Robert G
Film Director
Brooklyn, NY Member since April 2015
Hi! My name is Robert Gregson and I'm a TV and film Director/DP based in Brooklyn. Feel free to reach out if you have any questions!
Hi! My name is Robert Gregson and I'm a TV and film Director/DP based in Brooklyn. Feel free to reach out if you have any questions!
2 C Stands, 2 Sandbags, Boompole with Shock Mount, Boom Claw, and Gobo Head.
OWNER NOTES
2 C Stands, 2 Sandbags, Boompole with Shock Mount, Boom Claw, and Gobo Head.
The F22c RGBWW LED Mat from amaran is a powerful, versatile, and flexible LED mat that measures 2 x 2'. It offers outstanding light output and color rendering suitable for a variety of users, from filmmakers to videographers, content creators, and still photographers. Providing 200W of power, it features RGBWW LEDs for complete color control, as well as tunable CCT from 2500 to 7500K, providing endless possibilities for creative lighting selections through 360° HSI control, 46 color gel presets, and 15 unique customizable lighting effects. It has stellar CRI and TLCI scores of 95+ and 97+, and stepless dimming from 0 to 100%. An included folding X-frame stretches the mat to a rigid panel that can be attached directly to a C-stand grip head using the straight Baby Pin adapter, or onto any standard light stand with the included right angle Baby Pin and tilting stand mount. The included foldable softbox has two strengths of diffusion, and a fabric grid that uses an integrated hook-and-loop fabric to instantly turn this flexible mat into an ultrathin soft light that will add beautifully controlled soft light to a scene.
OWNER NOTES
The F22c RGBWW LED Mat from amaran is a powerful, versatile, and flexible LED mat that measures 2 x 2'. It offers outstanding light output and color rendering suitable for a variety of users, from filmmakers to videographers, content creators, and still photographers. Providing 200W of power, it features RGBWW LEDs for complete color control, as well as tunable CCT from 2500 to 7500K, providing endless possibilities for creative lighting selections through 360° HSI control, 46 color gel presets, and 15 unique customizable lighting effects. It has stellar CRI and TLCI scores of 95+ and 97+, and stepless dimming from 0 to 100%. An included folding X-frame stretches the mat to a rigid panel that can be attached directly to a C-stand grip head using the straight Baby Pin adapter, or onto any standard light stand with the included right angle Baby Pin and tilting stand mount. The included foldable softbox has two strengths of diffusion, and a fabric grid that uses an integrated hook-and-loop fabric to instantly turn this flexible mat into an ultrathin soft light that will add beautifully controlled soft light to a scene.
Create cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user. The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed. For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection. The camera features up to 12G-SDI output over a single BNC cable, timecode I/O, and genlock input BNCs. It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3" rotating touchscreen LCD unit with full controls, grip, and thumb rest.
OWNER NOTES
Create cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user.
The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.
For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
The camera features up to 12G-SDI output over a single BNC cable, timecode I/O, and genlock input BNCs. It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3" rotating touchscreen LCD unit with full controls, grip, and thumb rest.
Aputure 600D with Fresnel & Barndoors
OWNER NOTES
Aputure 600D with Fresnel & Barndoors
Features: • Misfit Matte box w/ top shade • 3 Filter Holders • Black Hole donut • 15mm Rod Mount • 143mm clamp on mount • 114mm clamp on mount • Screw on adapters to 114mm for stills lenses (72, 77, 82) • Pelican Case
OWNER NOTES
Features:
• Misfit Matte box w/ top shade
• 3 Filter Holders
• Black Hole donut
• 15mm Rod Mount
• 143mm clamp on mount
• 114mm clamp on mount
• Screw on adapters to 114mm for stills lenses (72, 77, 82)
• Pelican Case