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The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit r...
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Equipment Replacement Value: $2,999
The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options. With the 6.6 update, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function. Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Raw, and more.
The Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.
Record using the internal CFast 2.0 and SD/UHS-II card slots or employ the USB Type-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5" touchscreen LCD reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or baking in your look when you're ready to commit.
Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber composite build provides lightweight strength and durability, and power options include running off the included Canon LP-E6 type battery or the included power supply.
4/3" Image Sensor / Dual Native ISO
The Pocket Cinema Camera 4K uses a 4/3" sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.
Active Micro Four Thirds Lens Mount
Use lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.
Blackmagic Raw 4:3 2880 x 2160 (2.8K) anamorphic options with 2x and 1.33x de-squeeze preview functions.
4096 x 2160 (DCI 4K), 2.4:1 4096 x 1712 (4K), 3840 x 2160 (Ultra HD 4K), Super16 2688 x 1512 (2.6K), 1920 x 1080 (HD).
Aspect Ratio Options
Create customized aspect ratios or choose preset guidelines including 1:1 and 4:5.
Blackmagic Raw and ProRes Options
Choose from Blackmagic Raw and ProRes 422 files options depending on your project's needs.
5" Touchscreen Display
A large 5" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.
CFast 2.0, SD/UHS-II, and USB Type-C Capture
Internally record to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB Type-C output to an external drive.
Flexible Power Options
The Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery, the separately available Pocket Battery Grip, or the included power supply.
comes with 4 batteries and charger.
More than just the lens, the Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens A versatile zoom covering wide-angle to portrait-length perspectives, the Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens from Panasonic is designed for Micro Four Thirds cameras, where it provides a convenient 24-70mm equivalent focal length range. A constant f/2.8 maximum aperture affords consistent performance throughout the zoom range, and benefits working in difficult lighting conditions as well as enables greater control over depth of field. The sophisticated optical design employs a series of aspherical, low dispersion, and high refractive index glass elements to control a variety of aberrations and distortions for sharp, clean image quality and a Nano Surface Coating has also been applied to reduce ghosting and flare. A POWER Optical Image Stabilizer minimizes the appearance of camera shake to suit handheld shooting, and this O.I.S. system is also compatible with Dual I.S. for enhanced stabilization performance. Additionally, the lens also features a durable all-metal housing that is dust, splash, and freezeproof to enable its use in harsh climates.
Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-70mm equivalent focal length range.
Bright constant f/2.8 maximum aperture maintains consistent performance throughout the zoom range.
Four aspherical elements, one ultra extra-low dispersion element, and one ultra high refractive index element all contribute to minimizing chromatic and spherical aberrations and various aberrations in order to produce a high degree of clarity, sharpness, and color accuracy.
Nano Surface Coating has been applied to individual elements to reduce flare and ghosting for improved contrast and color neutrality.
POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilization performance.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality.
Comes with Hoya UV filter if needed.
Vlogger, Run & Gun, Voiceover, Podcaster
For Cameras, Mobile Devices & Computers
30-Hour USB Rechargeable Battery
Variable Gain, Pad, Roll-Off & HF Boost
USB Out or 3.5mm Out with Safety Channel
Power Switch with LED and Auto On/Off
Peak Warning LED
Windscreen Reduces Wind Noise
Includes Shoe/Pole Shockmount
he Rode VideoMic NTG gives video content creators, run-and-gun filmmakers, voiceover artists, and podcasters the sound of the highly regarded NTG shotguns in a convenient camera-mount mic that requires no additional adapters to work with cameras, smartphones, tablets, portable recorders, and USB-equipped computers.
With focused directivity, continuously variable gain, digitally switched tone controls, and an internal USB-rechargeable battery, the VideoMic NTG provides transparent sonic performance and immensely flexible functionality. Thanks to its aerospace-grade aluminum housing, the VideoMic NTG is durable, compact, and lightweight, making it equally at home atop a camera or on a boompole.
The auto-sensing 3.5mm TRRS output and included TRRS cable ensure compatibility with cameras, portable recorders, mobile devices, and computers—no adapters required. A peak warning light, a -20 dB pad, and the selectable -20 dB safety channel help you easily avoid distortion in your recordings. When used as a USB microphone, the 3.5mm jack functions as a stereo headphone output for real-time monitoring of your signal.
Thanks to firmware version 2.0, the VideoMic NTG is now MFi-certified for use with Lightning-equipped Apple iOS mobile devices (iPhone, iPad, and iPod) when paired with the Rode SC15 USB Type-C to Lightning accessory cable (available separately).
Technology Ported from the NTG5
The VideoMic NTG's body features acoustic perforations rather than the linear slots traditionally used in shotgun microphones. This annular line tube technology was ported from Rode's NTG5 to deliver transparency and a natural, uncolored sound.
Directional Sound Pickup
The VideoMic NTG utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its low-noise electronics and sensitive condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders. Since it is even more sensitive than the VideoMic Pro+ model, it requires less gain to achieve an equivalent signal level.
Extensive Device Compatibility
Simply connect the VideoMic NTG to your camera, portable recorder, or mobile device via the included TRRS cable. The VideoMic NTG's auto-sensing 3.5mm TRRS output automatically switches between TRS and TRRS as necessary, so you won't need additional adapter cables. The 3.5mm jack is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your recording device.
Full USB Microphone Functionality
Plug the VideoMic NTG into your computer, smartphone, or tablet via USB to use it as a digital USB microphone for direct recording to your favorite software. Its integrated analog-to-digital converter operates at 24-bit / 48 kHz to provide full-resolution, uncompressed audio quality.
MFi-Certified for Apple iOS Mobile Devices
As of firmware version 2.0, the VideoMic NTG is officially MFi-certified, unlocking complete compatibility with Lightning-equipped iOS devices, including iPhone, iPad, and iPod. Plug your VideoMic NTG into your iPhone, iPad, or iPod via USB with the Rode SC15 USB Type-C to Lightning accessory cable (available separately), unleashing the full potential of the mic, including:
Headphone monitoring with complete volume control using the variable output knob
Two-way audio transmission for making video calls
Access to the safety channel, which creates a second output at -20 dB in case the main channel distorts
High-quality 24-bit / 48 kHz digital audio conversion
Convenient Headphone Monitoring
When using the VideoMic NTG as a USB microphone, plug your headphones into its 3.5mm output for convenient stereo headphone monitoring. Control the headphone volume via the gain knob on the bottom of the mic.
-20 dB Pad and Continuously Variable Gain
To enable effortless optimization of recording levels for any device, the VideoMic NTG boasts a continuously variable gain control and a helpful audio peak warning light. Whether you need mic level, line level, headphone level, or something in between, the right level is available at the turn of a knob. Press the dedicated button for the -20 dB pad to quickly lower the level when loud sound sources threaten to distort your recording.
Bass Roll-Off and Treble Boost
The high-pass filter can be set to 75 Hz or 150 Hz to roll off low-frequency noise from common sources such as air conditioners and traffic. Knowing that intelligibility is crucial, Rode outfitted the VideoMic NTG with a selectable high-frequency boost, which enhances detail and clarity in the treble range.
Selectable Safety Channel
When source levels get unexpectedly louder, you risk overloading the recording. By pressing the dedicated safety channel button, you can set the mic's right channel to output 20 dB lower than the left channel. This lets you record a safety channel and the main signal to your camera at the same time.
Internal Rechargeable 30-Hour Battery
The internal rechargeable lithium-ion battery offers up to 30 hours of run time and recharges via USB Type-C in about two hours. Since the VideoMic NTG can be charged while you use it, you can even simultaneously power and charge it with a USB battery pack.
Manual or Automatic Power On/Off
When connected to the mic input of a compatible camera, the VideoMic NTG automatically turns on or off in response to the presence or absence of plug-in power. As you'd expect, the mic shuts off when it detects a loss in power, either from powering off or disconnecting the camera. Plus, there is a power button for manually turning the mic on or off.
Shockmount with Sliding Rail and Cable Management
Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to opt for a rugged Rycote Lyre suspension-style shockmount designed for attachment to a camera or boompole. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. The shockmount's sliding rail system lets shift the position of the mic forward or backward for perfect placement. Forget about messy cabling; the built-in cable management keeps the cord run tidy.
Windscreen Minimizes Wind Noise
The VideoMic NTG includes a foam windscreen to minimize unwanted wind noise from light breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the optional Rode WS-11.
.25 lb Weight Capacity / 8 Follow Modes
Supports for iFOCUS Lens Control System
Unobstructed View of Camera LCD
12 Buttons for Gimbal, Camera, Settings
Customizable Joystick and Other Controls
OLED Info Feedback Display
16-Hour Runtime off 4 Included Batteries
Gimbal/Accessories In/Out Power Ports
Various Time-Lapse Functions
The Moza Air 2 3-Axis Handheld Gimbal Stabilizer has been upgraded over previous versions with newly optimized high-torque motors, a 9.25 lb weight capacity, and many other features. The high weight capacity allows for a much wider range of cameras to be used, as well as wider combinations of cameras and lenses. The Air 2 also supports the optional Moza iFOCUS Intelligent Wireless Lens Control System, which comes in different versions to offer standard and automatic (with preset start/end points) focus and zoom control directly from the Air 2.
Another standout aspect of the Air 2 is that it clears and provides an unobstructed view of the camera LCD thanks to an angled motor arm. There is a total of 12 physical buttons for controlling the gimbal and camera, as well as adjusting settings such as shutter, aperture, and exposure compensation (where applicable). The joystick, smart wheel, and smart trigger controls are customizable in multiple combinations for different shooting styles. Most of the settings and customizations, as well as the gimbal status, are confirmed on an OLED display that provides intuitive information feedback.
The Air 2 features eight different operational modes, including single-axis and dual-axis modes such as pan follow and pan tilt follow (please see the Features section below for the full list). These modes allow for different shooting styles that Moza calls Sport Gear, FPV, Panorama, Tracking, and Inception styles. Inception, for example, allows you to rotate the camera as you push in on a subject.
The gimbal runs on four included lithium-ion 18650 batteries which provide up to 16 hours of runtime. The batteries are replaceable for continued operation. Designed with Moza's SPARK power supply system, the Air 2 has an input port that provides an alternate way of powering the gimbal, and three output ports for powering the camera and accessories using optional Moza adapter cables.
The Air 2 also offers various time-lapse functions including motion-lapse, tracking time-lapse, and zoom time-lapse, each allowing you to achieve a different look. Other features include an efficient auto-tuning system that selects optimal parameters based on your total load.
The Air 2 is easy to balance thanks to visual markers and other identifiable information. It also has a mechanical memory quick release system that helps readjust the camera without having to rebalance the gimbal. For tripod mounting and attaching accessories, the Moza Air 2 provides a 3/8"-16 threaded hole on the front of the handle and 1/4"-20 and 3/8"-16 threaded holes on the bottom.
9.25 lb weight capacity
Support for optional Moza iFOCUS Intelligent Wireless Lens Control System
Provides unobstructed view of your camera's LCD
12 physical buttons for controlling the gimbal, camera, and settings
Joystick, smart wheel, and smart trigger controls are customizable for different shooting styles
OLED information feedback display
16-hour runtime off four included 18650 Li-Po batteries
Input/output ports for powering the gimbal, camera, and accessories via optional Moza adapter cables
Various time-lapse functions including motion-lapse, tracking time-lapse, and zoom time-lapse
Intelligent auto-tuning system
Visual markers/identifiable information for balancing
Mechanical memory quick release system
3/8"-16 threaded hole on the front of the gimbal handle and 1/4"-20 and 3/8"-16 threaded holes on the bottom
8 Operational Modes
Pan follow / tilt follow / roll follow
All follow / all locked
Roll tilt follow / roll pan follow / pan tilt follow
I/O Ports for Moza Adapter Cables
5.5mm 16 VDC input
2.0mm 7.8 VDC output
5.5mm 12 VDC output
Multi CAN 7.8 VDC output
ND 0.6, ND 1.2, Graduated ND 0.6 Filters
High-Transmission (99%) Multi-Coating
The Tiffen Variable Neutral Density (ND) Filter - 2 to 8 Stop is a versatile and flexible tool, affording you the convenience of using several Neutral Density filters all in one. Primarily used as a photographic tool for controlling depth of field and exposure, the Variable ND is being sought in the video market as well because it is fast, easy to use, small and light-weight, and does not require additional accessories such as a matte box.
The Tiffen Variable ND filter operates on the same principle as a Circular Polarizer - rotate until you reach your desired effect and shoot. It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops - while maintaining the integrity of your image.
Note: The evenly spaced indexing marks between MIN and MAX do not represent calibrated stops. They are for reference only, to be used as a density bench-mark to return to a previous setting.
Provides 2 to 8 stops of light control
Thin profile ring .9mm
Wider outer optic to help reduce vignetting at wide angles
Comes in Tiffen Professional packaging with padded black nylon pouch
Made in the US with high quality optical glass using Tiffen's ColorCore Technology
The Samsung 1TB T7 Portable SSD is a compact and secure storage solution that fits in the palm of your hand. Roughly the size of a few stacked credit cards, the T7 is equipped with 256-bit AES encryption and password protection, so users can rest assured knowing their data is safe. Moreover, with PCIe NVMe technology, the T7 offers users quick performance and little downtime with read and write speeds of up to 1050 MB/s and 1000 MB/s respectively. With a USB 3.1 Gen 2 Type-C port, it's also backward compatible with USB 3.0 and Type-A devices with an appropriate cable. The T7 comes with embedded management software, which helps you set up a password and get firmware updates. The software works with Windows and Mac computers and is compatible with Windows 7 and higher, Mac OS X 10.10 and higher, or Android 5.1 (Lollipop) and higher.
Comes with usb-c cord to record and transfer to pc with.