Canon EF 16-35mm f/2.8L II USM Lens!


A fine addition to any kit, this Canon lens gives you a water proof housing on the wider side of the focal length. 3 high-precision aspherical lens elements help improve image quality over the previous model. And the circular aperture makes for quite a nice bokeh when shooting at wider apertures.

Owner Notes:

The EF 16-35mm f/2.8L II USM Lens from Canon is a high performance, water-resistant, ultra wide-angle L-series zoom lens. An f/2.8 maximum aperture is effective in low light situations and offers shallow depth of field focus control. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Its ultrasonic motor (USM) and improved AF algorithms will help the lens to focus faster and quieter. Precise manual focus is supported even in One Shot AF mode.

Condition: Like New
Replacement value: $1,290.00
Use this for: Films, Photography, Web Series, Documentaries, Event Videography, Corporate, Interviews

$28.00

per day

$84.00

per week

$28.00

per weekend


The EF 16-35mm f/2.8L II USM Lens from Canon is a high performance, water-resistant, ultra wide-angle L-series zoom lens. An f/2.8 maximum aperture is effective in low light situations and offers shallow depth of field focus control. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Its ultrasonic motor (USM) and improved AF algorithms will help the lens to focus faster and quieter. Precise manual focus is supported even in One Shot AF mode.

Condition: Like New
Replacement value: $1,290.00
Use this for: Films, Photography, Web Series, Documentaries, Event Videography, Corporate, Interviews

Constantine Savvides Avatar

Constantine S

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After a few years of documentary photography and videojournalism in some off the beaten path destinations like North Korea, Somalia, and Iraq, I've laid my roots in LA. Though I continue to do documentary work, I mostly use my PJ skills to create intriguing commercial imagery for a variety of clients. Read more »