlessly integrated full-video campaigns for your company, Atlanta Film Company can create for you authentic contents and inspirational entertainment programming in the corporate media, action sports and lifestyle genres. Our Audio Department is capable of completing any project in need of sound including: music/audio recording, editing, mixing and mastering, voiceover, ADR (dialog replacement), sound design, foley, re-recording audio mix for film and video. ​Vocal Booth Audio production at AFC starts in our custom vocal booth. It is recorded by our Avid C|24 Digital Control Surface or fully analog Trident Audio Console, through UAD Apollo interfaces into Pro Tools 11 which is complimented by 100’s of pro-level plug-ins like Waves Audio and Universal Audio. Our Video Department at AFC, offer a variety of visual media services that can bring your project from conception to completion. With a range of experience in producing promos, commercials, EPKs, reality TV shoots, corporate videos, documentaries, artist profiles, live video streams, on-location shooting and more, we are prepared to take on any project.

On the Web

Panasonic GH5 Film Kit

Includes: SmallHD FOCUS 5" On-Camera Monitor with 2 Batteries & Charger, Mattebox & Follow Focus Shoulder Support Rig for GH5, Voigtlander Nokton 25mm f/0.95 https://goo.gl/cvzNG0

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INCLUDES

  • SmallHD FOCUS 5" On-Camera Monitor with 2 Batteries & Charger
  • Mattebox & Follow Focus Shoulder Support Rig for GH5
  • Voigtlander Nokton 25mm f/0.95 https://goo.gl/cvzNG0
  • SLR Magic 10mm T2.1 Hyperprime Cine Lens
  • Manfrotto Tripod w/ Fluid Head (MVH502AH)
  • Zoom F8 Multitrack Field Recorder Kit/Protective Case
  • Sennheiser MKH-416
  • K-Tek Boompole with Internal XLR Cable
  • Shotgun Microphone Kit with Rycote Super-Blimp and Windshield Cover
  • Sennheiser ew 100 ENG G3 Dual Wireless Kit
  • KinoFlo DivaLite 400 Kit with DivaLite 400 Fixture, power cable, chrome eggcrate, gel frame, FloZier, 5 - KF32 & 5 - KF55 Lamps, lamp case & kit case
  • Diffuser & Black Flag Butterfly Frame Bundle (8x8')
  • 3 C-Stands with Gobo Arms

OWNER NOTES

I am a DP/Director/Operator based out of Atlanta.
I have pretty much everything you need to put on a high quality production without having to go to a rental house; and at a lower rate. I often Rent, DP, light, shoot, and/or operate for other directors and producers who need high quality gear & work for their productions.

$500
per day
$500
per day
GH5 FILMMAKER FULL KIT w/ Lenses, Lights & Pro Audio

Panasonic GH5 Package. Includes: (1) Panasonic GH5 Body (2) Batteries (1) Charger (1) 128 GB SD Card (1) 64 GB SD Card (2) 32 GB SD Cards (1) SmallHD FOCUS 5" On-Camera Monitor with 2 Batteries (1) Mattebox & Follow Focus Shoulder Support Kit for GH5 (1) MFT - Nikon Adapter (1) Voigtlander Nokton 25mm f/0.95 https://goo.gl/cvzNG0 (1) SLR Magic 10mm T2.1 Hyperprime Cine Lens (1)Sigma 50mm f/1.4 100mm (35mm Equivalent) (1) Manfrotto Tripod w/ Fluid Head (MVH502AH) (1) 3-Axis Gimbal (1) Zoom F8 Multitrack Field Recorder Kit/Protective Case (1) Sennheiser MKH-416 (1) K-Tek Boompole with Internal XLR Cable (1) Shotgun Microphone Kit with Rycote Super-Blimp and Windshield Cover (1) Sennheiser ew 100 ENG G3 Dual Wireless Kit (1) KinoFlo DivaLite 400 Kit with DivaLite 400 Fixture, power cable, chrome eggcrate, gel frame, FloZier, 5 - KF32 & 5 - KF55 Lamps, lamp case & kit case (3) Apurture 198 LED Daylights (3) C-Stands with Gobo Arms (1) Diffuser & Black Flag Butterfly Frame Bundle (8x8') (1) Singh-Ray Vari-ND Filter (1) Hoya Pro Digital Circular PL Filter (1) Tiffen 77mm Black Pro-Mist 1/4 Filter (1) Acrylic Dry Erase Production Slate [Clapboard] [GH5 recording formats] DCI 4K at 23.98P in 10-bit 4:2:2 internally at 400Mbps using ALL-Intra recording . It can also shoot DCI 4K 48.00P at 150Mbps in 8-bit 4:2:0. UHD 4K 10-bit 4:2:2 internal recording at 24, 25 and 30 fps. This is again up to 400Mbps using ALL-Intra recording. It can be recorded internally at the same time as being output via HDMI in 10-bit. 4K 50/60fps internal recording in 4:2:0 8-bit at 150Mbps in IPB. 4K 50/60fps external recording in 4:2:2 10-bit (with no internal recording). Full HD recording on the GH5 is up to 180fps internally, up from 96fps on the GH4. At regular 59.94p / 29.97p / 23.98p framerates you can record internally in 4:2:2 10bit at 200 Mbps. 6K Photo mode – basically 6K video in 4:3 aspect. The idea being to grab 18 megapixel stills from the video. 4K Anamorphic 4:3 shooting using 3328×2496 pixels. This offers the same 10-bit 4:2:2 400 Mbps ALL-Intra recording at 24P, 25P and 30P and 8-bit 4:2:0 150 Mbps IPB recording at 50P and 59.94P. High resolution anamorphic 4:3 mode, the mode that I am personally most excited about because finally there will be a lower cost camera capable of being used for anamorphic shooting in higher resolutions. It uses the same resolution as the 6K Photo mode in 4:3. [The GH5's built-in image stabilization is a Godsend] The GH5 added on-sensor stabilization (OSS), is probably the feature we are most excited about. Put the GH5 on a gimbal with the OSS on, the footage is completely and beautifully smooth. What this means for filmmakers is that the GH5 OSS is smart enough to not fight a gimbal, and any vibration you experience while shooting will be nullified by the OSS [Unlimited Recording] GH5 has a dual memory card slot that allows you to record what you're shooting redundantly. [All-new m4/3 sensor] Importantly, the camera can now record 4K from the full width of the m4/3 sensor. This brings the GH5 crop factor to around 2x, versus 2.3x for the GH4. Wide angle lenses in particular will benefit from this.

More

OWNER NOTES

Panasonic GH5 Package. Includes:

(1) Panasonic GH5 Body

(2) Batteries

(1) Charger

(1) 128 GB SD Card

(1) 64 GB SD Card

(2) 32 GB SD Cards

(1) SmallHD FOCUS 5" On-Camera Monitor with 2 Batteries

(1) Mattebox & Follow Focus Shoulder Support Kit for GH5

(1) MFT - Nikon Adapter

(1) Voigtlander Nokton 25mm f/0.95 https://goo.gl/cvzNG0

(1) SLR Magic 10mm T2.1 Hyperprime Cine Lens

(1)Sigma 50mm f/1.4 100mm (35mm Equivalent)

(1) Manfrotto Tripod w/ Fluid Head (MVH502AH)

(1) 3-Axis Gimbal

(1) Zoom F8 Multitrack Field Recorder Kit/Protective Case

(1) Sennheiser MKH-416

(1) K-Tek Boompole with Internal XLR Cable

(1) Shotgun Microphone Kit with Rycote Super-Blimp and Windshield Cover

(1) Sennheiser ew 100 ENG G3 Dual Wireless Kit

(1) KinoFlo DivaLite 400 Kit with DivaLite 400 Fixture, power cable, chrome eggcrate, gel frame, FloZier, 5 - KF32 & 5 - KF55 Lamps, lamp case & kit case

(3) Apurture 198 LED Daylights

(3) C-Stands with Gobo Arms

(1) Diffuser & Black Flag Butterfly Frame Bundle (8x8')

(1) Singh-Ray Vari-ND Filter

(1) Hoya Pro Digital Circular PL Filter

(1) Tiffen 77mm Black Pro-Mist 1/4 Filter

(1) Acrylic Dry Erase Production Slate [Clapboard]

[GH5 recording formats]

DCI 4K at 23.98P in 10-bit 4:2:2 internally at 400Mbps using ALL-Intra recording . It can also shoot DCI 4K 48.00P at 150Mbps in 8-bit 4:2:0.

UHD 4K 10-bit 4:2:2 internal recording at 24, 25 and 30 fps. This is again up to 400Mbps using ALL-Intra recording. It can be recorded internally at the same time as being output via HDMI in 10-bit.

4K 50/60fps internal recording in 4:2:0 8-bit at 150Mbps in IPB.

4K 50/60fps external recording in 4:2:2 10-bit (with no internal recording).

Full HD recording on the GH5 is up to 180fps internally, up from 96fps on the GH4. At regular 59.94p / 29.97p / 23.98p framerates you can record internally in 4:2:2 10bit at 200 Mbps.

6K Photo mode – basically 6K video in 4:3 aspect. The idea being to grab 18 megapixel stills from the video.

4K Anamorphic 4:3 shooting using 3328×2496 pixels. This offers the same 10-bit 4:2:2 400 Mbps ALL-Intra recording at 24P, 25P and 30P and 8-bit 4:2:0 150 Mbps IPB recording at 50P and 59.94P.

High resolution anamorphic 4:3 mode, the mode that I am personally most excited about because finally there will be a lower cost camera capable of being used for anamorphic shooting in higher resolutions. It uses the same resolution as the 6K Photo mode in 4:3.

[The GH5's built-in image stabilization is a Godsend]

The GH5 added on-sensor stabilization (OSS), is probably the feature we are most excited about. Put the GH5 on a gimbal with the OSS on, the footage is completely and beautifully smooth.

What this means for filmmakers is that the GH5 OSS is smart enough to not fight a gimbal, and any vibration you experience while shooting will be nullified by the OSS

[Unlimited Recording]

GH5 has a dual memory card slot that allows you to record what you're shooting redundantly.

[All-new m4/3 sensor]

Importantly, the camera can now record 4K from the full width of the m4/3 sensor. This brings the GH5 crop factor to around 2x, versus 2.3x for the GH4. Wide angle lenses in particular will benefit from this.

$500
per day
$500
per day
GH5 KIT

I am a DP/Director/Operator based out of Atlanta. I have pretty much everything you need to put on a high quality production without having to go to a rental house; and at a lower rate. I often DP, light, shoot, and/or operate for other directors and producers who need high quality gear & work for their productions. Panasonic GH5 Package. Includes: (1) Panasonic GH5 Body (2) Batteries (1) Charger (1) 128 GB SD Card (1) 64 GB SD Card (2) 32 GB SD Cards (1) SmallHD FOCUS 5" On-Camera Monitor with 2 Batteries (1) Mattebox & Follow Focus Shoulder Support Kit for GH5 (1) MFT - Nikon Adapter (1) Voigtlander Nokton 25mm f/0.95 https://goo.gl/cvzNG0 (1) SLR Magic 10mm T2.1 Hyperprime Cine Lens (1)Sigma 50mm f/1.4 100mm (35mm Equivalent) (1) Manfrotto Tripod w/ Fluid Head (MVH502AH) (3) C-Stands with Gobo Arms (1) Diffuser & Black Flag Butterfly Frame Bundle (8x8') (1) Singh-Ray Vari-ND Filter (1) Hoya Pro Digital Circular PL Filter (1) Tiffen 77mm Black Pro-Mist 1/4 Filter (1) Acrylic Dry Erase Production Slate [Clapboard] [GH5 recording formats] DCI 4K at 23.98P in 10-bit 4:2:2 internally at 400Mbps using ALL-Intra recording . It can also shoot DCI 4K 48.00P at 150Mbps in 8-bit 4:2:0. UHD 4K 10-bit 4:2:2 internal recording at 24, 25 and 30 fps. This is again up to 400Mbps using ALL-Intra recording. It can be recorded internally at the same time as being output via HDMI in 10-bit. 4K 50/60fps internal recording in 4:2:0 8-bit at 150Mbps in IPB. 4K 50/60fps external recording in 4:2:2 10-bit (with no internal recording). Full HD recording on the GH5 is up to 180fps internally, up from 96fps on the GH4. At regular 59.94p / 29.97p / 23.98p framerates you can record internally in 4:2:2 10bit at 200 Mbps. 6K Photo mode – basically 6K video in 4:3 aspect. The idea being to grab 18 megapixel stills from the video. 4K Anamorphic 4:3 shooting using 3328×2496 pixels. This offers the same 10-bit 4:2:2 400 Mbps ALL-Intra recording at 24P, 25P and 30P and 8-bit 4:2:0 150 Mbps IPB recording at 50P and 59.94P. High resolution anamorphic 4:3 mode, the mode that I am personally most excited about because finally there will be a lower cost camera capable of being used for anamorphic shooting in higher resolutions. It uses the same resolution as the 6K Photo mode in 4:3. [The GH5's built-in image stabilization is a Godsend] The GH5 added on-sensor stabilization (OSS), is probably the feature we are most excited about. Put the GH5 on a gimbal with the OSS on, the footage is completely and beautifully smooth. What this means for filmmakers is that the GH5 OSS is smart enough to not fight a gimbal, and any vibration you experience while shooting will be nullified by the OSS [Unlimited Recording] GH5 has a dual memory card slot that allows you to record what you're shooting redundantly. [All-new m4/3 sensor] Importantly, the camera can now record 4K from the full width of the m4/3 sensor. This brings the GH5 crop factor to around 2x, versus 2.3x for the GH4. Wide angle lenses in particular will benefit from this.

More

OWNER NOTES

I am a DP/Director/Operator based out of Atlanta.
I have pretty much everything you need to put on a high quality production without having to go to a rental house; and at a lower rate. I often DP, light, shoot, and/or operate for other directors and producers who need high quality gear & work for their productions.

Panasonic GH5 Package. Includes:
(1) Panasonic GH5 Body
(2) Batteries
(1) Charger
(1) 128 GB SD Card
(1) 64 GB SD Card
(2) 32 GB SD Cards
(1) SmallHD FOCUS 5" On-Camera Monitor with 2 Batteries
(1) Mattebox & Follow Focus Shoulder Support Kit for GH5
(1) MFT - Nikon Adapter
(1) Voigtlander Nokton 25mm f/0.95 https://goo.gl/cvzNG0
(1) SLR Magic 10mm T2.1 Hyperprime Cine Lens
(1)Sigma 50mm f/1.4 100mm (35mm Equivalent)
(1) Manfrotto Tripod w/ Fluid Head (MVH502AH)
(3) C-Stands with Gobo Arms
(1) Diffuser & Black Flag Butterfly Frame Bundle (8x8')
(1) Singh-Ray Vari-ND Filter
(1) Hoya Pro Digital Circular PL Filter
(1) Tiffen 77mm Black Pro-Mist 1/4 Filter
(1) Acrylic Dry Erase Production Slate [Clapboard]

[GH5 recording formats]

DCI 4K at 23.98P in 10-bit 4:2:2 internally at 400Mbps using ALL-Intra recording . It can also shoot DCI 4K 48.00P at 150Mbps in 8-bit 4:2:0.
UHD 4K 10-bit 4:2:2 internal recording at 24, 25 and 30 fps. This is again up to 400Mbps using ALL-Intra recording. It can be recorded internally at the same time as being output via HDMI in 10-bit.
4K 50/60fps internal recording in 4:2:0 8-bit at 150Mbps in IPB.
4K 50/60fps external recording in 4:2:2 10-bit (with no internal recording).
Full HD recording on the GH5 is up to 180fps internally, up from 96fps on the GH4. At regular 59.94p / 29.97p / 23.98p framerates you can record internally in 4:2:2 10bit at 200 Mbps.
6K Photo mode – basically 6K video in 4:3 aspect. The idea being to grab 18 megapixel stills from the video.
4K Anamorphic 4:3 shooting using 3328×2496 pixels. This offers the same 10-bit 4:2:2 400 Mbps ALL-Intra recording at 24P, 25P and 30P and 8-bit 4:2:0 150 Mbps IPB recording at 50P and 59.94P.
High resolution anamorphic 4:3 mode, the mode that I am personally most excited about because finally there will be a lower cost camera capable of being used for anamorphic shooting in higher resolutions. It uses the same resolution as the 6K Photo mode in 4:3.

[The GH5's built-in image stabilization is a Godsend]

The GH5 added on-sensor stabilization (OSS), is probably the feature we are most excited about. Put the GH5 on a gimbal with the OSS on, the footage is completely and beautifully smooth.

What this means for filmmakers is that the GH5 OSS is smart enough to not fight a gimbal, and any vibration you experience while shooting will be nullified by the OSS

[Unlimited Recording]

GH5 has a dual memory card slot that allows you to record what you're shooting redundantly.

[All-new m4/3 sensor]

Importantly, the camera can now record 4K from the full width of the m4/3 sensor. This brings the GH5 crop factor to around 2x, versus 2.3x for the GH4. Wide angle lenses in particular will benefit from this.

$300
per day
$300
per day
GH5 FILMMAKER FULL KIT w/ Lenses, Lights & Pro Audio

I am a DP/Director/Operator based out of Atlanta. I have pretty much everything you need to put on a high quality production without having to go to a rental house; and at a lower rate. I often DP, light, shoot, and/or operate for other directors and producers who need high quality gear & work for their productions. Panasonic GH5 Package. Includes: (1) Panasonic GH5 Body (2) Batteries (1) Charger (1) 128 GB SD Card (1) 64 GB SD Card (2) 32 GB SD Cards (1) SmallHD FOCUS 5" On-Camera Monitor with 2 Batteries (1) Mattebox & Follow Focus Shoulder Support Kit for GH5 (1) MFT - Nikon Adapter (1) Voigtlander Nokton 25mm f/0.95 https://goo.gl/cvzNG0 (1) SLR Magic 10mm T2.1 Hyperprime Cine Lens (1)Sigma 50mm f/1.4 100mm (35mm Equivalent) (1) Manfrotto Tripod w/ Fluid Head (MVH502AH) (1) 3-Axis Gimbal (1) Zoom F8 Multitrack Field Recorder Kit/Protective Case (1) Sennheiser MKH-416 (1) K-Tek Boompole with Internal XLR Cable (1) Shotgun Microphone Kit with Rycote Super-Blimp and Windshield Cover (1) Sennheiser ew 100 ENG G3 Dual Wireless Kit (1) KinoFlo DivaLite 400 Kit with DivaLite 400 Fixture, power cable, chrome eggcrate, gel frame, FloZier, 5 - KF32 & 5 - KF55 Lamps, lamp case & kit case (3) Apurture 198 LED Daylights (3) C-Stands with Gobo Arms (1) Diffuser & Black Flag Butterfly Frame Bundle (8x8') (1) Singh-Ray Vari-ND Filter (1) Hoya Pro Digital Circular PL Filter (1) Tiffen 77mm Black Pro-Mist 1/4 Filter (1) Acrylic Dry Erase Production Slate [Clapboard] [GH5 recording formats] DCI 4K at 23.98P in 10-bit 4:2:2 internally at 400Mbps using ALL-Intra recording . It can also shoot DCI 4K 48.00P at 150Mbps in 8-bit 4:2:0. UHD 4K 10-bit 4:2:2 internal recording at 24, 25 and 30 fps. This is again up to 400Mbps using ALL-Intra recording. It can be recorded internally at the same time as being output via HDMI in 10-bit. 4K 50/60fps internal recording in 4:2:0 8-bit at 150Mbps in IPB. 4K 50/60fps external recording in 4:2:2 10-bit (with no internal recording). Full HD recording on the GH5 is up to 180fps internally, up from 96fps on the GH4. At regular 59.94p / 29.97p / 23.98p framerates you can record internally in 4:2:2 10bit at 200 Mbps. 6K Photo mode – basically 6K video in 4:3 aspect. The idea being to grab 18 megapixel stills from the video. 4K Anamorphic 4:3 shooting using 3328×2496 pixels. This offers the same 10-bit 4:2:2 400 Mbps ALL-Intra recording at 24P, 25P and 30P and 8-bit 4:2:0 150 Mbps IPB recording at 50P and 59.94P. High resolution anamorphic 4:3 mode, the mode that I am personally most excited about because finally there will be a lower cost camera capable of being used for anamorphic shooting in higher resolutions. It uses the same resolution as the 6K Photo mode in 4:3. [The GH5's built-in image stabilization is a Godsend] The GH5 added on-sensor stabilization (OSS), is probably the feature we are most excited about. Put the GH5 on a gimbal with the OSS on, the footage is completely and beautifully smooth. What this means for filmmakers is that the GH5 OSS is smart enough to not fight a gimbal, and any vibration you experience while shooting will be nullified by the OSS [Unlimited Recording] GH5 has a dual memory card slot that allows you to record what you're shooting redundantly. [All-new m4/3 sensor] Importantly, the camera can now record 4K from the full width of the m4/3 sensor. This brings the GH5 crop factor to around 2x, versus 2.3x for the GH4. Wide angle lenses in particular will benefit from this.

More

OWNER NOTES

I am a DP/Director/Operator based out of Atlanta.
I have pretty much everything you need to put on a high quality production without having to go to a rental house; and at a lower rate. I often DP, light, shoot, and/or operate for other directors and producers who need high quality gear & work for their productions.

Panasonic GH5 Package. Includes:
(1) Panasonic GH5 Body
(2) Batteries
(1) Charger
(1) 128 GB SD Card
(1) 64 GB SD Card
(2) 32 GB SD Cards
(1) SmallHD FOCUS 5" On-Camera Monitor with 2 Batteries
(1) Mattebox & Follow Focus Shoulder Support Kit for GH5
(1) MFT - Nikon Adapter
(1) Voigtlander Nokton 25mm f/0.95 https://goo.gl/cvzNG0
(1) SLR Magic 10mm T2.1 Hyperprime Cine Lens
(1)Sigma 50mm f/1.4 100mm (35mm Equivalent)
(1) Manfrotto Tripod w/ Fluid Head (MVH502AH)
(1) 3-Axis Gimbal
(1) Zoom F8 Multitrack Field Recorder Kit/Protective Case
(1) Sennheiser MKH-416
(1) K-Tek Boompole with Internal XLR Cable
(1) Shotgun Microphone Kit with Rycote Super-Blimp and Windshield Cover
(1) Sennheiser ew 100 ENG G3 Dual Wireless Kit
(1) KinoFlo DivaLite 400 Kit with DivaLite 400 Fixture, power cable, chrome eggcrate, gel frame, FloZier, 5 - KF32 & 5 - KF55 Lamps, lamp case & kit case
(3) Apurture 198 LED Daylights
(3) C-Stands with Gobo Arms
(1) Diffuser & Black Flag Butterfly Frame Bundle (8x8')
(1) Singh-Ray Vari-ND Filter
(1) Hoya Pro Digital Circular PL Filter
(1) Tiffen 77mm Black Pro-Mist 1/4 Filter
(1) Acrylic Dry Erase Production Slate [Clapboard]

[GH5 recording formats]

DCI 4K at 23.98P in 10-bit 4:2:2 internally at 400Mbps using ALL-Intra recording . It can also shoot DCI 4K 48.00P at 150Mbps in 8-bit 4:2:0.
UHD 4K 10-bit 4:2:2 internal recording at 24, 25 and 30 fps. This is again up to 400Mbps using ALL-Intra recording. It can be recorded internally at the same time as being output via HDMI in 10-bit.
4K 50/60fps internal recording in 4:2:0 8-bit at 150Mbps in IPB.
4K 50/60fps external recording in 4:2:2 10-bit (with no internal recording).
Full HD recording on the GH5 is up to 180fps internally, up from 96fps on the GH4. At regular 59.94p / 29.97p / 23.98p framerates you can record internally in 4:2:2 10bit at 200 Mbps.
6K Photo mode – basically 6K video in 4:3 aspect. The idea being to grab 18 megapixel stills from the video.
4K Anamorphic 4:3 shooting using 3328×2496 pixels. This offers the same 10-bit 4:2:2 400 Mbps ALL-Intra recording at 24P, 25P and 30P and 8-bit 4:2:0 150 Mbps IPB recording at 50P and 59.94P.
High resolution anamorphic 4:3 mode, the mode that I am personally most excited about because finally there will be a lower cost camera capable of being used for anamorphic shooting in higher resolutions. It uses the same resolution as the 6K Photo mode in 4:3.

[The GH5's built-in image stabilization is a Godsend]

The GH5 added on-sensor stabilization (OSS), is probably the feature we are most excited about. Put the GH5 on a gimbal with the OSS on, the footage is completely and beautifully smooth.

What this means for filmmakers is that the GH5 OSS is smart enough to not fight a gimbal, and any vibration you experience while shooting will be nullified by the OSS

[Unlimited Recording]

GH5 has a dual memory card slot that allows you to record what you're shooting redundantly.

[All-new m4/3 sensor]

Importantly, the camera can now record 4K from the full width of the m4/3 sensor. This brings the GH5 crop factor to around 2x, versus 2.3x for the GH4. Wide angle lenses in particular will benefit from this.

$500
per day
$500
per day
Sennheiser ME66/K6 Super-Cardioid Mic K6 Kit + Boom Pole

Short Condenser Mic Right Angle XLR Cable Universal Shock Mount Windscreen Includes Cable AA Batteries Integrated Mogami K-Tek Boom Pole The Sennheiser ME66 short shotgun microphone is a popular choice among video, film and ENG / EFP professionals. The capsule features a highly directional, cardioid polar pattern yielding great attenuation at the sides of the microphone, maximizing pickup at the front. The result is a focused pickup in highly ambient environments. A wide 40-20,000Hz frequency response provides detailed, accurate signal reproduction. The ME66 capsule takes advantage of the K6 modular power supply. The K6 houses a standard AA alkaline battery and is also capable of accepting phantom power from outside sources. Its compact design allows mounting to video cameras. The ME66 is at home in event videography, ENG / EFP use, video depositions, corporate media applications and film. Sennheiser ME 66 Supercardioid Shotgun Microphone Head The Sennheiser ME 66 is a supercardioid shotgun condenser microphone designed to provide focused sound pickup for boom operators, sound engineers, and videographers in ENG, EFP, video and television production, broadcast, and interviews. Its supercardioid/lobar polar pattern delivers a tight, focused pickup area with effective rejection of sounds from the sides and rear of the mic. A wide 40 Hz to 20 kHz frequency response ensures accurate signal capture across the frequency spectrum, making it welcome for recording dialog, Foley, sound effects, and ambient noise. With high sensitivity and maximum SPL ratings, it works well with a variety of preamps and can handle both hushed and loud sound sources. Its low self-noise yields an improved signal-to-noise ratio appropriate for typical digital recording systems. The ME 66 easily attaches to a K6 or K6P powering module (required and available separately) for simple integration with standard microphone preamps. Its compact body allows camera and boompole mounting while remaining out of the shot. Effective Noise Rejection Highly directional supercardioid/lobar polar pattern yields enhanced attenuation at the sides of the microphone and maximum pickup at the front Wide Frequency Response 40 Hz to 20 kHz frequency response for detailed, accurate signal reproduction High Maximum SPL High 125 dB maximum SPL provides distortion-free recording of loud sources Compact Design Compact enclosure enables lightweight use on video cameras and boompoles Powering Options Easily attaches to K6 or K6P powering modules (available separately) for stable power Protective Finish Matte black, anodized, scratch-resistant finish Sennheiser K6 Microphone System Powering Module The K6 Microphone System Powering Module by Sennheiser is the compatible base for many modular capsules. It features high output levels with low noise, a switchable bass roll-off, and transformerless balanced output. The K6 can operate on a single AA battery (not included) or Phantom power. Its on/off switch also has a battery test position, so you can be sure you have enough juice. The K6's anodized matte black finish will resist abrasions to maintain a professional appearance, even under rigorous usage. K6 Microphone System Powering Module High output, low noise operation Switchable bass roll-off filter @ 100Hz Transformerless balanced output On/Off switch with battery test position Battery or Phantom powered Anodized scratch-resistant finish Varta High-Energy 1.5V AA LR6 Alkaline Battery (4-Pack) Power any device that accepts AA cells with this 4-pack of standard, all-purpose High-Energy 1.5V AA LR6 Alkaline Batteries from Varta. These German-made cells are non-rechargeable and feature an output of 1.5V. Additionally, they offer up to 80% more power in digital cameras than Varta Simply Alkaline batteries. The "Single Press Out" type packaging enables easy opening, allowing you to extract one at a time and providing storage for unused cells. WindTech SG-1 Windscreen SG-1 Windscreen with 3/4" Inside Diameter - will fit Select AKG and Audio-Technica, Neumann and Sennheiser Microphones Auray DUSM-1 Universal Shock Mount for Camera Shoes and Boompoles The Auray DUSM-1 Universal Shockmount features a four-point suspension to accommodate shotgun and other cylindrical microphones measuring 0.74-0.98" (19-25mm) in diameter. The shockmount is easily angled with its rubberized adjustment knob. There is a built-in shoe for camera mounting, and a 3/8"-16 thread connection at the base mounts the shockmount to boompoles and universal hand-grips. Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable - 1.5' (0.45 m), Black The black Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable (1.5') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise.

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OWNER NOTES

Short Condenser Mic
Right Angle XLR Cable
Universal Shock Mount
Windscreen
Includes Cable
AA Batteries
Integrated Mogami
K-Tek Boom Pole

The Sennheiser ME66 short shotgun microphone is a popular choice among video, film and ENG / EFP professionals. The capsule features a highly directional, cardioid polar pattern yielding great attenuation at the sides of the microphone, maximizing pickup at the front. The result is a focused pickup in highly ambient environments. A wide 40-20,000Hz frequency response provides detailed, accurate signal reproduction. The ME66 capsule takes advantage of the K6 modular power supply. The K6 houses a standard AA alkaline battery and is also capable of accepting phantom power from outside sources. Its compact design allows mounting to video cameras. The ME66 is at home in event videography, ENG / EFP use, video depositions, corporate media applications and film.
Sennheiser ME 66 Supercardioid Shotgun Microphone Head
The Sennheiser ME 66 is a supercardioid shotgun condenser microphone designed to provide focused sound pickup for boom operators, sound engineers, and videographers in ENG, EFP, video and television production, broadcast, and interviews. Its supercardioid/lobar polar pattern delivers a tight, focused pickup area with effective rejection of sounds from the sides and rear of the mic. A wide 40 Hz to 20 kHz frequency response ensures accurate signal capture across the frequency spectrum, making it welcome for recording dialog, Foley, sound effects, and ambient noise.

With high sensitivity and maximum SPL ratings, it works well with a variety of preamps and can handle both hushed and loud sound sources. Its low self-noise yields an improved signal-to-noise ratio appropriate for typical digital recording systems.

The ME 66 easily attaches to a K6 or K6P powering module (required and available separately) for simple integration with standard microphone preamps. Its compact body allows camera and boompole mounting while remaining out of the shot.

Effective Noise Rejection
Highly directional supercardioid/lobar polar pattern yields enhanced attenuation at the sides of the microphone and maximum pickup at the front
Wide Frequency Response
40 Hz to 20 kHz frequency response for detailed, accurate signal reproduction
High Maximum SPL
High 125 dB maximum SPL provides distortion-free recording of loud sources
Compact Design
Compact enclosure enables lightweight use on video cameras and boompoles
Powering Options
Easily attaches to K6 or K6P powering modules (available separately) for stable power
Protective Finish
Matte black, anodized, scratch-resistant finish
Sennheiser K6 Microphone System Powering Module
The K6 Microphone System Powering Module by Sennheiser is the compatible base for many modular capsules. It features high output levels with low noise, a switchable bass roll-off, and transformerless balanced output.

The K6 can operate on a single AA battery (not included) or Phantom power. Its on/off switch also has a battery test position, so you can be sure you have enough juice. The K6's anodized matte black finish will resist abrasions to maintain a professional appearance, even under rigorous usage.

K6 Microphone System Powering Module
High output, low noise operation
Switchable bass roll-off filter @ 100Hz
Transformerless balanced output
On/Off switch with battery test position
Battery or Phantom powered
Anodized scratch-resistant finish
Varta High-Energy 1.5V AA LR6 Alkaline Battery (4-Pack)
Power any device that accepts AA cells with this 4-pack of standard, all-purpose High-Energy 1.5V AA LR6 Alkaline Batteries from Varta. These German-made cells are non-rechargeable and feature an output of 1.5V. Additionally, they offer up to 80% more power in digital cameras than Varta Simply Alkaline batteries. The "Single Press Out" type packaging enables easy opening, allowing you to extract one at a time and providing storage for unused cells.

WindTech SG-1 Windscreen
SG-1 Windscreen with 3/4" Inside Diameter - will fit Select AKG and Audio-Technica, Neumann and Sennheiser Microphones

Auray DUSM-1 Universal Shock Mount for Camera Shoes and Boompoles
The Auray DUSM-1 Universal Shockmount features a four-point suspension to accommodate shotgun and other cylindrical microphones measuring 0.74-0.98" (19-25mm) in diameter. The shockmount is easily angled with its rubberized adjustment knob. There is a built-in shoe for camera mounting, and a 3/8"-16 thread connection at the base mounts the shockmount to boompoles and universal hand-grips.

Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable - 1.5' (0.45 m), Black
The black Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable (1.5') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise.

$50
per day
$50
per day

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