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Prodigium Pictures Llc / Camera Rentals Nyc Avatar

Prodigium Pictures LLC / Camera Rentals NYC

Owner / Founder

Manhattan, NY Member since February 2019

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Camera Rentals NYC is a boutique camera rental provider in Midtown Manhattan, powered by Prodigium Pictures - a production company founded in 2011.

Simple equipment rental pickup in the heart of Manhattan, right outside of the Times Square/42nd St subway station and within a block of the N, Q, R, W, 7, B, D, F, M lines!

Please message us with any questions you might have.

We specialize in Social Impact Entertainment, meaning we produce films and commercials that allow people to rethink their assumptions, engage in critical thought and make better choices for their own lives.

We also like to own and rent equipment that we feel is forward-thinking, useful and fills gaps. So if you're looking for some innovative tech, take a look at what we have to offer.

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Atlas Orion 2x Anamorphic A-Set: 40mm, 65mm, 100mm Lenses @T2 - PL Mount

This is the full A-Series Orion Prime Anamorphic set by Atlas: 40mm, 65mm and 100mm. Shot on Orion: "Don't Look Up", Dir. Adam McKay "Babylon", Dir. Damian Chazelle "Titans" Season 3 on HBO Max, Dir. Fraser Brown Lens Set Features overview: --------------------- -2x Anamorphic Squeeze - Fast T2 aperture (up to T16) - Modern, mechanically dependable design (standardized across all focal lengths) - Unified focus and iris position (reduces need for adjustment when switching to different focal lengths) - Standardized 114mm outer diameter for native use with a variety of matte boxes and filters -Min. focus: 40mm: 2ft | 65mm: 2.75ft | 100mm: 3.5ft -Lens weight: 40mm: 5.2lbs | 65mm: 5lbs | 100mm: 6.7lbs -Lens length: 40mm: 7.4" | 65mm: 7.2" | 100mm: 10" -Flat-field performance when stopped down to a T2.8 or deeper Orion Series 2X anamorphic prime lenses are built to be a universal filmmaking tool — perfect for the latest professional film and digital cinema cameras with native PL mount or just as easily adapted to Canon EF-based cinema cameras. Orion Series lenses are readily and easily compatible with all mirrorless video / stills hybrid cameras via any PL to mirrorless camera adapter. Mechanical Features: ---------------- -Works with E-mount or Micro 4/3 camera with appropriate adapters -Focus has a deep 270° travel rotation -Cine pitch 0.8 mod gearing on both iris and focus ring allow for simultaneous drive control, even when two motors are mounted on the same side of the lens Some optical features: ---------------- -Waterfall bokeh -Streak flare -Disproportionate perspective magnification (Telephoto lens with wide-angle field) -Pleasant spherical aberration glow when wide open -Pleasing barrel distortion

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OWNER NOTES

This is the full A-Series Orion Prime Anamorphic set by Atlas: 40mm, 65mm and 100mm.

Shot on Orion:
"Don't Look Up", Dir. Adam McKay
"Babylon", Dir. Damian Chazelle
"Titans" Season 3 on HBO Max, Dir. Fraser Brown

Lens Set Features overview: ---------------------
-2x Anamorphic Squeeze
- Fast T2 aperture (up to T16)
- Modern, mechanically dependable design (standardized across all focal lengths)
- Unified focus and iris position (reduces need for adjustment when switching to different focal lengths)
- Standardized 114mm outer diameter for native use with a variety of matte boxes and filters
-Min. focus: 40mm: 2ft | 65mm: 2.75ft | 100mm: 3.5ft
-Lens weight: 40mm: 5.2lbs | 65mm: 5lbs | 100mm: 6.7lbs
-Lens length: 40mm: 7.4" | 65mm: 7.2" | 100mm: 10"
-Flat-field performance when stopped down to a T2.8 or deeper

Orion Series 2X anamorphic prime lenses are built to be a universal filmmaking tool — perfect for the latest professional film and digital cinema cameras with native PL mount or just as easily adapted to Canon EF-based cinema cameras.

Orion Series lenses are readily and easily compatible with all mirrorless video / stills hybrid cameras via any PL to mirrorless camera adapter.

Mechanical Features: ----------------
-Works with E-mount or Micro 4/3 camera with appropriate adapters
-Focus has a deep 270° travel rotation
-Cine pitch 0.8 mod gearing on both iris and focus ring allow for simultaneous drive control, even when two motors are mounted on the same side of the lens

Some optical features: ----------------
-Waterfall bokeh
-Streak flare
-Disproportionate perspective magnification (Telephoto lens with wide-angle field)
-Pleasant spherical aberration glow when wide open
-Pleasing barrel distortion

$439
per day
$439
per day
RED KOMODO Drop-in Variable ND PL Mount Adapter: Mofage POCO

This is an Adapter with a built-in variable ND filter for the RED KOMODO and other RF-Mount cameras to mount PL lenses. -The variable ND filter has a 0.8mod gear-driven turning interface, so you can control the ND strength wirelessly through a Preston FIZ, Tilta Nucleus & co. like you would do on any other lens gear. - You can also remove the Variable ND filter and replace it with a clear one; it's a simple snap mechanism, doesn't require any lens removal, and takes about 5 seconds round-trip for a replacement. - The Support foot is compatible with Arca Swiss and has a 1/4 Screw Design. - Maximum flange depth is 24.5mm Introducing POCO, a drop-in filter adapter designed for cinematography. For users of digital cinema cameras and mirrorless cameras that don't have built-in ND filters or those who want to run PL lenses without a matte box. One POCO will be compatible with filters for all sizes of PL lenses. Only need to use one size of filter regardless of what lens size you may be running. It's very convenient if you own PL lenses with different front diameters.

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OWNER NOTES

This is an Adapter with a built-in variable ND filter for the RED KOMODO and other RF-Mount cameras to mount PL lenses.

-The variable ND filter has a 0.8mod gear-driven turning interface, so you can control the ND strength wirelessly through a Preston FIZ, Tilta Nucleus & co. like you would do on any other lens gear.

- You can also remove the Variable ND filter and replace it with a clear one; it's a simple snap mechanism, doesn't require any lens removal, and takes about 5 seconds round-trip for a replacement.

- The Support foot is compatible with Arca Swiss and has a 1/4 Screw Design.

- Maximum flange depth is 24.5mm

Introducing POCO, a drop-in filter adapter designed for cinematography. For users of digital cinema cameras and mirrorless cameras that don't have built-in ND filters or those who want to run PL lenses without a matte box.

One POCO will be compatible with filters for all sizes of PL lenses. Only need to use one size of filter regardless of what lens size you may be running. It's very convenient if you own PL lenses with different front diameters.
$40
per day
$40
per day
RED Komodo 6K + Sigma Cine 18-35mm PL T2.0 w/ 2x V-Mounts & 2TB, 702 Monitor

This RED Komodo 6K comes with the Sigma 18-35mm High Speed Cine Zoom @T2.0, is fully production ready and has been accessorized with smart, durable items to make your production a smooth experience. The camera is fully loaded with: + RED Komodo 6K Brain + 2TB of Angelbird CF Cfast 2.0 Cards so you'll rarely need to dump during the day + 2x 98Wh V-Mounts included (feel free to rent more, we have 6 total) +702 7" Hi-Bright 1000nit Operator Monitor via SDI: Operate with ease, mounted to a really cool articulating rail and rod system that never gets off-horizon, can twist in all places you'd want it to, and even mounts to the 15mm rods for a shoulder rig setup. + Tilta PL Mount + EF Mount with built-in internal variable ND Filter (and clear filter) by Meike + TIlta rig everywhere - from the cage to the adjustable, articulating top handle, to the 15mm rail mounts - everything is high end Tilta metal rigging with endless expansion opportunities. + Sigma 18-35mm High Speed Cine Zoom @T2, PL Mount Camera Specs: ------------------ https://www.red.com/komodo - 6K Resolution, Super 35mm Sensor - 16+ Stops of Dynamic Range - Global shutter (perfect for strobing, VFX, fast movement) -REDCODE® RAW MAX FRAME RATES: ----40 FPS AT 6K 17:9 (6144 X 3240) ----50 FPS AT 6K 2.4:1 (6144 X 2592) ----48 FPS AT 5K 17:9 (5120 X 2700) ----60 FPS AT 4K 17:9 (4096 X 2160) ----120 FPS AT 2K 17:9 (2048 X 1080) -APPLE PRORES Max Frame Rates: ----4K (4096 × 2160) AT PRORES 422 HQ AND PRORES 422 UP TO 60 FPS ----2K (2048 × 1080) AT PRORES 422 HQ AND PRORES 422 UP TO 120 FPS -Weight: 2.1Lbs (without rigging - with rig approx. 3.5-4lbs) -OPERATING TEMPERATURE: 0°C TO 40°C (32°F TO 104°F) -REMOTE CONTROL: ----WIFI FOR CAMERA CONTROL VIA INTERCHANGEABLE ANTENNA WITH SMA CONNECTION ----GENLOCK, TIMECODE-IN, GPIO AND CTRL (RS232) VIA THE INTEGRATED 9-PIN EXT PORT

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OWNER NOTES

This RED Komodo 6K comes with the Sigma 18-35mm High Speed Cine Zoom @T2.0, is fully production ready and has been accessorized with smart, durable items to make your production a smooth experience.

The camera is fully loaded with:
+ RED Komodo 6K Brain
+ 2TB of Angelbird CF Cfast 2.0 Cards so you'll rarely need to dump during the day
+ 2x 98Wh V-Mounts included (feel free to rent more, we have 6 total)
+702 7" Hi-Bright 1000nit Operator Monitor via SDI: Operate with ease, mounted to a really cool articulating rail and rod system that never gets off-horizon, can twist in all places you'd want it to, and even mounts to the 15mm rods for a shoulder rig setup.
+ Tilta PL Mount
+ EF Mount with built-in internal variable ND Filter (and clear filter) by Meike
+ TIlta rig everywhere - from the cage to the adjustable, articulating top handle, to the 15mm rail mounts - everything is high end Tilta metal rigging with endless expansion opportunities.
+ Sigma 18-35mm High Speed Cine Zoom @T2, PL Mount

Camera Specs: ------------------
https://www.red.com/komodo
- 6K Resolution, Super 35mm Sensor
- 16+ Stops of Dynamic Range
- Global shutter (perfect for strobing, VFX, fast movement)
-REDCODE® RAW MAX FRAME RATES:
----40 FPS AT 6K 17:9 (6144 X 3240)
----50 FPS AT 6K 2.4:1 (6144 X 2592)
----48 FPS AT 5K 17:9 (5120 X 2700)
----60 FPS AT 4K 17:9 (4096 X 2160)
----120 FPS AT 2K 17:9 (2048 X 1080)
-APPLE PRORES Max Frame Rates:
----4K (4096 × 2160) AT PRORES 422 HQ AND PRORES 422 UP TO 60 FPS
----2K (2048 × 1080) AT PRORES 422 HQ AND PRORES 422 UP TO 120 FPS
-Weight: 2.1Lbs (without rigging - with rig approx. 3.5-4lbs)
-OPERATING TEMPERATURE: 0°C TO 40°C (32°F TO 104°F)
-REMOTE CONTROL:
----WIFI FOR CAMERA CONTROL VIA INTERCHANGEABLE ANTENNA WITH SMA CONNECTION
----GENLOCK, TIMECODE-IN, GPIO AND CTRL (RS232) VIA THE INTEGRATED 9-PIN EXT PORT
$270
per day
$270
per day
RED Komodo 6K (PL, EF, RF Mount) w/ 2x V-Mounts & 2TB, 702 Monitor

This RED Komodo 6K is fully production ready and has been accessorized with smart, durable items to make your production a smooth experience. The camera is fully loaded with: + RED Komodo 6K Brain + 2TB of Angelbird CF Cfast 2.0 Cards so you'll rarely need to dump during the day + 2x 98Wh V-Mounts included (feel free to rent more, we have 6 total) +702 7" Hi-Bright 1000nit Operator Monitor via SDI: Operate with ease, mounted to a really cool articulating rail and rod system that never gets off-horizon, can twist in all places you'd want it to, and even mounts to the 15mm rods for a shoulder rig setup. + Tilta PL Mount + EF Mount with built-in internal variable ND Filter (and clear filter) by Meike + TIlta rig everywhere - from the cage to the adjustable, articulating top handle, to the 15mm rail mounts - everything is high end Tilta metal rigging with endless expansion opportunities. This package does not include a lens. Feel free to combine this camera with our spherical and anamorphic lens packages, all PL Mount: + Sigma Cine 18-35mm T2 High Speed Zoom, PL Mount ($90/day) + Atlas Orion 2x Anamorphic A-Series: 40mm, 65mm, 100mm @T2, PL Mount ($440/day) Camera Specs: ------------------ https://www.red.com/komodo - 6K Resolution, Super 35mm Sensor - 16+ Stops of Dynamic Range - Global shutter (perfect for strobing, VFX, fast movement) -REDCODE® RAW MAX FRAME RATES: ----40 FPS AT 6K 17:9 (6144 X 3240) ----50 FPS AT 6K 2.4:1 (6144 X 2592) ----48 FPS AT 5K 17:9 (5120 X 2700) ----60 FPS AT 4K 17:9 (4096 X 2160) ----120 FPS AT 2K 17:9 (2048 X 1080) -APPLE PRORES Max Frame Rates: ----4K (4096 × 2160) AT PRORES 422 HQ AND PRORES 422 UP TO 60 FPS ----2K (2048 × 1080) AT PRORES 422 HQ AND PRORES 422 UP TO 120 FPS -Weight: 2.1Lbs (without rigging - with rig approx. 3.5-4lbs) -OPERATING TEMPERATURE: 0°C TO 40°C (32°F TO 104°F) -REMOTE CONTROL: ----WIFI FOR CAMERA CONTROL VIA INTERCHANGEABLE ANTENNA WITH SMA CONNECTION ----GENLOCK, TIMECODE-IN, GPIO AND CTRL (RS232) VIA THE INTEGRATED 9-PIN EXT PORT

More

OWNER NOTES

This RED Komodo 6K is fully production ready and has been accessorized with smart, durable items to make your production a smooth experience.

The camera is fully loaded with:
+ RED Komodo 6K Brain
+ 2TB of Angelbird CF Cfast 2.0 Cards so you'll rarely need to dump during the day
+ 2x 98Wh V-Mounts included (feel free to rent more, we have 6 total)
+702 7" Hi-Bright 1000nit Operator Monitor via SDI: Operate with ease, mounted to a really cool articulating rail and rod system that never gets off-horizon, can twist in all places you'd want it to, and even mounts to the 15mm rods for a shoulder rig setup.
+ Tilta PL Mount
+ EF Mount with built-in internal variable ND Filter (and clear filter) by Meike
+ TIlta rig everywhere - from the cage to the adjustable, articulating top handle, to the 15mm rail mounts - everything is high end Tilta metal rigging with endless expansion opportunities.

This package does not include a lens. Feel free to combine this camera with our spherical and anamorphic lens packages, all PL Mount:

+ Sigma Cine 18-35mm T2 High Speed Zoom, PL Mount ($90/day)
+ Atlas Orion 2x Anamorphic A-Series: 40mm, 65mm, 100mm @T2, PL Mount ($440/day)

Camera Specs: ------------------
https://www.red.com/komodo
- 6K Resolution, Super 35mm Sensor
- 16+ Stops of Dynamic Range
- Global shutter (perfect for strobing, VFX, fast movement)
-REDCODE® RAW MAX FRAME RATES:
----40 FPS AT 6K 17:9 (6144 X 3240)
----50 FPS AT 6K 2.4:1 (6144 X 2592)
----48 FPS AT 5K 17:9 (5120 X 2700)
----60 FPS AT 4K 17:9 (4096 X 2160)
----120 FPS AT 2K 17:9 (2048 X 1080)
-APPLE PRORES Max Frame Rates:
----4K (4096 × 2160) AT PRORES 422 HQ AND PRORES 422 UP TO 60 FPS
----2K (2048 × 1080) AT PRORES 422 HQ AND PRORES 422 UP TO 120 FPS
-Weight: 2.1Lbs (without rigging - with rig approx. 3.5-4lbs)
-OPERATING TEMPERATURE: 0°C TO 40°C (32°F TO 104°F)
-REMOTE CONTROL:
----WIFI FOR CAMERA CONTROL VIA INTERCHANGEABLE ANTENNA WITH SMA CONNECTION
----GENLOCK, TIMECODE-IN, GPIO AND CTRL (RS232) VIA THE INTEGRATED 9-PIN EXT PORT
$215
per day
$215
per day
BMPCC 4K Director Package (4 Lenses, 17" Wireless HDR & FF)

This kit includes everything you need for a production - camera, lenses, wireless video, wireless follow focus, power (6x 98Wh V-mounts!), monitors for operator and 1st AC. And on top of our "full package", you also get a 17" HDR director's monitor. We use this package often on our own shoots, and it's been custom-crafted for speed, versatility, light weight, reliability and cost-effectiveness. Everything is wireless, and your AC's will love you for the combo (plus the 17" HDR monitor rocks in daylight!). Here is the detailed list: + Blackmagic Pocket 4K / cage / 15mm rods / V-mount battery / D-Tap Splitter / top handle + 3x 500GB SSD + 2x 98Wh V-Mount IDX Duo Batteries + charger + 1x Metabones MFT>Canon EF Speedbooster XL 0.64x (by far the sharpest of all speedboosters out there, with a f1.3 gain in light and 0.64x in minimization for S35 and full frame lenses)w.sharegrid.com/losangeles/l/100618?type=rent ($150/day for the camera alone) + 4 Prime Lens Kit Voigtlander Nokton, all cinevized, all f.095 with S35 equivalent focal lengths: 21mm, 35mm, 50mm, 85mm. Front diameter is 77mm across the board. + 77mm Tiffen Variable ND filter + Hoya 77mm IR/ND cut (important for the BMPCC4K) + Teradek Bolt 300 Transmitter (with quickrelease & arm) + 2x Teradek Bolt 300 Receiver (with quick release) + SDI Cables + Both transmitter and receiver are D-Tap powered +Tilta Nucleus 3-motor, 2-handle kit for wireless Follow Focus (one more motor than usual) + On-camera motor is D-Tap powered +SmallHD 1703 17" HDR Director's Monitor, 900 Nits, HDMI & SDI +D-Tap powered and wireless +receives independent signal via Teradek +scratch protective screen +HDR and 900 nits is daylight-safe and doesn't require a floppy tent. + SmallHD 502 Bright & SmallHD 702 monitors (for operator and 1st AC, both 1920x1080) + Rod/rail based mounts (no banked horizon issues anymore!) + Both D-Tap powered + 502 monitor can be mounted in a way that camera package is perfectly balanced on shoulder and monitor is exactly on eye level - an operator's dream. + 702 monitor can be combined with battery and Nucleus as a wireless handheld focus unit, or on a stand + 702 receives independent Teradek signal +4x additional 98Wh V-Mount IDX Duo batteries (for 1st AC station and 17" monitor) + charger (for a total of 6 98Wh batteries in this package) + Heavy Duty Shoulder Rig, all NATO rails and Rosetta arms +Manfrotto 502AH fluid head + Gitzo 3543XLS tripod legs +Manfrotto Nano 5001B 74-inch 1st AC monitor stand Total rental value: $785/day Package discount: $156/day Feel free to reach out if you need custom modifications - i.e. adding items or subtracting them.

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OWNER NOTES

This kit includes everything you need for a production - camera, lenses, wireless video, wireless follow focus, power (6x 98Wh V-mounts!), monitors for operator and 1st AC.
And on top of our "full package", you also get a 17" HDR director's monitor.

We use this package often on our own shoots, and it's been custom-crafted for speed, versatility, light weight, reliability and cost-effectiveness. Everything is wireless, and your AC's will love you for the combo (plus the 17" HDR monitor rocks in daylight!).

Here is the detailed list:

+ Blackmagic Pocket 4K / cage / 15mm rods / V-mount battery / D-Tap Splitter / top handle
+ 3x 500GB SSD
+ 2x 98Wh V-Mount IDX Duo Batteries + charger
+ 1x Metabones MFT>Canon EF Speedbooster XL 0.64x (by far the sharpest of all speedboosters out there, with a f1.3 gain in light and 0.64x in minimization for S35 and full frame lenses)w.sharegrid.com/losangeles/l/100618?type=rent ($150/day for the camera alone)

+ 4 Prime Lens Kit Voigtlander Nokton, all cinevized, all f.095 with S35 equivalent focal lengths: 21mm, 35mm, 50mm, 85mm. Front diameter is 77mm across the board.
+ 77mm Tiffen Variable ND filter
+ Hoya 77mm IR/ND cut (important for the BMPCC4K)

+ Teradek Bolt 300 Transmitter (with quickrelease & arm)
+ 2x Teradek Bolt 300 Receiver (with quick release)
+ SDI Cables
+ Both transmitter and receiver are D-Tap powered

+Tilta Nucleus 3-motor, 2-handle kit for wireless Follow Focus (one more motor than usual)
+ On-camera motor is D-Tap powered

+SmallHD 1703 17" HDR Director's Monitor, 900 Nits, HDMI & SDI
+D-Tap powered and wireless
+receives independent signal via Teradek
+scratch protective screen
+HDR and 900 nits is daylight-safe and doesn't require a floppy tent.

+ SmallHD 502 Bright & SmallHD 702 monitors (for operator and 1st AC, both 1920x1080)
+ Rod/rail based mounts (no banked horizon issues anymore!)
+ Both D-Tap powered
+ 502 monitor can be mounted in a way that camera package is perfectly balanced on shoulder and monitor is exactly on eye level - an operator's dream.
+ 702 monitor can be combined with battery and Nucleus as a wireless handheld focus unit, or on a stand
+ 702 receives independent Teradek signal

+4x additional 98Wh V-Mount IDX Duo batteries (for 1st AC station and 17" monitor) + charger (for a total of 6 98Wh batteries in this package)

+ Heavy Duty Shoulder Rig, all NATO rails and Rosetta arms

+Manfrotto 502AH fluid head + Gitzo 3543XLS tripod legs

+Manfrotto Nano 5001B 74-inch 1st AC monitor stand

Total rental value: $785/day
Package discount: $156/day

Feel free to reach out if you need custom modifications - i.e. adding items or subtracting them.
$629
per day
$629
per day

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