About the kit: Lock Circle Prime Circle XM CINE Lens Set (rehoused Zeiss Planar T Glass) EF. Glass is in perfect condition, lens housings have your normal marks from general use (follow focus gears etc.) Focal lengths are: 25mm f/2 35mm f/1.4 50mm f/1.4 85mm f/1.4 In custom carrying case. From Lockcircle: Manual focus and manual aperture. - ZEISS world class optical design. - Harmonious bokeh for magic out of focus - Cine-style focus and aperture scales on both sides of the lens barrel. - Expanded focus mark spacing for precise follow-focus. - Calibrated (one to one) focus scales. - Standard cinema 95mm Front Mount. Full-Frame 24x36 coverage. - Canon EF/ Nikon F mount. - Available with metric or imperial scales. Aspherical design The aspherical lens design ensures consistent imaging performance throughout the entire focusing range as well as sharpness to the periphery of the image. The asphere's more complex surface profile can reduce or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens. Floating Elements Design Today's camera technologies and high-resolution sensors demand continuous improvement of lens performance. Thanks to the use of the latest floating element design principles, optical aberration effects in the 25mm lenses are reduced to a minimum throughout their entire focusing range. This is achieved by variation of the axial distance between individual lens elements or groups. This adjustment of the lens-to-lens distance is coupled to the distance setting to ensure correct compensation at all times. The mechanical construction of these lenses is extremely complex and they must be assembled with utmost precision. Virtually distortion-free optics Dramatic perspectives and a view from extraordinary image angles. ZEISS lenses open up new composition possibilities. Distortion would disrupt the composition because straight lines, whose image does not go through the image center, would be reproduced with a curved shape. This annoying effect is accordingly and largely compensated through elaborate optical designs at all focal lengths. Ideal aperture with nine blades Filmmakers want to guide the observer through the image. Minimal depth of focus is often used as a emotional element. This keeps the background intentionally blurred to keep the attention of the observer on the main subject. These different representations of the blurred areas, as well as the quality of the transition, are referred to as the Bokeh of a lens. The finely tuned features of the optical design in the 25mm lenses ensure a particularly harmonious effect of the blurred areas of the image. The nine diaphragm blades and the resulting, virtually circular aperture are crucial to favorable rendition of highlights in the fore and background. High-Speed Lenss Impressive images captured in low light always begin with a fast lens for a system or motion picture camera. Because, a fast, high-performance lens captures as much light as possible. And a lens with a large maximum aperture leads tothe best results when shooting in unfavourable light.
OWNER NOTES
About the kit:
Lock Circle Prime Circle XM CINE Lens Set (rehoused Zeiss Planar T Glass) EF. Glass is in perfect condition, lens housings have your normal marks from general use (follow focus gears etc.)
Focal lengths are:
25mm f/2
35mm f/1.4
50mm f/1.4
85mm f/1.4
In custom carrying case.
From Lockcircle:
Manual focus and manual aperture. - ZEISS world class optical design. - Harmonious bokeh for magic
out of focus - Cine-style focus and aperture scales on both sides of the lens barrel. - Expanded focus mark
spacing for precise follow-focus. - Calibrated (one to one) focus scales. - Standard cinema 95mm Front Mount.
Full-Frame 24x36 coverage. - Canon EF/ Nikon F mount. - Available with metric or imperial scales.
Aspherical design
The aspherical lens design ensures consistent imaging performance throughout the entire focusing range as
well as sharpness to the periphery of the image. The asphere's more complex surface profile can reduce
or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens.
Floating Elements Design
Today's camera technologies and high-resolution sensors demand continuous improvement of lens performance.
Thanks to the use of the latest floating element design principles, optical aberration effects in the 25mm lenses are
reduced to a minimum throughout their entire focusing range. This is achieved by variation of the axial distance
between individual lens elements or groups. This adjustment of the lens-to-lens distance is coupled to the distance
setting to ensure correct compensation at all times. The mechanical construction of these lenses is
extremely complex and they must be assembled with utmost precision.
Virtually distortion-free optics
Dramatic perspectives and a view from extraordinary image angles. ZEISS lenses open up new composition
possibilities. Distortion would disrupt the composition because straight lines, whose image does not go through
the image center, would be reproduced with a curved shape. This annoying effect is accordingly and largely
compensated through elaborate optical designs at all focal lengths.
Ideal aperture with nine blades
Filmmakers want to guide the observer through the image. Minimal depth of focus is often used as a emotional element.
This keeps the background intentionally blurred to keep the attention of the observer on the main subject.
These different representations of the blurred areas, as well as the quality of the transition,
are referred to as the Bokeh of a lens. The finely tuned features of the optical design in the 25mm lenses
ensure a particularly harmonious effect of the blurred areas of the image. The nine diaphragm blades and
the resulting, virtually circular aperture are crucial to favorable rendition of highlights
in the fore and background.
High-Speed Lenss
Impressive images captured in low light always begin with a fast lens for a system or motion picture camera. Because, a fast, high-performance lens captures as much light as possible. And a lens with a large maximum aperture leads tothe best results when shooting in unfavourable light.
Red One MX 4.5K SSD Side module 3 x 64gb Redmag SSDs 640GB Red Drive 3 x Redbrick 153wh V Mount Batteries Studio baseplate with 15mm or 19mm rails Sirui BCH30 head and O'Connor sticks
OWNER NOTES
Red One MX 4.5K
SSD Side module
3 x 64gb Redmag SSDs
640GB Red Drive
3 x Redbrick 153wh V Mount Batteries
Studio baseplate with 15mm or 19mm rails
Sirui BCH30 head and O'Connor sticks
Includes: Sound Devices 744T 64GB CF card Portabrace field bag Two L series batteries and charger Original description: The 744T is a powerful four input, four-track file-based digital audio recorder. The super compact 744T records and plays high-quality audio to and from hard drive (80 GB internal), CompactFlash and external FireWire drives, making field recording reliable and fast. It reads and writes uncompressed PCM audio at 16 or 24 bits at sampling rates from 32 kHz to 192 kHz. Lossless compression using FLAC is supported, as well as MP2/MP3 compress formats at 64 kb/s to 320 kb/s. The full-features time code features makes the 744T perfect for dual-system sound applications-from over-the-shoulder to cart based production. The 744T implements a no-compromise audio path that includes Sound Devices' next generation microphone preamplifiers. Designed specifically for high bandwidth, high bit rate digital recording, the preamps set a new standard for frequency response linearity, low distortion performance and low noise. No other recorder on the market matches its size or feature set. In addition, its learning curve is short-powerful does not mean complicated. Its recording media (hard drive, CompactFlash and external FireWire drives) are reliable, industry standard and easily obtainable storage. The removable, rechargeable battery is a standard Sony-compatible Li-ion camcorder cell. The 744T interconnects with Windows and Mac OS computers for convenient data transfer and backup.
OWNER NOTES
Includes:
Sound Devices 744T
64GB CF card
Portabrace field bag
Two L series batteries and charger
Original description:
The 744T is a powerful four input, four-track file-based digital audio recorder. The super compact 744T records and plays high-quality audio to and from hard drive (80 GB internal), CompactFlash and external FireWire drives, making field recording reliable and fast. It reads and writes uncompressed PCM audio at 16 or 24 bits at sampling rates from 32 kHz to 192 kHz. Lossless compression using FLAC is supported, as well as MP2/MP3 compress formats at 64 kb/s to 320 kb/s.
The full-features time code features makes the 744T perfect for dual-system sound applications-from over-the-shoulder to cart based production. The 744T implements a no-compromise audio path that includes Sound Devices' next generation microphone preamplifiers. Designed specifically for high bandwidth, high bit rate digital recording, the preamps set a new standard for frequency response linearity, low distortion performance and low noise. No other recorder on the market matches its size or feature set. In addition, its learning curve is short-powerful does not mean complicated.
Its recording media (hard drive, CompactFlash and external FireWire drives) are reliable, industry standard and easily obtainable storage. The removable, rechargeable battery is a standard Sony-compatible Li-ion camcorder cell. The 744T interconnects with Windows and Mac OS computers for convenient data transfer and backup.
Includes: Rode Blimp, Auray BP-59B
INCLUDES
OWNER NOTES
The newest evolution of the excellent and popular NTG line!
Blimp available.
9' Auray boompole with integrated XLR cable
15' boompole available for additional fee
Includes: Odyssey 7Q+
INCLUDES
OWNER NOTES
2 kits available.
FS700R with cage.
Odyssey 7Q+ (with 2 x 512gb media each), sun hood, case
Available upon request:
A. Any one of Metabones (PL mount speed booster, EF Mount speed booster, Nikon mount, EF non speed booster)
B. Sirui 50mm Anamorphic e mount lens
Beautiful 4K RAW shot in 24, 30 or 60P and have one button 120 4K slow motion in burst mode at your disposal.
Features:
• 4K Exmor Super 35mm CMOS Sensor
• Capture 1920 x 1080/60p AVCHD Video
• 4K/2K 12-Bit RAW to Odyssey 7Q+
• Up to 960 fps Super Slow Motion
• CineGamma Curves Including S-Log2
• ISO 320 to 64,000
• 3.5" LCD Screen with VF Attachment
• Dual XLR, HDMI & 3G/HD-SDI Connectivity
• SD/SDHC/SDXC and Memory Stick Duo Slots
• FMU Port Supports Optional Memory
• Includes 6 "L" Batteries and 2 slot charger
• Includes AC Adapter
• Includes Pelicase
Includes: Odyssey Q7 4K
• 7.7" 1280x800 OLED Touchscreen Monitor
• DCI & UHD 4K Recording over HDMI or SDI
• ProRes 4444 12-Bit RGB, ProRes 422
• Full Uncompressed DPX 10-Bit and 12-Bit
• DCI & UHD 4K 60fps to Apple ProRes 422
• 3G/6G-SDI Inputs. 3G-SDI Outputs
• Image Analysis Tools
• Includes Titan HD Extract Option
• Built-in LUTs & Custom 3D LUT Support
• Includes articulating arm.
• Includes (2) 512 GB SSD's
• Includes 2 "L" Batteries
• Includes AC Adapter
• Includes Card reader to USB (Note: You should download the Convergent Design Transfer software that stitches the QuickTime files seamlessly to your hard drive).