hsc.tv is a NYC based production company . We have a broad and diverse client base including ESPN, ABC, NBC Universal, History, Coca Cola, Sony and many more .
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Includes: Nanlux Evoke 1200B LED Bi-Color Spot Light, Yoke, Power Supply
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OWNER NOTES
The Evoke 1200B features advanced bi-Color light mixing technologies ensuring continuity and accuracy in CCT changes from 2700K all the way up to 6500K. The CCT adjustment can be easily made with the turn of a knob, making CTO/CTB gels a thing of the past. It also offers more flexibility in filmmaking by simulating natural light from sunrise to daylight at noon to sunset. The glass Fresnel Lens with Offset Yoke from Nanlux is designed to sharply focus the beam spread of the Evoke 1200B. The lens comes with 4-way barn doors, while the offset yoke allows easy tilting without obstruction by them.
Includes: 21mm Lens, 35mm Lens, 50mm Lens
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OWNER NOTES
The ZEISS Supreme Prime lenses are designed to cover cinematic sensors from Super 35 and smaller to full frame and beyond (FF+), making them ideal for current and future camera systems. With the lenses at T1.5 the Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments.
Includes: V-RAPTOR XL 8K VV Camera System, DSMC3 RED Touch 7” LCD, DSMC3 RED Touch 7.0" LCD Hood
INCLUDES
OWNER NOTES
The V-RAPTOR XL 8K VV Camera from RED DIGITAL CINEMA offers up to 8K VV multi-format video capture, REDCODE raw and Apple ProRes recording, and 1080p streaming in a streamlined form featuring an array of interfaces suitable for high-end crew use. The V-RAPTOR XL incorporates internal ND filters and an interchangeable lens mount, and it includes an ARRI PL mount. Its industry-standard interface incorporates three 12G/6G/3G-SDI outputs, both 12 and 24V power outputs, timecode and genlock ports, and a Gold mount battery plate.
Includes: 15mm rods, rod mount, hard travel case
INCLUDES
OWNER NOTES
Designed to offer breathtaking wide-angle images for Super35mm and Full Frame cameras with outstanding optical performance for HDR, 4K and 8K productions, the CINE-SERVO 15-120mm T2.95-3.95 is ideal for broadcast and cinema applications where high image quality and performance across the entire zoom range are demanded. A built-in extender increases the 15-120mm range to 22.5-180mm for telephoto use.
The Cine 18 offers a perfect blend of screen size, brightness, color accuracy, and portability, making it the most flexible High-Bright 4K Monitor for any production scenario. It’s big enough for Video Village, bright enough for daylight viewing, and its ultra-lightweight aluminum unibody construction is the result of years of real-world, on-set testing. This monitor is ideal for Video Village, ACs, DPs, DITs, or as a director’s monitor. The Cine 18” 4K High-Bright monitor features 1100nits of brightness for easy daylight viewing, exceptional image quality, and up to 4K resolution on the monitor’s 18-inch screen. 10-bit color depth and 100% REC.709 color gamut ensure a color-accurate look at your production. You can power the monitor using a 4-pin XLR input or via the dual Gold mount battery plate, and they are hot-swappable.
OWNER NOTES
The Cine 18 offers a perfect blend of screen size, brightness, color accuracy, and portability, making it the most flexible High-Bright 4K Monitor for any production scenario. It’s big enough for Video Village, bright enough for daylight viewing, and its ultra-lightweight aluminum unibody construction is the result of years of real-world, on-set testing. This monitor is ideal for Video Village, ACs, DPs, DITs, or as a director’s monitor.
The Cine 18” 4K High-Bright monitor features 1100nits of brightness for easy daylight viewing, exceptional image quality, and up to 4K resolution on the monitor’s 18-inch screen. 10-bit color depth and 100% REC.709 color gamut ensure a color-accurate look at your production.
You can power the monitor using a 4-pin XLR input or via the dual Gold mount battery plate, and they are hot-swappable.
They used to be in the same building with us about 4 years ago so we got to know their company and equipment very well. They have a nice inventory of gear and are very organized. Easy to work with. Good people. We still rent from them whenever we need any camera, lighting or sound equipment.
We’re making gear rentals more enjoyable and affordable.
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