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Maksim B Avatar

Maksim B

Director of Photography / Cinematographer

New York, NY Member since January 2017

Verified

Verified Information

Government ID
Email Address
Name
Address

I have been working in doc-style video production for 21 years and narrative tv/film for the last 5.

Based in Murray Hill Manhattan.

If you have any urgent questions, please text me at 646-617-1546 or email at maksimbrenner@yahoo.com.

*FLEXIBLE 24HR PICK UP & DROP OFF - DOORMAN BUILDING:

All rentals can be picked up and dropped off with the doorman at any time within the rental period in case I am not around at the time which is most convenient for you.

*You can pick up the rental as early as you would like as long as the gear is not rented the day before.

On the Web

Atomos NEON 17" 4K HDR Monitor/Recorder with EXTRAS

Included in Kit: Atomos NEON 17" 4K HDR Monitor/Recorder Atomos Button Bar for NEON Monitor/Recorder Atomos Carry Case for Neon 17 Monitor VESA light stand Mount 50' HDMI Cable ALSO AVAILABLE: 1TB AtomX SSD Media - $20 Bolt 500 XT Wireless video Transmitter / Receiver Kit - $85 This Atomos NEON 17" 4K HDR Monitor/Recorder is part of the NEON family of monitor/recorders designed as an accurate and consistent monitoring solution for the field or in an edit suite. With deep blacks, excellent contrast, a 178° viewing angle, and ProRes and DNx recording capability, this monitor allows for on-location evaluation of your image and quick duplication of footage on-site without tying up a separate recorder. This 17" monitor/recorder features a 1920 x 1080 native resolution while supporting DCI and UHD 4K, as well as 1080p/i and 720p. The monitor provides a clear image capable of supporting HDR and displaying a 10-bit image that covers 100% of the DCI P3 standard. Its 1000 cd/m² brightness and 128 zones of backlight allow the monitor to achieve a contrast ratio of 1,000,000:1. SPECS: https://www.atomos.com/tech-specs?product=neon Brightness The NEON features a brightness range of 0.002 to 1000 cd/m2. The App NEON uses Bluetooth to connect to your iOS mobile device running the Atomos iOS app that controls the built-in AtomosOS. The app provides controlled playback, slow motion, frame-by-frame analysis, and preview tools. Multiple NEONs sync to each other using sub-gigahertz RF that gives them a range up to 656'. Imaging Tools Imaging tools include focus peaking, exposure, calibration, zoom, waveform monitor, RGB monitor, vectorscope, and LUT selection. SDR or HDR Whether a project is SDR or HDR, the NEON can be configured to match camera acquisition settings or defined delivery standards, including Rec.709, Rec.2100 HLG, and PQ (ST.2084). When monitoring with NEON, color stays consistent at every stage of the production pipeline. This ensures that images look their absolute best with no unexpected surprises during the shoot, the edit, the grade, or quality control (QC). Compatibility The NEON series is compatible with a variety of HDMI or SDI cameras and other SDI sources. It supports HD (1080) up to 120 fps via HDMI and DCI 4K up to 60 fps, and it features 12G or Dual 6G or lower resolutions and frame rates via 1.5/3G SDI up to 2K60 with up to 12 channels of embedded audio. SDI 3G and 12G input and output make it easy to loop signals through a NEON to other devices on set or in the edit suite. HDMI sources without HDCP are supported at 4K up to 60 fps or HD up to 120 fps with up to eight channels of audio and detection of HDR info frame to automatically match the input signal type. Recording Each recording can be reviewed instantly on the NEON without the need to offload media. Files are captured as 10-bit 422 to industry-standard Apple ProRes or Avid DNxHR/HD. AtomRemote offers options to configure scene/shot/take file naming, including rich metadata that can be used by editing software or asset management solution for orchestration. Removable Cover Glass The cover glass of the NEON can be removed to help minimize any reflections. Inputs and Outputs The NEON is ready for your HDMI production out of the box, supporting HDMI 2.0b. The included SDI Expansion Module provides you with 12G-SDI in, out, and loop-through, as well as cross conversion between SDI and HDMI and vice versa. Video Output The monitor outputs to Rec.709, HLG, PQ, LUT, and it can display in SDR or HDR, converting as necessary to Rec.709, HLG, PQ, and LUT. Flexibility You can record in online quality at 4Kp60 in real time with ProRes, and Avid DNx with playout to Dolby Vision. Supported Input Gamma Sony: SLog / SLog2 / SLog3 Canon: CLog / CLog2 / Clog3 ARRI: Log CEI160 / LogCEI200 / LogCEI250 /LogCEI320 /LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800/ LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic: Vlog JVC: JLog1 RED: RED Log3G10 / RED LogFilm FUJIFILM: F-log PQ10k HLG Supported Input Gamut Sony: SGamut / SGamut3 / SGamut3.cine Canon Cinema: / DCI P3 / DCI P3+ Nikon: NLog Panasonic: V Gamut ARRI: ALEXA Wide Gamut Rec. 709 / BT.2020 JVC RED: WideGamut / DragonColor / DragonColor2 / Color2 / Color3 / Color4

More

OWNER NOTES

Included in Kit:
Atomos NEON 17" 4K HDR Monitor/Recorder
Atomos Button Bar for NEON Monitor/Recorder
Atomos Carry Case for Neon 17 Monitor
VESA light stand Mount
50' HDMI Cable

ALSO AVAILABLE:
1TB AtomX SSD Media - $20
Bolt 500 XT Wireless video Transmitter / Receiver Kit - $85

This Atomos NEON 17" 4K HDR Monitor/Recorder is part of the NEON family of monitor/recorders designed as an accurate and consistent monitoring solution for the field or in an edit suite. With deep blacks, excellent contrast, a 178° viewing angle, and ProRes and DNx recording capability, this monitor allows for on-location evaluation of your image and quick duplication of footage on-site without tying up a separate recorder. This 17" monitor/recorder features a 1920 x 1080 native resolution while supporting DCI and UHD 4K, as well as 1080p/i and 720p. The monitor provides a clear image capable of supporting HDR and displaying a 10-bit image that covers 100% of the DCI P3 standard. Its 1000 cd/m² brightness and 128 zones of backlight allow the monitor to achieve a contrast ratio of 1,000,000:1.

SPECS:
https://www.atomos.com/tech-specs?product=neon

Brightness
The NEON features a brightness range of 0.002 to 1000 cd/m2.

The App
NEON uses Bluetooth to connect to your iOS mobile device running the Atomos iOS app that controls the built-in AtomosOS. The app provides controlled playback, slow motion, frame-by-frame analysis, and preview tools. Multiple NEONs sync to each other using sub-gigahertz RF that gives them a range up to 656'.
Imaging Tools
Imaging tools include focus peaking, exposure, calibration, zoom, waveform monitor, RGB monitor, vectorscope, and LUT selection.

SDR or HDR
Whether a project is SDR or HDR, the NEON can be configured to match camera acquisition settings or defined delivery standards, including Rec.709, Rec.2100 HLG, and PQ (ST.2084). When monitoring with NEON, color stays consistent at every stage of the production pipeline. This ensures that images look their absolute best with no unexpected surprises during the shoot, the edit, the grade, or quality control (QC).

Compatibility
The NEON series is compatible with a variety of HDMI or SDI cameras and other SDI sources. It supports HD (1080) up to 120 fps via HDMI and DCI 4K up to 60 fps, and it features 12G or Dual 6G or lower resolutions and frame rates via 1.5/3G SDI up to 2K60 with up to 12 channels of embedded audio. SDI 3G and 12G input and output make it easy to loop signals through a NEON to other devices on set or in the edit suite. HDMI sources without HDCP are supported at 4K up to 60 fps or HD up to 120 fps with up to eight channels of audio and detection of HDR info frame to automatically match the input signal type.

Recording
Each recording can be reviewed instantly on the NEON without the need to offload media. Files are captured as 10-bit 422 to industry-standard Apple ProRes or Avid DNxHR/HD. AtomRemote offers options to configure scene/shot/take file naming, including rich metadata that can be used by editing software or asset management solution for orchestration.
Removable Cover Glass
The cover glass of the NEON can be removed to help minimize any reflections.
Inputs and Outputs

The NEON is ready for your HDMI production out of the box, supporting HDMI 2.0b. The included SDI Expansion Module provides you with 12G-SDI in, out, and loop-through, as well as cross conversion between SDI and HDMI and vice versa.

Video Output
The monitor outputs to Rec.709, HLG, PQ, LUT, and it can display in SDR or HDR, converting as necessary to Rec.709, HLG, PQ, and LUT.

Flexibility
You can record in online quality at 4Kp60 in real time with ProRes, and Avid DNx with playout to Dolby Vision.
Supported Input Gamma

Sony: SLog / SLog2 / SLog3
Canon: CLog / CLog2 / Clog3
ARRI: Log CEI160 / LogCEI200 / LogCEI250 /LogCEI320 /LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800/ LogCEI1000 / LogCEI1280 / LogCEI1600
Panasonic: Vlog
JVC: JLog1
RED: RED Log3G10 / RED LogFilm
FUJIFILM: F-log
PQ10k
HLG

Supported Input Gamut

Sony: SGamut / SGamut3 / SGamut3.cine
Canon Cinema: / DCI P3 / DCI P3+
Nikon: NLog
Panasonic: V Gamut
ARRI: ALEXA Wide Gamut
Rec. 709 / BT.2020
JVC
RED: WideGamut / DragonColor / DragonColor2 / Color2 / Color3 / Color4
$100
per day
$100
per day
Flanders Scientific 24.5" AM250 OLED Reference Monitor (Calibrated / HDMI / SDI)

Included in Kit: 24.5" Flanders Scientific AM250 OLED Reference Monitor Sunhood Light Stand Adapter 50' SDI Cable 50' HDMI Cable HDMI - SDI converter DVI - HDMI adapter Rolling Case Overview In addition to the CFE capabilities, the 24.5" Flanders Scientific AM250 OLED Reference Monitor comes equipped with instantly selectable gamma, peak luminance, and color temperature presets, which add to the flexibility of this unit and make it suitable for a wide variety of applications and environments. The AM250 comes pre-calibrated from the factory and free recalibration is always available for customers that would like to send their units in to one of FSI’s service departments. In addition to this free recalibration option the AM250 also features a wide variety of manual calibration toggles, interfaces with FSI’s Direct Connect Automatic Alignment System, and is also compatible with advanced color management systems like LightIllusion’s LightSpace CMS or SpectralCal’s CalMan allowing you to choose the color management option that works best for you. This unit features many broadcast monitor basics like a Blue Only Mode, Monochrome Mode, Markers, Safety Areas, H/V Delay, and Tally Lights. The AM250 also comes standard with advanced features like 16 Selectable Scopes, Focus Assist, Time Code Display, Audio Disembedding, Artifact Free Pixel Zoom, Adjustable Exposure Check, On-screen Alarms, and Advanced Pixel Level Measurement. The AM250 comes with standard DC (24V) and AC (100~240 VAC) power connectors. Every AM250 comes standard with a basic desktop stand and can also be integrated with a wide variety of alternate stands and mounts, like their popular VESA to C-Stand Mount, using the 100mm VESA mounting points. The lightweight and extremely durable aluminum frame allows for easy mounting in any environment while providing long term durability. Up to two types of Scopes can be displayed simultaneously and can be toggled on/off instantly with a single button press. Scope Windows can be displayed in any of 6 onscreen locations and the two scope windows can be stacked on top of each other or sit side by side for maximum flexibility. FSI is also one of the few companies to provide this scope functionality across all inputs, even DVI. Panel Specifications: Screen Size: 24.5" Resolution: 1920x1080 Bit Depth (Color): 10 bit OLED (1.073 Billion Colors) Contrast Ratio: ≥ 5000:1 Backlight: N/A Pixel Efficiency: 99.99% Max Luminance: >300nits / L40 Viewing Angle: 178° Inputs: 1 x DVI-I (Analog/Digital) 2 x BNC 3Gbps/HD/SD-SDI 1 x BNC Composite 3 x BNC Component (YPbPr/RGB) Outputs: 2 x BNC 3Gbps/HD/SD-SDI 1 x BNC Composite 3 x BNC Component (YPbPr/RGB) Supported SDI Formats: ITU-R BT.656 (PAL): 576i (50) SMPTE-125M: 480i (59.94) SMPTE-274M 1080i (60/59.94/50) 1080p (30/29.97/25/24/24PsF/23.98/23.98PsF) SMPTE-296M: 720p (60/59.94/50/30/29/25/24/23.98) 2K: 2048x1080 (30p/30PsF/29.97p/29.97PsF/25p/25PsF/24p/24PsF/23.98p/23.98PsF) SMPTE-425M-AB: 12 & 10 bit 4:2:2 1920x1080p (60/59.94/50) Level A & Level B supported: 4:4:4 1280x720p (60/59.94/50/30/29.97/25/24/23.98) Level B supports 2 x SMPTE: 12 & 10 bit 4:4:4 1920x1080i (60/59.94/50) 292M image format mapping: 12 & 10 bit 4:4:4 1920x1080p (30/29.97/25/24/24PsF/23.98/23.98PsF) 372M image format mapping: 12 & 10 bit 2k (2048x1080) RGB, YCbCr, & XYZ supported: (30p/30PsF/29.97p/29.97PsF/25p/25PsF/24p/24PsF/23.98p/23.98PsF) *XYZ mapped to Selected Color Gamut on Display Alignment Menu Supported DVI-I Formats: DVI-Analog & DVI-Digital: VGA (640x480), NTSC (720x480), SVGA (800x600), XGA (1024x768), SXGA (1280x1024) DVI Digital Only: 1280x720, 1440x900, 1920x1080, 1920x1200 Audio: Audio Disembedding: Yes Audio Level Meters: Yes Internal Speakers: 2 Audio In (Mini-Jack): 1 Audio Out (Mini-Jack): 1 Features: Rack Mount Kit: Optional Desktop Stand: Standard External Mounting Points: 100mm VESA VESA to Light Stand Mount: Optional Carrying Bag with Integrated Hood: N/A Clear Protective Cover: Optional 16 Mode Scopes: Yes Measurement Function: Yes Timecode Display (SD/HD-SDI): LTC, VITC 1, VITC 2 Color Fidelity Engine: Yes 1:1 Pixel Mapping: Yes Blue Only & Mono Mode: Yes Side by Side Monitoring: No 3D LUT Color Space Selection: SMPTE C/EBU/REC709/DCI-P3 Color Temperature Select: 3200K, 5000K, 5600K, 6500K, 9300K Gamma Selection: 1.0 / 1.8 / 2.0 / 2.2 / 2.35 / 2.4 / 2.6 / 2.8 Power: AC Input: IEC / C14 DC Input: 4 PIN XLR Battery Plate: Optional Power Requirement: 100~240 VAC / 12~24 VDC DC Power Consumption (Appx.): 50 Watts Physical Characteristics: Weight (without stand): 17.0 lbs (7.7 kg) Weight with Basic Desktop Stand: 19.2 lbs (8.7 kg) Chassis: Aluminum Frame

More

OWNER NOTES

Included in Kit:
24.5" Flanders Scientific AM250 OLED Reference Monitor
Sunhood
Light Stand Adapter
50' SDI Cable
50' HDMI Cable
HDMI - SDI converter
DVI - HDMI adapter
Rolling Case

Overview
In addition to the CFE capabilities, the 24.5" Flanders Scientific AM250 OLED Reference Monitor comes equipped with instantly selectable gamma, peak luminance, and color temperature presets, which add to the flexibility of this unit and make it suitable for a wide variety of applications and environments.

The AM250 comes pre-calibrated from the factory and free recalibration is always available for customers that would like to send their units in to one of FSI’s service departments. In addition to this free recalibration option the AM250 also features a wide variety of manual calibration toggles, interfaces with FSI’s Direct Connect Automatic Alignment System, and is also compatible with advanced color management systems like LightIllusion’s LightSpace CMS or SpectralCal’s CalMan allowing you to choose the color management option that works best for you.

This unit features many broadcast monitor basics like a Blue Only Mode, Monochrome Mode, Markers, Safety Areas, H/V Delay, and Tally Lights. The AM250 also comes standard with advanced features like 16 Selectable Scopes, Focus Assist, Time Code Display, Audio Disembedding, Artifact Free Pixel Zoom, Adjustable Exposure Check, On-screen Alarms, and Advanced Pixel Level Measurement.

The AM250 comes with standard DC (24V) and AC (100~240 VAC) power connectors. Every AM250 comes standard with a basic desktop stand and can also be integrated with a wide variety of alternate stands and mounts, like their popular VESA to C-Stand Mount, using the 100mm VESA mounting points. The lightweight and extremely durable aluminum frame allows for easy mounting in any environment while providing long term durability.

Up to two types of Scopes can be displayed simultaneously and can be toggled on/off instantly with a single button press. Scope Windows can be displayed in any of 6 onscreen locations and the two scope windows can be stacked on top of each other or sit side by side for maximum flexibility. FSI is also one of the few companies to provide this scope functionality across all inputs, even DVI.

Panel Specifications:

Screen Size: 24.5"
Resolution: 1920x1080
Bit Depth (Color): 10 bit OLED (1.073 Billion Colors)
Contrast Ratio: ≥ 5000:1
Backlight: N/A
Pixel Efficiency: 99.99%
Max Luminance: >300nits / L40
Viewing Angle: 178°

Inputs:

1 x DVI-I (Analog/Digital)
2 x BNC 3Gbps/HD/SD-SDI
1 x BNC Composite
3 x BNC Component (YPbPr/RGB)

Outputs:

2 x BNC 3Gbps/HD/SD-SDI
1 x BNC Composite
3 x BNC Component (YPbPr/RGB)

Supported SDI Formats:

ITU-R BT.656 (PAL): 576i (50)
SMPTE-125M: 480i (59.94)
SMPTE-274M
1080i (60/59.94/50)
1080p (30/29.97/25/24/24PsF/23.98/23.98PsF)
SMPTE-296M: 720p (60/59.94/50/30/29/25/24/23.98)
2K: 2048x1080 (30p/30PsF/29.97p/29.97PsF/25p/25PsF/24p/24PsF/23.98p/23.98PsF)
SMPTE-425M-AB: 12 & 10 bit 4:2:2 1920x1080p (60/59.94/50)
Level A & Level B supported: 4:4:4 1280x720p (60/59.94/50/30/29.97/25/24/23.98)
Level B supports 2 x SMPTE: 12 & 10 bit 4:4:4 1920x1080i (60/59.94/50)
292M image format mapping: 12 & 10 bit 4:4:4 1920x1080p (30/29.97/25/24/24PsF/23.98/23.98PsF)
372M image format mapping: 12 & 10 bit 2k (2048x1080)
RGB, YCbCr, & XYZ supported: (30p/30PsF/29.97p/29.97PsF/25p/25PsF/24p/24PsF/23.98p/23.98PsF)
*XYZ mapped to Selected Color Gamut on Display Alignment Menu

Supported DVI-I Formats:

DVI-Analog & DVI-Digital: VGA (640x480), NTSC (720x480), SVGA (800x600), XGA (1024x768), SXGA (1280x1024)
DVI Digital Only: 1280x720, 1440x900, 1920x1080, 1920x1200

Audio:

Audio Disembedding: Yes
Audio Level Meters: Yes
Internal Speakers: 2
Audio In (Mini-Jack): 1
Audio Out (Mini-Jack): 1

Features:

Rack Mount Kit: Optional
Desktop Stand: Standard
External Mounting Points: 100mm VESA
VESA to Light Stand Mount: Optional
Carrying Bag with Integrated Hood: N/A
Clear Protective Cover: Optional
16 Mode Scopes: Yes
Measurement Function: Yes
Timecode Display (SD/HD-SDI): LTC, VITC 1, VITC 2
Color Fidelity Engine: Yes
1:1 Pixel Mapping: Yes
Blue Only & Mono Mode: Yes
Side by Side Monitoring: No
3D LUT Color Space Selection: SMPTE C/EBU/REC709/DCI-P3
Color Temperature Select: 3200K, 5000K, 5600K, 6500K, 9300K
Gamma Selection: 1.0 / 1.8 / 2.0 / 2.2 / 2.35 / 2.4 / 2.6 / 2.8

Power:

AC Input: IEC / C14
DC Input: 4 PIN XLR
Battery Plate: Optional
Power Requirement: 100~240 VAC / 12~24 VDC
DC Power Consumption (Appx.): 50 Watts

Physical Characteristics:

Weight (without stand): 17.0 lbs (7.7 kg)
Weight with Basic Desktop Stand: 19.2 lbs (8.7 kg)
Chassis: Aluminum Frame
$91
per day
$91
per day
Leica APO Macro Elmarit R 100mm Lens with 2:1 Macro Adapter

Kit Includes: Leica APO Macro-Elmarit-R 100mmf2.8 Lens ELPRO 1:2-1:1 Macro Adapter Cine-Mod 80mm step up ring (with 77mm thread) Leitax EF mount (Duclos Modded) Aperture De-click (Duclos) Focus gear Leica APO Macro-Elmarit-R 100mmf2.8 Lens SPECS: Lens style: Telephoto Focal length: 100 mm Aperture - f/2.8 - f/22 Angle of view (diagonal, horizontal, vertical) - 24°, 20°, 13.7° Focusing range - 45 cm / 17.7 in < ∞ (with ELPRO 1:2-1:1 30 cm / 11.8 in) Maximum magnification: 1:2 Number of diaphragm blades: Auto focus type: MF Lens Construction: 8 elements / 6 groups Filter diameter: 60 mm Macro: Yes Available mounts: Leica-R Dimensions: 73 x 104.5 mm Weight: 760 g / 1.7 lb ELPRO 1:2-1:1 Macro Adapter SPECS: Number of lenses/groups - 3/3 Magnification - 2x Smallest object field/Largest reproduction ratio - 23 x 35 mm / 1:1 Filter mount/Lens hood - E 60 / shown with removable AFAIK lens hood which nests during transport Materials - Anodized aluminum and optical glass Accessories - Hood: 12528 Focal length - 95 mm /3.7 in Length - 56 / 36 mm (with / without hood) Largest diameter - 68 mm / 2.7 in Weight - 190 gm / 6.7 oz

More

OWNER NOTES

Kit Includes:
Leica APO Macro-Elmarit-R 100mmf2.8 Lens
ELPRO 1:2-1:1 Macro Adapter

Cine-Mod
80mm step up ring (with 77mm thread)
Leitax EF mount (Duclos Modded)
Aperture De-click (Duclos)
Focus gear

Leica APO Macro-Elmarit-R 100mmf2.8 Lens
SPECS:
Lens style: Telephoto
Focal length: 100 mm
Aperture - f/2.8 - f/22
Angle of view (diagonal, horizontal, vertical) - 24°, 20°, 13.7°
Focusing range - 45 cm / 17.7 in < ∞ (with ELPRO 1:2-1:1 30 cm / 11.8 in)
Maximum magnification: 1:2
Number of diaphragm blades:
Auto focus type: MF
Lens Construction: 8 elements / 6 groups
Filter diameter: 60 mm
Macro: Yes
Available mounts: Leica-R
Dimensions: 73 x 104.5 mm
Weight: 760 g / 1.7 lb

ELPRO 1:2-1:1 Macro Adapter SPECS:
Number of lenses/groups - 3/3
Magnification - 2x
Smallest object field/Largest reproduction ratio - 23 x 35 mm / 1:1
Filter mount/Lens hood - E 60 / shown with removable AFAIK lens hood which nests during transport
Materials - Anodized aluminum and optical glass
Accessories - Hood: 12528
Focal length - 95 mm /3.7 in
Length - 56 / 36 mm (with / without hood)
Largest diameter - 68 mm / 2.7 in
Weight - 190 gm / 6.7 oz

$55
per day
$55
per day
SONY A7S III CAMERA + ZOOM Lens Kit (XLR-K3M, 160GB CF, 256GB SD, 6x Bat) A7SIII

Includes: Zoom Lens (Sony 12-24mm f4GM lens or 16-35mm f2.8 GM Lens or 24-70mm f2.8 GM (Version 2) Lens or 70-200 f2.8 GM (Version 2) Lens ), K3M AUDIO XLR Module , 160GB CFexpress A Cards (for ALL-I + Proxy recording, 4K 120fps & faster media offload)

More

INCLUDES
  • Zoom Lens (Sony 12-24mm f4GM lens or 16-35mm f2.8 GM Lens or 24-70mm f2.8 GM (Version 2) Lens or 70-200 f2.8 GM (Version 2) Lens )
  • K3M AUDIO XLR Module
  • 160GB CFexpress A Cards (for ALL-I + Proxy recording, 4K 120fps & faster media offload)
  • Sony SD / CF Express A Card Reader
  • SmallRig Camera cage (Record Button on Top Handle)
  • Lens / sensor cleaning kit
  • Dual Battery Charger for A7S III batteries (Z100)
  • X-Rite Color Chart
  • Carrying case

OWNER NOTES

This kit includes the following:
1. Sony A7S III Camera

2. Sony 12-24mm f4GM lens or 16-35mm f2.8 GM Lens or 24-70mm f2.8 GM (Version 2) Lens or 70-200 f2.8 GM (Version 2) Lens

3. K3M AUDIO XLR Module

4. Prograde Digital 256GB SDXC V90 Card (2nd one available for request)

5. 160GB CFexpress A Cards (for ALL-I + Proxy recording, 4K 120fps & faster media offload) (OPTIONAL - EXTRA 160GB & 80GB CFexpress Type A Cards)

7. Sony SD / CF Express A Card Reader

8. SmallRig Camera cage (Record Button on Top Handle)

8. Lens / sensor cleaning kit

9. Dual Battery Charger for A7S III batteries (Z100)

10. X-Rite Color Chart

11. Carrying case

ALSO AVAILABLE:
Media:
160GB CFexpress Type A Card - $30/day (each)

AUTOFOCUS SONY LENSES:
Zoom Lenses:
Sony FE 12-24mm f4Lens - $40/day
Sony FE 16-35mm f2.8 GM Lens - $38/day
Sony FE 24-70mm f2.8 GM Lens - $35/day
Sony FE 70-200mm f2.8 GM OSS Lens - $40/day

Primes Lenses:
Sony FE 20mm G f1.8 Lens - $25/day
Sony FE 24mm f1.4 GM Lens - $35/day
Sony FE 35mm f1.8 Lens - $25/day
Sony FE 40mm f2.5 G Lens - $21/day
Sony 50mm f1.2 GM Lens - $53/day
Sony 55mm f1.8 Lens - $23/day
Sony 85mm f1.8 Lens - $20/day
Sony 135mm f2.8 GM lens - $49/day

MANUAL VINTAGE LENSES:
Leica R, Contax & other vintage manual focus lenses - Please inquire if interested. (Techart adapter for autofocus with manual lenses for photography available as well)

MONITORS + TRANSMITTER / RECEIVERS:
1. Portkeys 7" monitor
2. Ninja V with 1TB SSD (Prores RAW recording)
3. SmallHD 5" FOCUS Bolt 500 TX & RX - 2 x Wireless Monitors Kit - $85/day
4. Cine 7 Bolt 500 Monitor / transmitter and Receivers available
5. Bolt 500 TX Transmitter & RX Receiver
6. SmallHD 17" HDR Production Monitor

CAMERAS:
1. BMPCC6K Camera (CUSTOM Speedbooster, Upgraded IR-Cut) - $118/day

2. Insta 360 Pro with Gimbal & Nissin NDLS-65C Carbon Fiber Light Stand (8.85')

Shoulder / Handheld Rig:
Camera Shoulder Mount Rig with Zacuto Tornado Focus, Tilta Power (L-Series - NP-F) & Gold Mount Battery Plate (NP-F & Gold-Mount batteries Available) - $32/day

Sound Options:
1. Rode Stereo Mic X - $30/day

2. Sony XLR-K3M Digital XLR Audio Adapter with Shotgun Microphone for A7S III - $25/day

3. Sound Devices Mix Pre-3 Field Recorder - $35/day

4. Zoom H6 Six-track Digital Recorder Kit - $25/day

5. Juicedlink Riggy333 - $23/day (Good for Backup)

6. Sennheiser MKH 416-P48U3 Shotgun Mic, Windshield, Boom Pole Kit - $35/day

7. 3 x Sennheiser AVX Wireless with Cos11 Lavalier (LAV - $25/day) - $55/day (each AVX + LAV kit)

8. Sennheiser AVX-835 KIT Digital Wireless Cardioid Handheld Mic + AVX Receiver

CAMERA MOTION:
1. Ronin RS Gimbal with 3D Focus Module - $50/day

2. Tilta Float Gimbal Support System (Gold Mount) - $125 ($155 with RS2)

3. Miller DS20 Solo 75 3 Stage Carbon Fibre (2001) with Kesser Kwik Release - $38/day

4. Edelkrone JibONE Motion Control Jib with HeadPlus Pan and Tilt Head + EXTRAS - $225/day

5. FULL Edelkrone Motorized Slider V5, HEADPlus V2, Slide V3 - Motion Control Kit - $195/day

TRIPODS:
1. Miller DS20 Solo 75 3 Stage Carbon Fibre (2001) with Kesser Kwik Release - $38/day

2. Manfrotto 755CX3 Carbon Tripod Legs with Rapid Center Column with 502AH Head - $32/day

3. Peak Design Carbon Fiber Travel Tripod - $27/day

MONOPODS:
1. Manfrotto Aluminum Monopod with Benro S4 Video Head & Kessler Kwik Release - $21/day

2. Sirui SUP426SR Carbon Monopod, Manfrotto MVH500AH Head & Kessler Kwik Release - $27/day

MENUAL LENS ACCESSORIES:
1. Universal ZERO Follow Focus Gear (by Broken Anchor Design) - $23/day

2. Tilta Nucleus-Nano Wireless Focus Control System - $20/day

FILTERS:
Schneider Tru-Match VariND, Tiffen White Water IRND 82mm Kit. Diffusion, pola and specialty filters available.

LENS ADAPTERS:
1. 2 x KIPON EF-S/E AF ND Mark 3 ND Autofocus Adapter (Canon EF to E Mount) - $23/day

2. Metabones PL to E-Mount Adapter with Internal Flocking - $20/day

DIFFUSION:
1. Westcott Book Light Kit + Bleached Muslin (6'x6')

2. 2 x Matthews Roadrags II Kit (24” x 36”)

GRIP:
Light Stands, Boom Arms

LIGHTS:
Daylight & RGB Fresnels, Light Diffuser Modifiers RGB & Bi-Color Flex Lights, RGB Tube Lights

BATTERIES:
3 x Ikan 192Wh (96Wh x 2) 14.8V Battery, Gold Mount (Airline carry on safe) + AC Charger- $45/day
Much more available upon request

RocknRoller Multi-Cart R10RT - $12/day
$145
per day
$145
per day
SanDisk 512GB Extreme PRO CFast 2.0 Memory Card (ARRI , BMPCC6K)

Kit includes: 1 x SanDisk 512GB Extreme PRO CFast 2.0 Memory Card Extra 3 x CF 512GB cards available - Please request For those working in high-performance industries such as broadcasting, cinema, and photography, the 512GB Extreme PRO CFast 2.0 Memory Card from SanDisk combines the speed, capacity, and performance needed to record uninterrupted DCI 4K video, which has a resolution of 4096 x 2160 and a 17:9 aspect ratio. It features a SATA III 6 Gb/s bus, a maximum read speed of up to 525 MB/s (3500x), a maximum write speed of up to 450 MB/s (2933x), and a minimum write speed of 130 MB/s. Its minimum write speed is backed up by the Video Performance Guarantee 130 standard (VPG-130), meaning that its minimum write speed will never drop below 130 MB/s. This card has been tested to work in temperatures of -4 to 158°F, and in the case of card errors or accidental deletions, this card comes with a RescuePRO Deluxe data recovery software download offer. General Features Performance SanDisk's CFast 2.0 memory cards deliver the performance needed for broadcast, cinema, and photography industries. Write Speeds of up to 450 MB/s The SanDisk Extreme PRO CFast 2.0 memory card with write speeds of up to 450 MB/s (2933x) and read speeds of up to 525 MB/s (3500x) can keep up with the burst-mode shooting of professional-grade cameras and camcorders. It also saves you time when moving large image or video files from your camera to your computer. Additionally, its Video Performance Guarantee 130 (VPG-130) rating means its write speeds will never drop below 130 MB/s. High Speeds for Full HD & DCI 4K Video Recording Resource-intensive Full HD (1920 x 1080) and DCI 4K (4096 x 2160) video recording require high write speeds. The SanDisk Extreme PRO CFast 2.0 card offers the speed required for high-resolution video. This camera card is based on CFast 2.0 technology. Tested Under Extreme Conditions This memory card can operate in temperatures ranging from 23 to 158°F (-5 to 70°C).

More

OWNER NOTES

Kit includes:
1 x SanDisk 512GB Extreme PRO CFast 2.0 Memory Card

Extra 3 x CF 512GB cards available - Please request

For those working in high-performance industries such as broadcasting, cinema, and photography, the 512GB Extreme PRO CFast 2.0 Memory Card from SanDisk combines the speed, capacity, and performance needed to record uninterrupted DCI 4K video, which has a resolution of 4096 x 2160 and a 17:9 aspect ratio. It features a SATA III 6 Gb/s bus, a maximum read speed of up to 525 MB/s (3500x), a maximum write speed of up to 450 MB/s (2933x), and a minimum write speed of 130 MB/s. Its minimum write speed is backed up by the Video Performance Guarantee 130 standard (VPG-130), meaning that its minimum write speed will never drop below 130 MB/s. This card has been tested to work in temperatures of -4 to 158°F, and in the case of card errors or accidental deletions, this card comes with a RescuePRO Deluxe data recovery software download offer.

General Features
Performance
SanDisk's CFast 2.0 memory cards deliver the performance needed for broadcast, cinema, and photography industries.
Write Speeds of up to 450 MB/s
The SanDisk Extreme PRO CFast 2.0 memory card with write speeds of up to 450 MB/s (2933x) and read speeds of up to 525 MB/s (3500x) can keep up with the burst-mode shooting of professional-grade cameras and camcorders. It also saves you time when moving large image or video files from your camera to your computer. Additionally, its Video Performance Guarantee 130 (VPG-130) rating means its write speeds will never drop below 130 MB/s.
High Speeds for Full HD & DCI 4K Video Recording
Resource-intensive Full HD (1920 x 1080) and DCI 4K (4096 x 2160) video recording require high write speeds. The SanDisk Extreme PRO CFast 2.0 card offers the speed required for high-resolution video. This camera card is based on CFast 2.0 technology.
Tested Under Extreme Conditions
This memory card can operate in temperatures ranging from 23 to 158°F (-5 to 70°C).
$25
per day
$25
per day

Reviews (5)

Average 5.0 Stars
Bruce R

Maksim was a great guy to work with on this gear rental. He has such a nice, easygoingness about him and we always easily reachable. An most importantly, the gear was perfect. He went above and beyond to make sure I had everything I needed and knew how everything works. Great rental, great person. Thanks, Maksim.

Owner

Flanders Scientific 24.5" AM250 OLED Reference Monitor (Calibrated / HDMI / SDI)

June 2023

Qase Media LLC

Amazing camera, Maxim was very helpful!

Owner

CUSTOM Blackmagic Design Pocket Cinema Camera 6K Speedbooster, Upgraded IR-Cut)

June 2023

Anne Sofie N

Maksim was fantastic to rent from. Really flexible. Would rent from him again any time!

Owner

Sony FE 16-35mm f/2.8 GM Lens

April 2023

Zac B

Maksim was awesome, gave us a rundown of all the gear beforehand. Consummate professional!

Owner

CUSTOM Blackmagic Design Pocket Cinema Camera 6K Speedbooster, Upgraded IR-Cut)

August 2022

Gabrielle M

Very easy pick up & drop off.

Owner

Sony FE 24mm GM Lens

July 2022

References