Samuel S
Director of Photography / Cinematographer
Brooklyn, NY Member since January 2016
Verified
Freelance filmmaker NYC
per day
WEEK/WKND RATES
per day
WEEK/WKND RATES
per session
Class Time
Basic Lesson (1hr)
Arriflex - Cinegon Schneider Kreuznach 18mm T1.8
Exceptionally bright and wide PL mount lens. Beautiful look. Crisp glass comes from Clairmont Camera in CA. My only caveat is the focus ring isn't geared, so you need to pull off the barrel. Amazing close focus.
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OWNER NOTES
Exceptionally bright and wide PL mount lens. Beautiful look. Crisp glass comes from Clairmont Camera in CA. My only caveat is the focus ring isn't geared, so you need to pull off the barrel. Amazing close focus.
$60
per day$60
per day
Bright Tangerine Misfit Atom
Top Flag 15mm Rod adapter 80mm Clamp on Ring
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OWNER NOTES
Top Flag
15mm Rod adapter
80mm Clamp on Ring
$45
per day$45
per day
Optex 4mm T2.0
Ultra wide-angle lens for 16mm/S16mm cinematography Integrated iris gear PL mount Fast T2.0 Front of lens has a retaining-ring to enable the use of round filters Large, bright iris scale
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OWNER NOTES
Ultra wide-angle lens for 16mm/S16mm cinematography
Integrated iris gear
PL mount
Fast T2.0
Front of lens has a retaining-ring to enable the use of round filters
Large, bright iris scale
$75
per day$75
per day
Canon SC17x10.6 10.6-180mm Super 16 Zoom Lens
Includes: Flight case, Lens Support
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INCLUDES
- Flight case
- Lens Support
OWNER NOTES
The most contemporary of the Canon S16 zooms. This lens is in absolutely pristine condition. The glass is flawless with no blemishes of any kind. The actuation of FIZ are all butter smooth. Sharp edge to edge throughout the zoom range and with excellent color rendition, this lens is very special.
Specs:
Focal Length: 10.6 - 180
Speed: T2.7 - 22
Weight: 4lbs
Close Focus: 3'4"
Length: 7.5"
Front Diamter: 95mm
$150
per day$150
per day
Canon 8 - 64mm T2.4 Super 16 Zoom
Includes: Two Stage 4x4 Clip on Mattebox , Lens Support , Flight Case
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INCLUDES
- Two Stage 4x4 Clip on Mattebox
- Lens Support
- Flight Case
OWNER NOTES
"There is a good reason Barry Ackroyd chose the Canon 8-64mm T2.4 as his primary lens on HURT LOCKER, it does everything right. Not only is it sharp, has one of the most useful zoom ranges of any lens and has an amazing close-focus, but it also has almost NO FOCUS BREATHING. Super 16 zooms are known for their bad focus breathing, and this lens has none at the wide end and almost none at the long end.
With a field of view that is roughly equivalent to a 14.5-115mm in Super 35 terms and a close focus that nearly touches the front of the lens, this is the ultimate documentary lens. There is rarely a moment where you feel like you can't get the shot you need or feel like you have to change lenses."
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