Stage 6 Media
Director of Photography / Cinematographer
Beacon, NY Member since June 2022
Stage 6 Media is a production company based out of Beacon, NY.
Stage 6 Media is a production company based out of Beacon, NY.
Includes: 40' SDI , 50' SDI, Thin SDI
INCLUDES
OWNER NOTES
17", 1920 x 1080 IPS LCD
100% DCI-P3 Color Gamut Coverage
Factory Calibrated for Accuracy
1400:1 Contrast Ratio, Daylight Viewable
SDI and HDMI Inputs
ColorFlow 3D LUT Processing
True 10-Bit Rendering
PageBuilder OS
RapidRail Shoe Mount System
Milled Aluminum Construction
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Whether producing content for broadcast or cinema distribution, you can depend on SmallHD's 1703 P3X 17" Studio Monitor to brightly display accurate colors in professional field, studio, and post-production settings. Each 1703 P3X is color calibrated by SmallHD to ensure consistently accurate color representation, with 100%
Includes: Direct View Module, 90 Degree Module, Venus Laowa 24mm T14 2x Macro Periprobe Cine Lens with Built-In Ring Light
INCLUDES
OWNER NOTES
Laowa 24mm T14 2X Periprobe lens brought a new shooting possibility to the market. It is widely used in wildlife, table-top shootings, advertisements, and other creative works. The new 24mm T14 2x Macro Periprobe brings the probe lens to another level. Users could now explore more possibilities and shoot in a more handy way.
The new Periprobe inherits all the features from the old probe lens. It features 85 Degree AoV with a periscope and a very close working distance, which features a bug-eye perspective. The 2x magnification allows for capturing subjects of different sizes with details. Users could poke the long and waterproof barrel into a tight space and underwater to obtain a unique perspective. The LED Ring Light provides an extra light source. Users could also switch the 90 Degree periscope back to the 0 Degree straight scope. The lens could rotate 360 Degree along the axis by using the clutch mechanism to unlock the orientation ring. Additional accessories can also be installed at the tip of the lens.
Usage
• Stay close to the ground
• Side shots
• Periscope
• Look up
• Look down
• 45 Degree tilt-up
• Travel through tight space
• Spinning shots
Bug-eye perspective
The lens is able to focus really close to the subject i.e. 2cm/ 0.8" at 2x magnification. In the meantime, it has a wider perspective i.e. 85 Degree than other macro lenses to create a 'Bug-eye perspective'.
2x Magnification
With 2x magnification, users would have higher flexibility to shoot subjects of different sizes. More details can be captured with higher magnification.
Deep depth of field
The Periprobe has a wider perspective than other telephoto macro lenses and the aperture range starts from T14 to T40; therefore, it would have a greater depth of field at close distances. It is beneficial when shooting wildlife and in a studio as more information of the background can be included.
Long & tubular lens barrel
The long and tubular lens barrel makes itself more accessible to different subjects. With the 40cm/15.7" long barrel, you could poke it into different tight spaces like tree holes, Lego houses, etc. Users could also stay at a safe distance from the subjects.
Waterproof front barrel
The front barrel of the periprobe is waterproof so users could make underwater shots without a housing to get unique shots that other lenses cannot do.
360 Degree Rotation
Use the clutch mechanism to unlock the orientation ring for adjustment.
Interchangeable lens tube
Users could also switch the 90 Degree periscope back to the 0 Degree straight probe.
Threaded Tip (1/4 20)
The threaded tip allows for the mounting of accessories like lighting or provides an attachment point for stabilization.
Venus 24mm T14 Cine Features
Bug-eye perspective
2x Magnification
Deep depth of field
Long & tubular lens barrel
Waterproof barrel
LED Ring Light
360 Degree Rotation
0 Degree & 90 Degree interchangeable
Extra threaded tip (1/4 20)
The Weifeng WF-717 is our most popular entry-level professional video tripod. It offers a number of professional features: a fluid head for smooth panning and tilting, a vertical counter-balance, a bowl mount for easy level adjustment using the well positioned level bubble, a mid-level spreader for added stability and a quick release plate. The WF-717 is constructed of metal, aluminium alloy and a minimum of plastic components. The manufacturer has customised the WF-717 for Gorilla Film Gear to include removable rubber feet for use indoors and spiked feet for use outdoors. The max height of the tripod is 1.8m. The tripods legs have three stages and solid knobs for locking them in place. The WF-717 fluid head is rated for a payload of up to 3kg and is designed for modern lightweight camera setups, such as a DSLR with lens and basic accessories. While it may be able to hold more weight than this, it is not designed for such payloads. The tripod itself without the fluid head attached is rated for loads up to 6kg. Additional features: -65 to 90 degree tilt range 360 degree pan range Fixed vertical counter-balance 60mm bowl mount Extendable 37-58cm long pan handle can be installed on the right or left side of the head Dual-Lock system protects equipment from unexpected drops Ergonomic tripod leg knobs ensure fast height adjustment with strong locking Removable rubber feet for smooth ground to prevent skidding Spiked feet for use outdoors Portable soft case for carrying
OWNER NOTES
The Weifeng WF-717 is our most popular entry-level professional video tripod. It offers a number of professional features: a fluid head for smooth panning and tilting, a vertical counter-balance, a bowl mount for easy level adjustment using the well positioned level bubble, a mid-level spreader for added stability and a quick release plate.
The WF-717 is constructed of metal, aluminium alloy and a minimum of plastic components. The manufacturer has customised the WF-717 for Gorilla Film Gear to include removable rubber feet for use indoors and spiked feet for use outdoors. The max height of the tripod is 1.8m. The tripods legs have three stages and solid knobs for locking them in place.
The WF-717 fluid head is rated for a payload of up to 3kg and is designed for modern lightweight camera setups, such as a DSLR with lens and basic accessories. While it may be able to hold more weight than this, it is not designed for such payloads. The tripod itself without the fluid head attached is rated for loads up to 6kg.
Additional features:
-65 to 90 degree tilt range
360 degree pan range
Fixed vertical counter-balance
60mm bowl mount
Extendable 37-58cm long pan handle can be installed on the right or left side of the head
Dual-Lock system protects equipment from unexpected drops
Ergonomic tripod leg knobs ensure fast height adjustment with strong locking
Removable rubber feet for smooth ground to prevent skidding
Spiked feet for use outdoors
Portable soft case for carrying
Sigma 50-100mm T2 Fully Luminous High-Speed Zoom Lens (Canon EF, Feet) The Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Feet) with a Canon EF mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes. What sets this lens apart from the standard Sigma High Speed Zooms is fully luminescent markings. When shooting in dim or dark environments, focus pullers and camera operators will be able to easily discern lens markings without resorting to distracting lamps or other disruptive light sources. The 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, and the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4"-20 support foot that helps support the lens with the aid of a 1/4"-20 rod-mounted lens support (not included). Color Balance All the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses. Dust-Proof and Splash-Proof Design Sharing the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM|Sports, each ring and mount is sealed to prevent water and dust from entering. All Metal Body Construction The lens body is made completely of metal to stand up to the rigors of the production day. Lens Markings The main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens. Lens Front The lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread. Lens Gears All three lens gears are standard 0.8 MOD and feature a damper that eliminates metallic sounds when you reach the end of the lens travel. Support Foot The lens includes a removable support foot.
OWNER NOTES
Sigma 50-100mm T2 Fully Luminous High-Speed Zoom Lens (Canon EF, Feet)
The Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Feet) with a Canon EF mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes. What sets this lens apart from the standard Sigma High Speed Zooms is fully luminescent markings. When shooting in dim or dark environments, focus pullers and camera operators will be able to easily discern lens markings without resorting to distracting lamps or other disruptive light sources.
The 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, and the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4"-20 support foot that helps support the lens with the aid of a 1/4"-20 rod-mounted lens support (not included).
Color Balance
All the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.
Dust-Proof and Splash-Proof Design
Sharing the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM|Sports, each ring and mount is sealed to prevent water and dust from entering.
All Metal Body Construction
The lens body is made completely of metal to stand up to the rigors of the production day.
Lens Markings
The main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.
Lens Front
The lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.
Lens Gears
All three lens gears are standard 0.8 MOD and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.
Support Foot
The lens includes a removable support foot.
Canon 6D Kit 4 x 16 gb Sandisk 1 x 32 bg Sandisk Tamron SP 70-200mm F/2.8 Tamron 24-70mm F/2.8 5 x Batteries w/ charger
OWNER NOTES
Canon 6D Kit
4 x 16 gb Sandisk
1 x 32 bg Sandisk
Tamron SP 70-200mm F/2.8
Tamron 24-70mm F/2.8
5 x Batteries w/ charger