Maksim B Avatar

Maksim B

Director of Photography / Cinematographer

New York, NY Member since January 2017

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Address

I have been working in doc-style video production for 21 years and narrative tv/film for the last 5.

Based in Murray Hill Manhattan.

If you have any urgent questions, please text me at 646-617-1546 or email at maksimbrenner@yahoo.com.

*FLEXIBLE 24HR PICK UP & DROP OFF - DOORMAN BUILDING:

All rentals can be picked up and dropped off with the doorman at any time within the rental period in case I am not around at the time which is most convenient for you.

*You can pick up the rental as early as you would like as long as the gear is not rented the day before.

On the Web

SONY A1 8K 50MP CAMERA + GM / GM II LENS (12 available) KIT ( XLR-K3M Audio, 8 baterries, 2 x 160GB Type A) Alpha 1

Includes: Sony a1 Mirrorless Camera, XLR-K3M Audio Module, SONY GM Lens

More

INCLUDES

  • Sony a1 Mirrorless Camera
  • XLR-K3M Audio Module
  • SONY GM Lens
  • 2 x Sony 160GB CFexpress Type A TOUGH Memory Cards
  • 8 x Sony NP-FZ100 Rechargeable Lithium-Ion Batteries (2280mAh)
  • Dual Charger for Z100 batteries
  • Sony MRW-G2 CFexpress Type A/SD Memory Card Reader
  • SmallRig Cage + Top Handle with Record Start/Stop Remote Trigger
  • Lens / sensor cleaning kit
  • Case

OWNER NOTES

Included in KIt:
Sony a1 Mirrorless Camera
XLR-K3M Audio Module
SONY GM Lens (Choose from 12 - The whole line up of Primes and zooms)
2 x Sony 160GB CFexpress Type A TOUGH Memory Cards
8 x Sony NP-FZ100 Rechargeable Lithium-Ion Batteries (2280mAh)
Dual Charger for Z100 batteries
Sony MRW-G2 CFexpress Type A/SD Memory Card Reader
SmallRig Cage + Top Handle with Record Start/Stop Remote Trigger
Lens / sensor cleaning kit
Case

AUTOFOCUS SONY LENSES (ONE INCLUDED - PLEASE MENTION WHICH ONE YOU WANT WITH THE REQUEST):
Zoom Lenses:
Sony FE 12-24mm f4 G Lens - $40/day
Sony FE 16-35mm f2.8 GM II Lens - $55/day
Sony FE 24-70mm f2.8 GM II Lens - $47/day
Sony FE 70-200mm f2.8 GM II OSS Lens - $55/day

Primes Lenses:
Sony FE 20mm G f1.8 Lens - $25/day
Sony FE 24mm f1.4 GM Lens - $35/day
Sony FE 35mm f1.4 GM Lens - $35/day
Sony FE 40mm f2.5 G Lens - $21/day
Sony 50mm f1.2 GM Lens - $53/day
Sony 85mm f1.4 GM Lens - $35/day
Sony 135mm f2.8 GM lens - $49/day

OPTIONAL ACCESSORIES:
PortKeys 5" Monitor (with 3 NFP Batteries) - $25/day

Atomos Ninja V+ 5" (16-BIT linear RAW out of A1 / A7SIII / FX3, 1000nits, 10-bit FRC) 8K HDMI Recording Monitor + 1TB (more 1TB drives available) + 2x NP-F Battery (Optional SDI - $7) - $35/day

ALSO AVAILABLE:
Media:
160GB CFexpress Type A Card - $30/day (each)

LENS ADAPTERS:
1. 2 x KIPON EF-S/E AF ND Mark 3 ND Autofocus Adapter (Canon EF to E Mount) - $23/day

2. Metabones PL to E-Mount Adapter with Internal Flocking - $20/day

3. Wooden Camera PL to E Mount Adapter

MANUAL VINTAGE LENSES:
Leica R, Contax & other vintage manual focus lenses - Please inquire if interested. (Techart adapter for autofocus with manual lenses for photography available as well)

MANUAL LENS ACCESSORIES:
1. Universal ZERO Follow Focus Gear (by Broken Anchor Design) - $23/day

2. Tilta Nucleus II -Nano Wireless Focus Control System - $25/day

FILTERS:
Schneider Tru-Match VariND, Tiffen White Water IRND 82mm Kit. Diffusion, pola and specialty filters available.

MONITORS + TRANSMITTER / RECEIVERS:
1. Portkeys 7" monitor
2. Ninja V with 1TB SSD (Prores RAW recording)
3. SmallHD Ultra 5" Wireless Transmitter / Monitors Kit - $110/day
4. Cine 7 Bolt 750 Monitor / transmitter and Receivers available
5. Bolt 750 TX Transmitter & RX Receiver
6. Flanders Scientific 25" AM250 Production Monitor

CAMERAS:
1. BMPCC6K Camera (CUSTOM Speedbooster, Upgraded IR-Cut) - $118/day

2. Insta 360 Pro II Carbon Fiber Light Stand (8.85')

Shoulder / Handheld Rig:
Camera Shoulder Mount Rig with Zacuto Tornado Focus, Tilta Power (L-Series - NP-F) & Gold Mount Battery Plate (NP-F & Gold-Mount batteries Available) - $32/day

Sound Options:
1. Rode Stereo Mic X - $30/day

2. Sony XLR-K3M Digital XLR Audio Adapter with Shotgun Microphone for A1 / FX3 / A7S III - $25/day

3. Sound Devices Mix Pre-3 Field Recorder - $35/day

4. Zoom H6 Six-track Digital Recorder Kit - $25/day

5. Juicedlink Riggy333 - $23/day (Good for Backup)

6. Sennheiser MKH 416-P48U3 Shotgun Mic, Windshield, Boom Pole Kit - $35/day

7. 3 x Sennheiser AVX Wireless with Cos11 Lavalier (LAV - $25/day) - $55/day (each AVX + LAV kit)

8. Sennheiser AVX-835 KIT Digital Wireless Cardioid Handheld Mic + AVX Receiver

CAMERA MOTION:
1. Ronin RS Gimbal with 3D Focus Module - $50/day

2. Tilta Float Gimbal Support System (Gold Mount) - $125 ($155 with RS2)

3. FULL Edelkrone Motorized Slider V5, HEADPlus V2, Slide V3 - Motion Control Kit - $195/day

TRIPODS:
1. Sachtler Flowtech 75 Carbon Tripod Fiber / FSB 8 Fluid Head / Mid-Level Spreader - $49/day

Miller DS20 Solo 75 3 Stage Carbon Fibre (2001) with Kesser Kwik Release - $38/day

3. Peak Design Carbon Fiber Travel Tripod - $27/day

MONOPOD:
1. Sirui SUP426SR Carbon Monopod, Manfrotto MVH500AH Head & Kessler Kwik Release - $27/day

SONY A1 Specifications:
https://electronics.sony.com/imaging/interchangeable-lens-cameras/all-interchangeable-lens-cameras/p/ilce1-b

A1 RESOURCES:
Imaging Edge Mobile Apps Download:
this app allows you to transfer still images or video to a smartphone or tablet, perform remote shooting, and add location information to images.

https://imagingedge.sony.net/en-us/ie-mobile.html

Catalyst Browse:
https://www.sonycreativesoftware.com/download/catalystbrowse#download

$145
per day
$145
per day
Sony FE 70-200mm f/2.8 GM II OSS Lens (Version 2 - f2.8)

Included in Kit: Sony 70-200mm f2.8 GM II Lens Sun hood Pouch OTHER LENSES AVAILABLE: AUTOFOCUS SONY LENSES: Zoom Lenses: Sony FE 12-24mm f4 G Lens - $40/day Sony FE 16-35mm f2.8 GM Lens - $38/day Sony FE 24-70mm f2.8 GM (Version 2) Lens - $47/day Primes Lenses: Sony FE 20mm G f1.8 Lens - $25/day Sony FE 24mm f1.4 GM Lens - $35/day Sony FE 35mm f1.4 GM Lens - $35/day Sony FE 40mm f2.5 G Lens - $21/day Sony 50mm f1.2 GM Lens - $53/day Sony 85mm f1.4 GM Lens - $35/day Sony 135mm f2.8 GM lens - $49/day MANUAL VINTAGE LENSES: Leica R, Contax & other vintage manual focus lenses - Please inquire if interested. (Techart adapter for autofocus with manual lenses for photography available as well) FILTERS: Schneider Tru-Match VariND, Tiffen White Water IRND 82mm Kit. Diffusion, pola and specialty filters available. Features: Boasting exceptional optics, a complete feature set, and outstanding speed in all aspects, the Sony FE 70-200mm f/2.8 GM OSS Lens easily takes its place as the de facto telephoto zoom for professionals. A member of the G Master series, this 70-200mm delivers high sharpness alongside smooth, clean bokeh and with an absolute minimum of aberrations. This is guaranteed through the use of an XA element, two aspherical elements, four extra-low dispersion elements, and two Super ED elements in the optical design. Furthermore, the lens has a Nano AR Coating that reduces reflections, flare, and ghosting for improved contrast and color. VIDEO: https://www.youtube.com/watch?v=yTdBDxpu7Lg Optimized for speed, this lens is equipped with a fast and constant f/2.8 aperture that will be an asset in low-light conditions as well as for creating images with shallow depth of field. Bokeh is made even better by the implementation of an eleven-blade circular diaphragm for smooth out-of-focus areas. Also, there is a double-linear and ring Super Sonic wave Motor system that provides fast, responsive autofocus in both stills and video. As a top end telephoto zoom, this lens is equipped with a variety of other technologies to assist shooters, including Optical SteadyShot image stabilization for combating camera shake, especially at longer focal lengths. Users will enjoy faster and more intuitive operation with a plethora of physical controls on the lens barrel, including three focus hold buttons, a focus range limiter switch, and both AF/MF and OSS switches. For durability and working in tough conditions, the lens is dust and moisture resistant, and it has a fluorine coating on the front element to resist water and oil. As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications. A popular telephoto zoom designed for full-frame E-mount mirrorless cameras, this 70-200mm lens is also compatible with APS-C models where it provides a 105-300mm equivalent focal length range. A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. An OSS Mode switch lets you choose Mode 1 for general image stabilization that is suited to most types of shooting as well as a Mode 2 setting that is specifically intended to be used with panning movements. The front lens element features a fluorine coating to protect against smudges and dust from adhering to the glass surface. Dust- and moisture-sealed design better permits working in inclement conditions. A rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques. Sony FE 70-200mm F/2.8 GM OSS Specs: Focal Length: 70 to 200mm Maximum Aperture: f/2.8 Minimum Aperture: f/22 Lens Mount: Sony E Lens Format Coverage: Full-Frame Angle of View: 34° to 12° 30' Minimum Focus Distance: 3.15' / 96 cm Maximum Magnification: 0.25x Optical Design: 23 Elements in 18 Groups Diaphragm Blades: 11, Rounded Focus Type: Autofocus Image Stabilization: Yes Tripod Collar: Removable and Rotating Filter Size: 77 mm (Front) Dimensions (ø x L): 3.46 x 7.87" / 88 x 200 mm Length at Maximum Extension: 7.87" / 200 mm Weight: 3.26 lb / 1480 g

More

OWNER NOTES

Included in Kit:
Sony 70-200mm f2.8 GM II Lens
Sun hood
Pouch

OTHER LENSES AVAILABLE:
AUTOFOCUS SONY LENSES:
Zoom Lenses:
Sony FE 12-24mm f4 G Lens - $40/day
Sony FE 16-35mm f2.8 GM Lens - $38/day
Sony FE 24-70mm f2.8 GM (Version 2) Lens - $47/day

Primes Lenses:
Sony FE 20mm G f1.8 Lens - $25/day
Sony FE 24mm f1.4 GM Lens - $35/day
Sony FE 35mm f1.4 GM Lens - $35/day
Sony FE 40mm f2.5 G Lens - $21/day
Sony 50mm f1.2 GM Lens - $53/day
Sony 85mm f1.4 GM Lens - $35/day
Sony 135mm f2.8 GM lens - $49/day

MANUAL VINTAGE LENSES:
Leica R, Contax & other vintage manual focus lenses - Please inquire if interested. (Techart adapter for autofocus with manual lenses for photography available as well)

FILTERS:
Schneider Tru-Match VariND, Tiffen White Water IRND 82mm Kit. Diffusion, pola and specialty filters available.

Features:
Boasting exceptional optics, a complete feature set, and outstanding speed in all aspects, the Sony FE 70-200mm f/2.8 GM OSS Lens easily takes its place as the de facto telephoto zoom for professionals. A member of the G Master series, this 70-200mm delivers high sharpness alongside smooth, clean bokeh and with an absolute minimum of aberrations. This is guaranteed through the use of an XA element, two aspherical elements, four extra-low dispersion elements, and two Super ED elements in the optical design. Furthermore, the lens has a Nano AR Coating that reduces reflections, flare, and ghosting for improved contrast and color.

VIDEO:
https://www.youtube.com/watch?v=yTdBDxpu7Lg

Optimized for speed, this lens is equipped with a fast and constant f/2.8 aperture that will be an asset in low-light conditions as well as for creating images with shallow depth of field. Bokeh is made even better by the implementation of an eleven-blade circular diaphragm for smooth out-of-focus areas. Also, there is a double-linear and ring Super Sonic wave Motor system that provides fast, responsive autofocus in both stills and video.

As a top end telephoto zoom, this lens is equipped with a variety of other technologies to assist shooters, including Optical SteadyShot image stabilization for combating camera shake, especially at longer focal lengths. Users will enjoy faster and more intuitive operation with a plethora of physical controls on the lens barrel, including three focus hold buttons, a focus range limiter switch, and both AF/MF and OSS switches. For durability and working in tough conditions, the lens is dust and moisture resistant, and it has a fluorine coating on the front element to resist water and oil.

As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.
A popular telephoto zoom designed for full-frame E-mount mirrorless cameras, this 70-200mm lens is also compatible with APS-C models where it provides a 105-300mm equivalent focal length range.

A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.

Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. An OSS Mode switch lets you choose Mode 1 for general image stabilization that is suited to most types of shooting as well as a Mode 2 setting that is specifically intended to be used with panning movements.

The front lens element features a fluorine coating to protect against smudges and dust from adhering to the glass surface.
Dust- and moisture-sealed design better permits working in inclement conditions.

A rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony FE 70-200mm F/2.8 GM OSS Specs:
Focal Length: 70 to 200mm
Maximum Aperture: f/2.8
Minimum Aperture: f/22
Lens Mount: Sony E
Lens Format Coverage: Full-Frame
Angle of View: 34° to 12° 30'
Minimum Focus Distance: 3.15' / 96 cm
Maximum Magnification: 0.25x
Optical Design: 23 Elements in 18 Groups
Diaphragm Blades: 11, Rounded
Focus Type: Autofocus
Image Stabilization: Yes
Tripod Collar: Removable and Rotating
Filter Size: 77 mm (Front)
Dimensions (ø x L): 3.46 x 7.87" / 88 x 200 mm
Length at Maximum Extension: 7.87" / 200 mm
Weight: 3.26 lb / 1480 g

$55
per day
$55
per day
SmallHD FOCUS 5" Bolt 500 TX Wireless Monitor / Transmitter + Cine 7 RX Wireless Monitor / Receiver Kit (3 mounts)

Includes: SmallHD FOCUS Bolt 500 TX (Transmitter) Monitor, 2 x Core NP-F Flatpack 7.2V 7800mah Batteries, Sunhood

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INCLUDES

  • SmallHD FOCUS Bolt 500 TX (Transmitter) Monitor
  • 2 x Core NP-F Flatpack 7.2V 7800mah Batteries
  • Sunhood
  • Watson NP-F Battery Charger
  • 2 x HDMI Cables
  • 1 x Monitor arm
  • Baby pin adapter
  • SmallHD Cine 7 Monitor with Built-in Teradek Bolt 500 Receiver (with Monitor Handles, Neck Strap & ARRI Control) CHOOSE: Gold Mount, V-Mount or L Series Plates
  • Case

OWNER NOTES

Kit Includes:
1. SmallHD FOCUS Bolt 500 TX (Transmitter) Monitor
2. 2 x Core NP-F Flatpack 7.2V 7800mah Batteries (more available if needed)
3. Sunhood
4. Watson NP-F Battery Charger
5. 2 x HDMI Cables
6. 1 x Monitor arm
7. Baby pin adapter
8. SmallHD Cine 7 Monitor with Built-in Teradek Bolt 500 Receiver (with Monitor Handles, Neck Strap & ARRI Control)
CHOOSE: Gold Mount, V-Mount or L Series Plates
9. Case

$95
per day
$95
per day
Sony FE 12-24mm f4 G Lens

Includes: lens bag, lens caps

More

INCLUDES

  • lens bag
  • lens caps

OWNER NOTES

Details
Sony FE 12-24mm F/4 G Specs:
Focal Length: 12 to 24mm
Maximum Aperture: f/4
Minimum Aperture: f/22
Lens Mount: Sony E
Lens Format Coverage: Full-Frame
Angle of View: 122° to 84°
Minimum Focus Distance: 11.02" / 28 cm
Maximum Magnification: 0.14x
Optical Design: 17 Elements in 13 Groups
Diaphragm Blades: 7, Rounded
Focus Type : Autofocus
Image Stabilization: No
Filter Size: None
Dimensions (ø x L): 3.43 x 4.62" / 87 x 117.4 mm
Length at Maximum Extension: 4.61" / 117 mm
Weight: 1.24 lb / 565 g

OTHER LENSES AVAILABLE:
AUTOFOCUS SONY LENSES:
Zoom Lenses:
Sony FE 16-35mm f2.8 GM Lens - $38/day
Sony FE 24-70mm f2.8 GM Lens - $35/day
Sony FE 70-200mm f2.8 GM OSS Lens - $40/day

Primes Lenses:
Sony FE 20mm G f1.8 Lens - $25/day
Sony FE 24mm f1.4 GM Lens - $35/day
Sony FE 35mm f1.8 Lens - $25/day
Sony FE 40mm f2.5 G Lens - $21/day
Sony 50mm f1.2 GM Lens - $53/day
Sony 55mm f1.8 Lens - $23/day
Sony 85mm f1.8 Lens - $20/day
Sony 135mm f2.8 GM lens - $49/day

MANUAL VINTAGE LENSES:
Leica R, Contax & other vintage manual focus lenses - Please inquire if interested. (Techart adapter for autofocus with manual lenses for photography available as well)

FILTERS:
Schneider Tru-Match VariND, Tiffen White Water IRND 82mm Kit. Diffusion, pola and specialty filters available.

Sony FE 12-24mm f/4 G Overview:
Portable Design, Broad Versatility
*Ultra-wide and versatile, the Sony FE 12-24mm f/4 G is a flexible, everyday wide zoom characterized by its nimble design and well-rounded performance that makes it ideal for architectural, interior, and landscape subjects. And, as a G Lens, priority has been given to the optical design, which specifically helps to reduce distortion and achieve high sharpness across the frame for accurate rendering and high resolution.

Sophisticated G Optics
*Four aspherical elements are featured in the optical design to control spherical aberrations in order to produce a high degree of sharpness while also limiting distortion.

*One Super ED and three ED elements are used to suppress chromatic aberrations and color fringing for improved clarity and color accuracy.

*Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.

*Constant f/4 maximum aperture offers consistent performance throughout the zoom range.

Intuitive Handling and Sleek Design
*Direct Drive Super Sonic wave Motor AF system and internal focus mechanism provides quick, quiet, and precise autofocus performance that is suitable for both stills and video use.

*Customizable focus hold button on the lens barrel for intuitive tactile control and rapid access to select settings.

*Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.

*Integrated lens hood helps reduce flaring and also provides some physical protection to the front lens element.

$40
per day
$40
per day
Atomos NEON 17" 4K HDR Monitor/Recorder with EXTRAS

Included in Kit: Atomos NEON 17" 4K HDR Monitor/Recorder Atomos Button Bar for NEON Monitor/Recorder Atomos Carry Case for Neon 17 Monitor VESA light stand Mount 50' HDMI Cable ALSO AVAILABLE: 1TB AtomX SSD Media - $20 Bolt 500 XT Wireless video Transmitter / Receiver Kit - $85 This Atomos NEON 17" 4K HDR Monitor/Recorder is part of the NEON family of monitor/recorders designed as an accurate and consistent monitoring solution for the field or in an edit suite. With deep blacks, excellent contrast, a 178° viewing angle, and ProRes and DNx recording capability, this monitor allows for on-location evaluation of your image and quick duplication of footage on-site without tying up a separate recorder. This 17" monitor/recorder features a 1920 x 1080 native resolution while supporting DCI and UHD 4K, as well as 1080p/i and 720p. The monitor provides a clear image capable of supporting HDR and displaying a 10-bit image that covers 100% of the DCI P3 standard. Its 1000 cd/m² brightness and 128 zones of backlight allow the monitor to achieve a contrast ratio of 1,000,000:1. SPECS: https://www.atomos.com/tech-specs?product=neon Brightness The NEON features a brightness range of 0.002 to 1000 cd/m2. The App NEON uses Bluetooth to connect to your iOS mobile device running the Atomos iOS app that controls the built-in AtomosOS. The app provides controlled playback, slow motion, frame-by-frame analysis, and preview tools. Multiple NEONs sync to each other using sub-gigahertz RF that gives them a range up to 656'. Imaging Tools Imaging tools include focus peaking, exposure, calibration, zoom, waveform monitor, RGB monitor, vectorscope, and LUT selection. SDR or HDR Whether a project is SDR or HDR, the NEON can be configured to match camera acquisition settings or defined delivery standards, including Rec.709, Rec.2100 HLG, and PQ (ST.2084). When monitoring with NEON, color stays consistent at every stage of the production pipeline. This ensures that images look their absolute best with no unexpected surprises during the shoot, the edit, the grade, or quality control (QC). Compatibility The NEON series is compatible with a variety of HDMI or SDI cameras and other SDI sources. It supports HD (1080) up to 120 fps via HDMI and DCI 4K up to 60 fps, and it features 12G or Dual 6G or lower resolutions and frame rates via 1.5/3G SDI up to 2K60 with up to 12 channels of embedded audio. SDI 3G and 12G input and output make it easy to loop signals through a NEON to other devices on set or in the edit suite. HDMI sources without HDCP are supported at 4K up to 60 fps or HD up to 120 fps with up to eight channels of audio and detection of HDR info frame to automatically match the input signal type. Recording Each recording can be reviewed instantly on the NEON without the need to offload media. Files are captured as 10-bit 422 to industry-standard Apple ProRes or Avid DNxHR/HD. AtomRemote offers options to configure scene/shot/take file naming, including rich metadata that can be used by editing software or asset management solution for orchestration. Removable Cover Glass The cover glass of the NEON can be removed to help minimize any reflections. Inputs and Outputs The NEON is ready for your HDMI production out of the box, supporting HDMI 2.0b. The included SDI Expansion Module provides you with 12G-SDI in, out, and loop-through, as well as cross conversion between SDI and HDMI and vice versa. Video Output The monitor outputs to Rec.709, HLG, PQ, LUT, and it can display in SDR or HDR, converting as necessary to Rec.709, HLG, PQ, and LUT. Flexibility You can record in online quality at 4Kp60 in real time with ProRes, and Avid DNx with playout to Dolby Vision. Supported Input Gamma Sony: SLog / SLog2 / SLog3 Canon: CLog / CLog2 / Clog3 ARRI: Log CEI160 / LogCEI200 / LogCEI250 /LogCEI320 /LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800/ LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic: Vlog JVC: JLog1 RED: RED Log3G10 / RED LogFilm FUJIFILM: F-log PQ10k HLG Supported Input Gamut Sony: SGamut / SGamut3 / SGamut3.cine Canon Cinema: / DCI P3 / DCI P3+ Nikon: NLog Panasonic: V Gamut ARRI: ALEXA Wide Gamut Rec. 709 / BT.2020 JVC RED: WideGamut / DragonColor / DragonColor2 / Color2 / Color3 / Color4

More

OWNER NOTES

Included in Kit:
Atomos NEON 17" 4K HDR Monitor/Recorder
Atomos Button Bar for NEON Monitor/Recorder
Atomos Carry Case for Neon 17 Monitor
VESA light stand Mount
50' HDMI Cable

ALSO AVAILABLE:
1TB AtomX SSD Media - $20
Bolt 500 XT Wireless video Transmitter / Receiver Kit - $85

This Atomos NEON 17" 4K HDR Monitor/Recorder is part of the NEON family of monitor/recorders designed as an accurate and consistent monitoring solution for the field or in an edit suite. With deep blacks, excellent contrast, a 178° viewing angle, and ProRes and DNx recording capability, this monitor allows for on-location evaluation of your image and quick duplication of footage on-site without tying up a separate recorder. This 17" monitor/recorder features a 1920 x 1080 native resolution while supporting DCI and UHD 4K, as well as 1080p/i and 720p. The monitor provides a clear image capable of supporting HDR and displaying a 10-bit image that covers 100% of the DCI P3 standard. Its 1000 cd/m² brightness and 128 zones of backlight allow the monitor to achieve a contrast ratio of 1,000,000:1.

SPECS:
https://www.atomos.com/tech-specs?product=neon

Brightness
The NEON features a brightness range of 0.002 to 1000 cd/m2.

The App
NEON uses Bluetooth to connect to your iOS mobile device running the Atomos iOS app that controls the built-in AtomosOS. The app provides controlled playback, slow motion, frame-by-frame analysis, and preview tools. Multiple NEONs sync to each other using sub-gigahertz RF that gives them a range up to 656'.
Imaging Tools
Imaging tools include focus peaking, exposure, calibration, zoom, waveform monitor, RGB monitor, vectorscope, and LUT selection.

SDR or HDR
Whether a project is SDR or HDR, the NEON can be configured to match camera acquisition settings or defined delivery standards, including Rec.709, Rec.2100 HLG, and PQ (ST.2084). When monitoring with NEON, color stays consistent at every stage of the production pipeline. This ensures that images look their absolute best with no unexpected surprises during the shoot, the edit, the grade, or quality control (QC).

Compatibility
The NEON series is compatible with a variety of HDMI or SDI cameras and other SDI sources. It supports HD (1080) up to 120 fps via HDMI and DCI 4K up to 60 fps, and it features 12G or Dual 6G or lower resolutions and frame rates via 1.5/3G SDI up to 2K60 with up to 12 channels of embedded audio. SDI 3G and 12G input and output make it easy to loop signals through a NEON to other devices on set or in the edit suite. HDMI sources without HDCP are supported at 4K up to 60 fps or HD up to 120 fps with up to eight channels of audio and detection of HDR info frame to automatically match the input signal type.

Recording
Each recording can be reviewed instantly on the NEON without the need to offload media. Files are captured as 10-bit 422 to industry-standard Apple ProRes or Avid DNxHR/HD. AtomRemote offers options to configure scene/shot/take file naming, including rich metadata that can be used by editing software or asset management solution for orchestration.
Removable Cover Glass
The cover glass of the NEON can be removed to help minimize any reflections.
Inputs and Outputs

The NEON is ready for your HDMI production out of the box, supporting HDMI 2.0b. The included SDI Expansion Module provides you with 12G-SDI in, out, and loop-through, as well as cross conversion between SDI and HDMI and vice versa.

Video Output
The monitor outputs to Rec.709, HLG, PQ, LUT, and it can display in SDR or HDR, converting as necessary to Rec.709, HLG, PQ, and LUT.

Flexibility
You can record in online quality at 4Kp60 in real time with ProRes, and Avid DNx with playout to Dolby Vision.
Supported Input Gamma

Sony: SLog / SLog2 / SLog3
Canon: CLog / CLog2 / Clog3
ARRI: Log CEI160 / LogCEI200 / LogCEI250 /LogCEI320 /LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800/ LogCEI1000 / LogCEI1280 / LogCEI1600
Panasonic: Vlog
JVC: JLog1
RED: RED Log3G10 / RED LogFilm
FUJIFILM: F-log
PQ10k
HLG

Supported Input Gamut

Sony: SGamut / SGamut3 / SGamut3.cine
Canon Cinema: / DCI P3 / DCI P3+
Nikon: NLog
Panasonic: V Gamut
ARRI: ALEXA Wide Gamut
Rec. 709 / BT.2020
JVC
RED: WideGamut / DragonColor / DragonColor2 / Color2 / Color3 / Color4

$100
per day
$100
per day

Reviews (6)

Average 5.0 Stars

Very smooth rental from Maksim!

Maksim was a great guy to work with on this gear rental. He has such a nice, easygoingness about him and we always easily reachable. An most importantly, the gear was perfect. He went above and beyond to make sure I had everything I needed and knew how everything works. Great rental, great person. Thanks, Maksim.

Maksim was fantastic to rent from. Really flexible. Would rent from him again any time!

Maksim was awesome, gave us a rundown of all the gear beforehand. Consummate professional!

Very easy pick up & drop off.

Owner

Sony FE 24mm GM Lens

July 2022

References