The Timelapse Group, Llc Avatar

The Timelapse Group, LLC

Film Director

Woodside, NY Member since June 2016

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A Timelapse Digital Production & Brand Film Agency. Telling great stories through video and socially integrated platforms. Based out of Woodside Queens

--IMPORTANT DISCLAIMER--
**When renting from The Timelapse Group LLC please send a COI directly to thetimelapsegroup@gmail.com, if a COI is not received within 48hrs before the rental is to take place or insurance is not purchased through www.kitsplit.com the rental will then be cancelled.**

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Venus Optics Laowa 24mm f/14 Probe Lens for Sony E

Lens probe for macro video and photography. Sony E- Mount

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OWNER NOTES

Lens probe for macro video and photography. Sony E- Mount

$45
per day
$45
per day
Laowa 1.33x Rear Anamorphic Adaptor & 1.4x Full Frame Expander

1.33x Rear Anamorphic Adapter: When pairing with the OOOM, Laowa 1.33X Rear Anamorphic Adapter allows expanding your filming canvas to a 2.35:1 cinematic widescreen ratio in a 16:9 sensor while retaining its image resolution. It adds special characters in bokeh and flares on ordinary spherical lenses to become more cinematic. * A half stop light impact on the lens after the anamorphic adapter is applied. * This anamorphic rear adapter doesn’t feature any oval bokeh or expanded horizontal field of view like front anamorphic lenses does. 1.4x Full Frame Expander: Laowa 1.4X FF Expander is tailor-made for the OOOM to expand the coverage from Super35 into full-frame without affecting its image quality. **There will be a 1-stop light down and 1.4x impact on the focal range, making OOOM a 35-140mm T4 lens. A quick switch button is designed on the OOOM to allow easy conversion of focal length & t-stop scale. Both Adaptors are PL to PL.

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OWNER NOTES

1.33x Rear Anamorphic Adapter:
When pairing with the OOOM, Laowa 1.33X Rear Anamorphic Adapter allows expanding your filming canvas to a 2.35:1 cinematic widescreen ratio in a 16:9 sensor while retaining its image resolution. It adds special characters in bokeh and flares on ordinary spherical lenses to become more cinematic.

* A half stop light impact on the lens after the anamorphic adapter is applied.
* This anamorphic rear adapter doesn’t feature any oval bokeh or expanded horizontal field of view like front anamorphic lenses does.

1.4x Full Frame Expander:
Laowa 1.4X FF Expander is tailor-made for the OOOM to expand the coverage from Super35 into full-frame without affecting its image quality.

**There will be a 1-stop light down and 1.4x impact on the focal range, making OOOM a 35-140mm T4 lens. A quick switch button is designed on the OOOM to allow easy conversion of focal length & t-stop scale.

Both Adaptors are PL to PL.

$45
per day
$45
per day
Venus Laowa Cinema Zoom Lens OOOM 25-100mm T2.9 PL/EF/Sony Mount

Laowa's first dedicated cinema lens, the OOOM (Out Of Our Minds) 25-100mm T2.9 is the ideal zoom lens for the cinematographer looking to jump from still photo lenses into the world of professional cinema zooms. It's robust build quality and crisp image put it in a class well above it's price tag. The OOOM features a constant T2.9 aperture throughout the zoom range, a 270° focus rotation for smooth, precise focus pulls, standard zoom, focus, and iris gears, and a common 114mm front ring. The optical design is tailored for Super 35 format cameras and is comprised of 20 elements in 16 groups. A 9-bladed aperture makes for very nice, circular bokeh. The package includes Pl mount, Canon Mount (EF) and Sony Mount (1) 114mm- 100mm step up ring (1) lens suport Features: Zero focus breathing Lightweight T/2.9 9 Aperture blades SPECS Focal Length 25-100mm Max Aperture T2.9 Coverage S35 Lens Mount PL, EF, Sony mount Min. Focus 24" Front Dia. 114mm Filter Thread N/A Length 9.625" Weight 5.5 lbs.

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OWNER NOTES

Laowa's first dedicated cinema lens, the OOOM (Out Of Our Minds) 25-100mm T2.9 is the ideal zoom lens for the cinematographer looking to jump from still photo lenses into the world of professional cinema zooms. It's robust build quality and crisp image put it in a class well above it's price tag. The OOOM features a constant T2.9 aperture throughout the zoom range, a 270° focus rotation for smooth, precise focus pulls, standard zoom, focus, and iris gears, and a common 114mm front ring.

The optical design is tailored for Super 35 format cameras and is comprised of 20 elements in 16 groups. A 9-bladed aperture makes for very nice, circular bokeh.

The package includes Pl mount, Canon Mount (EF) and Sony Mount
(1) 114mm- 100mm step up ring
(1) lens suport

Features:
Zero focus breathing
Lightweight
T/2.9
9 Aperture blades

SPECS
Focal Length 25-100mm
Max Aperture T2.9
Coverage S35
Lens Mount PL, EF, Sony mount
Min. Focus 24"
Front Dia. 114mm
Filter Thread N/A
Length 9.625"
Weight 5.5 lbs.

$125
per day
$125
per day
DZOFilm Pictor 20-55mm and 50-125mm T2.8 (PL/EF)

A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually eliminates focus breathing. It covers a Super35 image circle, comes standard with an interchangeable PL mount, and includes an EF mount. The 16-blade iris creates round out-of-focus highlights, which have a more natural appearance and contribute to the lens's natural-looking bokeh. The lens features cine-style gear rings on the focus, iris, and zoom lens rings, making it compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems. The 95mm outer front diameter allows you to use a variety of compatible third-party matte boxes, and the lens has an 86mm filter thread. A lens support foot allows you to support the lens on rods to help reduce strain on your camera's lens port.

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OWNER NOTES

A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually eliminates focus breathing. It covers a Super35 image circle, comes standard with an interchangeable PL mount, and includes an EF mount.

The 16-blade iris creates round out-of-focus highlights, which have a more natural appearance and contribute to the lens's natural-looking bokeh. The lens features cine-style gear rings on the focus, iris, and zoom lens rings, making it compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems. The 95mm outer front diameter allows you to use a variety of compatible third-party matte boxes, and the lens has an 86mm filter thread. A lens support foot allows you to support the lens on rods to help reduce strain on your camera's lens port.

$150
per day
$150
per day
Sacthler FSB 10 Touch and Go with Speedlock legs

The FSB 10T Fluid Head from Sachtler supports payloads up to 26.5 lb. Designed to accommodate digital cinema-style cameras, such as the Sony FS7, Canon C500, and Blackmagic Ursa Mini. The head offers Sachtler's Touch and Go quick release with a sliding range of 2.4". It also features a 10-step counterbalance along with horizontal and vertical 5-step drag controls. In addition, a zero setting on the pan and tilt drag controls allows for unencumbered movement of the head. The fluid head features a 100mm bowl interface for tripod mounting and incorporates an illuminated bubble level for easy leveling in poor light conditions. A pan handle, which can be mounted on either side of the head, is also included.

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OWNER NOTES

The FSB 10T Fluid Head from Sachtler supports payloads up to 26.5 lb. Designed to accommodate digital cinema-style cameras, such as the Sony FS7, Canon C500, and Blackmagic Ursa Mini. The head offers Sachtler's Touch and Go quick release with a sliding range of 2.4". It also features a 10-step counterbalance along with horizontal and vertical 5-step drag controls. In addition, a zero setting on the pan and tilt drag controls allows for unencumbered movement of the head.

The fluid head features a 100mm bowl interface for tripod mounting and incorporates an illuminated bubble level for easy leveling in poor light conditions. A pan handle, which can be mounted on either side of the head, is also included.

$50
per day
$50
per day

Reviews (21)

Average 4.9 Stars

Perfect working condition. Easy transaction!

Owner

February 2020

A+

Owner

May 2018

lovely

Owner

August 2017

Great!

Great camera and really enjoyed the rental from TTG. They were super helping and coordinated timeing for pickup and drop off well.

Owner

May 2017

Good people. Friendly, flexible, responsive and their gear is top notch

Great guys, good advice not related to rental. Nice community we have here.

Owner

January 2017

Noel is a total pro. Would absolutely work with again.

Owner

Red Epic Dragon 6K Studio Kit

January 2017

Thanks for communication and flexibility. 5 Star Rental for sure!

Camera was wonderful! Working with Time Lapse was a breeze. Looking forward to the next rental!

Owner

November 2016

Easy to interface with, great kit, great price!

Owner

Red Epic Dragon 6K Studio Kit

October 2016

Would rent again

Owner

Red Epic Dragon 6K Studio Kit

October 2016

Definitely would rent again!

Owner

Red Epic Dragon 6K Studio Kit

October 2016

It was a breeze renting from The Timelapse Group. The gear was all in great working condition and the team was very accommodating with pickup and drop-off. Thanks guys!

Owner

Red Epic Dragon 6K Studio Kit

September 2016

The lenses were perfect and Noel is super friendly and helpful!

Owner

September 2016

Everything went smoothly, would definitely rent from timelapse again!

Owner

August 2016

Everything went smoothly, would definitely rent from timelapse again!

Owner

August 2016

Great camera! Super flexible with pickup drop off Thanks

Owner

Red Epic Dragon 6K Studio Kit

August 2016

Great rental, flexible with pickup and dropoff. The only problem I had was with the FS5 battery charger– it didn't charge batteries, but it did work as a power supply to camera. I shot in studio, so we managed. Difficult to have anticipated that.

Owner

August 2016

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