Joseph B
Film Director
Brooklyn, NY Member since November 2015
Verified
Hi! I'm a commercial director/dop and documentary producer/dop/director.
Pickup located ~ Halsey J / Ralph C / Utica A!
per day
WEEK/WKND RATES
per day
WEEK/WKND RATES
per session
Class Time
Basic Lesson (1hr)
Red Komodo Basic Kit (brain, cage, media + batteries!)
Includes: AC Power Adapter, Mini World Traveler Adapter Kit, Canon Ef - RF adapter with drop in variable ND
More
INCLUDES
- AC Power Adapter
- Mini World Traveler Adapter Kit
- Canon Ef - RF adapter with drop in variable ND
- Clear filter for drop in adapter
- 512GB Fast Cards (2x)
- Card Reader
- Tilta cage with side + top handle
- 3x RED BP batts
- Charger
- LP battery charger
- Galvanic Isolator (MUST USE)
- sdi cable
OWNER NOTES
This kit is a basic package including the Komodo brain, cage, RF-EF adapter (and drop in ND), plus 2x 512gb cards and 3x red brand BP batteries. Perfect for branded, doc, music video, or narrative shoots on a budget.
PLEASE NOTE: you must the included Galvanic isolator and follow correct operating procedure when plugging + unplugging SDI into camera.
1) put batteries in monitor
2) put batteries in camera
3) plug SDI cable into monitor
4) turn on monitor and camera
5) plug SDI into isolator on camera
Always unplug SDI from camera before removing or replacing batteries in the monitor or camera. Do not plug SDI into camera when there are no batteries in the monitor.
RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.
Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters.
The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.
A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.
Getting back to image quality, the KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.
Being a complete all-in-one camera solution, the KOMODO features an array of necessary ports and connections. This includes integrated stereo microphones and a 3.5mm input for audio, genlock/timecode/GPIO/RS232 support via a 9-pin EXT port, and a DC power input. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2 quality for dedicated monitoring solutions. The rear of the camera also sports dual Canon BP-9xx series battery slots, which can be hot-swapped for practically unlimited recording in the field.
The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality.
$150
per day$150
per day
Red Komodo Vintage Kit (w/ Leica R 24mm, 50mm, 1/4 HBM)(Ready to shoot with Media + Batts)
Includes: AC Power Adapter, Mini World Traveler Adapter Kit, Canon Ef - RF adapter with drop in variable ND
More
INCLUDES
- AC Power Adapter
- Mini World Traveler Adapter Kit
- Canon Ef - RF adapter with drop in variable ND
- Clear filter for drop in adapter
- 512GB Fast Cards (2x)
- Card Reader
- Smallrig Mini Mattebox Pro
- 1/4HBM
- Tilta cage with side + top handle
- SmallHD502 Bright on camera monitor
- 3x RED BP batts
- Charger
- 8x LP Batteries (for 502 bright)
- LP battery charger
- SDI cable
- Galvanic Isolator (MUST USE)
OWNER NOTES
This kit comes with everything you need for a full scale production with the Red Komodo. Get the crisp 6k sensor and beautiful color science RED is known for, plus the gorgeous vintage (yet sharp) optics of the Leica R series. Also includes a 1/4 Hollywood black magic filter and mattebox, should you want to knock down that sharpness a bit. Totally ready to shoot package with 2x 512gb cards and 3x red brand BP batteries. Perfect for branded, doc, music video, or narrative shoots on a budget.
PLEASE NOTE: you must the included Galvanic isolator and follow correct operating procedure when plugging + unplugging SDI into camera.
1) put batteries in monitor
2) put batteries in camera
3) plug SDI cable into monitor
4) turn on monitor and camera
5) plug SDI into isolator on camera
Always unplug SDI from camera before removing or replacing batteries in the monitor or camera. Do not plug SDI into camera when there are no batteries in the monitor.
RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.
Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters.
The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.
A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.
Getting back to image quality, the KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.
Being a complete all-in-one camera solution, the KOMODO features an array of necessary ports and connections. This includes integrated stereo microphones and a 3.5mm input for audio, genlock/timecode/GPIO/RS232 support via a 9-pin EXT port, and a DC power input. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2 quality for dedicated monitoring solutions. The rear of the camera also sports dual Canon BP-9xx series battery slots, which can be hot-swapped for practically unlimited recording in the field.
The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality.
$200
per day$200
per day
F22c Aputure Amaran Flexible 2x2 Full RGB Light Mat (V mount)
Includes: Control Box with V mount Battery Plate, 9.8' Head extension cable, Support Bracket
More
INCLUDES
- Control Box with V mount Battery Plate
- 9.8' Head extension cable
- Support Bracket
- Right angle and straight baby pin adapter
- Tilting stand mount
- Softbox frame
- Diffusion (1/2 grid)
- Diffusion (2.5 stop)
- Grid
- Multi voltage AC power supply
- AC power cable
- Carrying case
OWNER NOTES
The F22c RGBWW LED Mat from amaran is a powerful, versatile, and flexible LED mat that measures 2 x 2'. It offers outstanding light output and color rendering suitable for a variety of users, from filmmakers to videographers, content creators, and still photographers. Providing 200W of power, it features RGBWW LEDs for complete color control, as well as tunable CCT from 2500K to 7500K, providing endless possibilities for creative lighting selections through 360° HSI control, 46 color gel presets, and 15 unique customizable lighting effects. It has stellar CRI and TLCI scores of 95+ and 97+, and stepless dimming from 0 to 100%. An included folding X-frame stretches the mat to a rigid panel that can be attached directly to a C-stand grip head using the straight Baby Pin adapter, or onto any standard light stand with the included right angle Baby Pin and tilting stand mount. The included foldable softbox has two strengths of diffusion, and a fabric grid that uses an integrated hook-and-loop fabric to instantly turn this flexible mat into an ultrathin soft light that will add beautifully controlled soft light to a scene.
The control box is a multi-voltage AC power supply that features a V-mount battery plate for use with compatible 14.4V, 26V, or 28.8V batteries. Full output can be achieved when using the AC power supply, using batteries allows the F22c to be used at either half or full power, depending on battery strength.
The free Sidus Link app makes it possible to utilize tools unique to the Aputure and amaran ecosystems, such as Source Match, Color Picker, and Custom FX. The F22c can also be controlled using DMX with a separately available USB-C to 5-Pin DMX512 in & out adapter cable, adding professional-level control to an individual unit or groups of lights. The amaran F22c is ideal for videographers who need a versatile and literally flexible lighting solution. The RGBWW flexible panel gives users unmatched strength and control over a wide, expanded CCT range to match a variety of white light environments.
200W output
2 x 2'' RGBWW flexible LED mat
Color temperature from 2500-7500K
CRI: 95+, TLCI: 97+, CQS: 96+
SSI (Tungsten): 83+, SSI (D56): 74+
HSI Full Color Control
Tunable green-magenta adjustment (plus/minus green)
Stepless dimming from 0 to 100%
Ultralight LED mat
Sidus Link App control for smartphones & tablets
DMX control with USB-C to 5-Pin DMX512 in & out adapter cable, separately available
15 Built-in lighting FX including paparazzi, lightning, TV, candle, fire, strobe, explosion, faulty bulb, pulsing, welding, police car, color chase, and more
46 color gel presets
Easy-mounting multi-voltage AC power supply with included V-mount battery mount
Multiple DC power solutions: 14.4V/26/28.8V/48V (3-Pin XLR)
Soft carrying case
Included:
amaran F22c RGBWW LED Mat (V-Mount, 2 x 2')
Control Box with V-Mount Battery Plate
9.8' Head Extension Cable
Support Bracket
Right-Angle Baby Pin Adapter
Straight Baby Pin Adapter
Tilting Stand Mount
F22 Softbox Frame
F22 Diffusion Cloth 1 (1/2 Grid Cloth)
F22 Diffusion Cloth 2 (2.5 Stop)
F22 45 ° Light Control Grid
Multi-Voltage AC Power Supply
AC Power Cable
Carrying Case
Kit stand or C stand of your choice
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